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Star singing as they run towards the camera- crossing performance and narrative.

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Again, crossing the bridge between performance and narrative.

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Directional lighting pointing in different directions around the room.

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Fast edit/cuts, lots of motion blur and movement to give it a real panicked/rushed feel. Star running towards the camera creates suspense and extra intensity.

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Camera distances may vary as this would add variety to cut to.

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Directional movement- Star running towards the camera and lots of camera movement/shake.

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Variety of shot distances. Example: Mid shot

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Moody, low key lighting. A more confined, claustrophobic environment suggests struggle and pressure. Maybe a handheld feel would also match this visual.

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Motion blur, together with bright light leaks supplies the effect of tiredness and confusion after running (out of breath).

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Camera focused on the hands of the musicians- less focus on who's playing but more on what's playing.

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In this shot, the audience see the top half of the star as well as some of the detail of the car. In this image, the shallow depth of field gives the background a blur and encourages a sense of movement.

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For this shot, the viewer is placed into the POV of the passenger for a view of the main star driving the vehicle. In this shot, I want to focus particularly of the use of colour. By using the complimentary colours of pink and blue, it gives the shot a real 80's vibe and an almost surreal aesthetic.

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Split lighting, use of complementary colours- orange and green. - Supplies the shot with a more surreal look, ideal for the 80's-style genre.

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In terms of colour, the dark teal provides a moody atmosphere and compliments the tone of the car lighting that I'm aiming for.

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In this example, the star is wearing glasses, the reflections from outside lights are obvious and clear for the audience.