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https://www.ugent.be/doctoralschools/en/doctoraltraining/courses/specialistcourses/ahl/dance-blockhain.htm

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Target Group

PhD students of the Doctoral School of AHL. PhD students from the Flemish Area. MA and PhD students from other institutions. Researchers and artists interested in the topic.

Organizing & Scientific Committee

Jorge P. Yánez
Faculty: Arts and Philosophy
Department: Studies in Performing Arts and Media
E-mail: jorge.povedayanez@ugent.be

Other members of the organising & scientific committee

Prof. Dr. Christel Stalpaert [Studies in Performing Arts and Media]
Prof. Dr. Pieter-Jan Maes [Institute for Psychoacoustics and Electronic Music]
Dr. Annelies Van Assche [Studies in Performing Arts and Media]

Abstract

This course aims to unveil the intertwined dynamics of creativity, ownership, agency and commoditization/assetization of the performing arts on the blockchain through artistic, legal and technological considerations. Theoretical and practical sessions will offer complementary insights about tokenizing intangible culture in the advent of the web 3.0 as the body, its movements and likeness make their entrance into the crypto-space.

Topic and Objectives

The central topic is the role of new crypto-tech and the metaverse, to (1) destabilize ownership dynamics for the performing arts industry, (2) allow new forms of organization among performing artists (3) problematize the notion of their corporeality as it expands towards/inside/across the digital space(s). There is extensive media coverage on the solidity of crypto-currencies and the current art markets' craze on digital creativity and NFTs, but little or no academic discussion is being held to provoke real insight on how these technologies impact the performing arts sector. This issue will be tackled not as a monolithic incident but as a multi-layered phenomenon involving legal, cultural and financial aspects for the circulation of creativity. Such heightened degree of digitization of cultural expressions, with the commodification that it entails, needs to be reckoned for obtaining a nuanced perspective not only about the future of the blockchain but also its present decentralizing applications for artists.

The multidisciplinary angle of this course implies a great range of specialization of the invited speakers as well as for the fields that relate to the learning outcomes expected from participants. In this sense, regarding the technical/technological angle around the topic, insight on how to 'mint' and NFT, either based on an 'emote' or a small sequence of movement is expected. A variation of this outcome is the base-knowledge on minting an NFT connected to a still or moving image. Regarding the legal aspect of the course, participants should learn to identify the overlapping layers of ownership/authorship over digital assets on the blockchain, including but not limited to IP-related rights. Complementarily, and within the cultural ramifications of the topic, participants are expected to gain understanding on both, the possibilities as well as the risks of commodifying cultural practices in the crypto-space. This learning outcome involves familiarity with the most prominent discourses and stances around the financialization/assetization processes afforded by blockchain technologies. On the artistic front, the content and activities facilitated are aimed to offer points of entry to articulate reflections around the expansion of the notion of corporeality within the digital space and its entailing resonances with concepts such as 'embodied archive' and 'knowledge-in-action', thus bridging the kinetic repositories performed both by physical bodies and avatars, respectively.

Dates and Venue

24th, 25th, and 26th of August 2022

ASIL Laboratory at IPEM -Institute for Psychoacoustics and Electronic Music, located at De Krook Library (Gent - 9000)

Program and Time schedule

09:30-10:00: Registration

10:00-10:30: Introduction by Christel Stalpaert and Jorge Poveda Yánez - S:PAM Research Centre, Faculty of Arts and Letters at Ghent University.

The current processes of digitization of the dancing bodies in the digital space, archive-fever, power dynamics and new generation technologies.

10:30-12:00: "Blockchain for the arts, music and artistic research" with Adam Łukawski - Orpheus Institute
During this session, participants will learn about the current state-of-the-art of blockchain technologies for the arts, including topics such as NFTs, Decentralised Autonomous Organisations, and examples of creative uses of this technology in the artistic world. Additionally, new horizons of thought for the development of blockchain technologies will be presented in the context of artistic research on the novel concepts of hypermusic and geomusic as well as on algorithmic composition conducted by the research cluster MetamusicX at Orpheus Institute, Ghent.
12:00-14:00: Lunch Break

14:00-16:00: "Embodiment + Computational Creativity + Blockchain" with Marlon Barrios Solano and Lenara Verle - MotionDAO
This workshop introduces the MotionDAO vision, mission and Web3 onboarding strategies as a way to map the complex and fast paced blockchain ecosystem in order to inquire about its affordances as an art medium, as a financial innovation framework and as a sociotechnical/organizational redesign. Participants will have the opportunity to explore the embodied 'tech stack' of MotionDAO, the importance of generativity, complexity and choreographic thinking. They will be offered the opportunity to create a crypto wallet that will allow them to mint NFTs, interact with a DAO (Decentralized Autonomous Organization) and speculate about possible futures.
COMPLEMENTARY ACTIVITY* 16h30-17h30: Practical session at IPEM - ASIL. Demonstration of VR settings for engaging with revived cultural heritage objects in electronic music in the context of the IPEM XRhive Project. Guided by Pieter Jan-Maes, Professor at the Department of Art, Music and Theatre Sciences - IPEM (Institute for Psychoacoustics and Electronic Music).

10:00-12:00: Theoretical/Practical Workshop with Patrick Tresset - Independent Artist
In this session, participants will engage with the creative affordances of intertwining embodied practices, data, movement and blockchain architectures in the digital space. Patrick's work and practice will help illustrate these topics. He is best known for his performative installations using robotic agents as stylized actors that make marks and for his exploration of the drawing practice using computational systems and robots.
12:00-14:00: Lunch Break

14:00-16:00: "Copyright, Choreography & the Blockchain" with Simon Geiregat - Ghent University
Who "owns" choreographic and other artworks, and what does Blockchain have to do with it? Following an introduction to some general copyright concepts, this lecture focuses on the facts and fibs surrounding today's digital and artistic ownership debates. Particular attention is spent to the emerging phenomenon of art NFTs, pleading for extra caution.
COMPLEMENTARY ACTIVITY*: 16h30 - 17h30. Practical session at IPEM-ASIL. Demonstration of computerised immersive environments for embodied creativity in the context of the project 'Practicing Odin Teatret's archive: training, transmission, interaction and creativity'. Guided by Adriana Parente La Selva and Ioulia Marouda, researchers at IPEM (Institute for Psychoacoustics and Electronic Music).

10:00-10:30: "Redefining ownership in the digital realm - beyond copyright and access restrictions, towards supporting creators and the cultural commons" with Lenara Verle - MotionDAO
In this talk, Lenara expands on the question of why buying art? A new form of ownership powered by the blockchain reaffirms many good reasons for doing it, plus one more: enriching the cultural commons. Rare Digital Art is a relatively new phenomenon and one of the new applications of blockchain technology. It allows the creation of a market for digital art, something that was not really possible until now.
10:30-11:30: "Innovation in safeguarding Intangible Cultural Heritage through NFTs and the metaverse" with Gustavo Caicedo - Global Creativity
Gustavo presents the case of Axolotl NFT's as a mechanism to increase public attention to an issue and as a strategy to raise funds for an environmentally responsible cause. From that experience an NFT is a block in the blockchain, it can be an image, but also a moving image and/or a sound, that opens the possibility of registering movements and sounds linked to elements and expressions of Cultural Heritage. Immaterial, allowing the bearers of these
As a part of "Dance and the Blockchain", Nina will be acting as resident artist. Since co-writing "Dancing Someone else's movements using someone else's body", with Jorge Poveda Yánez, Nina has been developing a fictional traditional dance to use as a tool to help think through the ethics of putting dance onto the blockchain. Through-out the three days, she will engage with the emerging discourses as if she were a traditional "Bionic Step" dancer and will produce a fictional report about the course as an artwork at the end. Nina will introduce participants to her work "Express Yourself on the Battlefield" - a video essay which lays out some of the key concerns with digitizing the dancing body. elements to register the intellectual property of an image, a movement and/or a sound in a digital format that will have a high value in the metaverse.
11:30-12:30: "Expressing ourselves on the battlefield and stepping into machines" with Nina Davies - Goldsmiths University of London.
Participants and speakers of the course are invited to critically engage in a nuanced conversation about the potentials but also the risks and downfalls of encrypting performing arts expressions, while reviewing and expanding the content of the three days of the course.
12:30-14:00: Lunch Break
As the closure for the Doctoral Course, participants are expected to present their thoughts on an art work that has been done about/with/within any kind of blockchain architecture or using resources based on crypto-technologies.
14:00-15:00: Interdisciplinary panel on the potentialities, challenges and future developments surrounding "Dance and the Blockchain" moderated by Jorge Poveda Yánez - Ghent University

15:00-16:30: Collaborative artistic exhibition moderated by Nina Davies - Goldsmiths University of London.

COMPLEMENTARY ACTIVITY*: 16h30 - 17h00. Ludic and participative demonstration of new digital environments for embodied creativity by Marlon Barrios and Lenara Verle - MotionDAO

Registration

Please follow this link

If the course is fully booked, you can ask to be added to the waiting list by sending an e-mail to doctoralschools@ugent.be. In case of cancellations, you can take the open place.

Registration fee

Free of charge for Doctoral School members of Arts, Humanities and Law.

Teaching material

Papers, articles, art-works and moving-image materials from the experts artists involved in the course and others. Every participant should study one of the 4 text provided in advance, as well as consult on one of the 4 works of art dealing with the blockchain, to elaborate upon, during the sessions scheduled. There will be allotted time for group discussion and feedback around the materials.

Number of participants

Maximum 30 participants.

Language

English

Evaluation methods and criteria (doctoral training programme)

At least 75% of attendance is required from students enrolled and an active participation is expected during the sessions.

Participants who require credits for undertaking a specialist course as part of their doctoral studies at Ghent University approve the course by completing a successful presentation during the 'Collaborative artistic exhibition', according to the guidelines included in the rubric provided beforehand for this activity.

*Not compulsory activity

09:30-10:00: Registration

12:00-14:00: Lunch Break

12:00-14:00: Lunch Break

12:30-14:00: Lunch Break

Please follow this link

Maximum 30 participants.

English

*Not compulsory activity

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Dance and the Blockchain. Commodification and ownership of embodied creativity in the crypto space

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PhD students of the Doctoral School of AHL. PhD students from the Flemish Area. MA and PhD students from other institutions. Researchers and artists interested in the topic. Jorge P. YánezFaculty: Arts and PhilosophyDepartment: Studies in Performing Arts and MediaE-mail: jorge.povedayanez@ugent.be Prof. Dr. Christel Stalpaert [Studies in Performing Arts and Media]Prof.

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MotionDAO onboarding workshop - MotionDAO onboarding workshop

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Artists Exploring the Blockchain - http://motiondao.art

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MotionDAO Residency at K-Format Kassel Daily NFT 5

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MotionDAO Residency at K-Format Kassel Daily NFT 5

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MotionDAO Residency at K-Format Kassel Daily NFT 4

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MotionDAO Residency at K-Format Kassel Daily NFT 4

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MotionDAO Residency at K-Format Kassel Daily NFT 3

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MotionDAO Residency at K-Format Kassel Daily NFT 3

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MotionDAO Residency at K-Format Kassel Daily NFT 2

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MotionDAO Residency at K-Format Kassel Daily NFT 2

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MotionDAO Residency at K-Format Kassel Daily NFT 1

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MotionDAO Residency at K-Format Kassel Daily NFT 1

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mariana carranza ||  my portfolio is the cat’s pajamas

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interactive urban screen, digital interface, open-art gallery and participatory platform.
Projekt, initiert und kuratiert von Mariana Carranza.

Nips, Nifoé, Nema;
Nicteris, Nefelé, Nexis;
Rodopis, Rodonia, Ptilé ...

el Alma y la Danza, Paul Vallery

Medialab-Prado, Madrid
Generative interactive urban interface.
digital waves in a virtual sea - in a city in which water was one of its main resources and it has turned insufficient over the last decade.

Interactive audiovisual installation
CCE, Montevideo 2010
Kulturstation, Frankfurt 2011
University of Chichester 2012

Proyecciones urbanas interactivas:
Juegos de [re]posesión del espacio urbano.

experiments in dance + technologie

participative performance
BUGA München 2005

Se abre la verja del jardín
con la docilidad de la página
que una frecuente devoción interroga
y adentro las miradas
no precisan fijarse en los objetos
que ya están cabalmente en la memoria.

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interactive urban screen, digital interface, open-art gallery and participatory platform. Projekt, initiert und kuratiert von Mariana Carranza. Nips, Nifoé, Nema; Nicteris, Nefelé, Nexis; Rodopis, Rodonia, Ptilé ... el Alma y la Danza, Paul Vallery Medialab-Prado, Madrid Generative interactive urban interface.

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https://app.astrodao.com/dao/motiondao.sputnik-dao.near

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MotionDAO Presentation Slides

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Marlon Barrios Solano (@marlonbarriossolano) * Instagram photos and videos

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at Gitcoin Grants!

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MotionDAO: A Dancing Web3 Ecosystem | Grants

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MotionDAO: A Dancing Web3 Ecosystem | Grants

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motiondao.art As we know, contemporary artists and specially dance artists work in very precarious conditions created by the inflexible and violent value system of our global market economy that makes invisible and undervalue the societal role of the artists, creative process and its cultural deve…

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https://gov.near.org/u/marlonbarriossolano/activity

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marlonbarriossolano

I have been fascinated by complex and networked systems, the web and online-community development. For more than 20 years, as a dancer, digital artist and educator, I have always been interested in building systems with rules and software, creating community platforms and establishing collaborations. I have always been driven by curiosity and my capacity to see the whole and its parts. I have learned to move fast and efficiently from large scale problems, such as networks to the specificities of software implementation. I have lots of collaborative experience envisioning, engineering, coordinating and passion for deploying cutting edge international projects intersecting software, culture and people. I am fascinated by the potential of the blockchain for financial inclusion and innovation. I am a graduate of the General AssemblySoftware Engineering Immersive Program (December 2021) and a Kernel Fellow Block5 2022. I love creative coding and I teach vipassana meditation and yoga.

Powered by Discourse, best viewed with JavaScript enabled

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I have been fascinated by complex and networked systems, the web and online-community development. For more than 20 years, as a dancer, digital artist and educator, I have always been interested in building systems with rules and software, creating community platforms and establishing collaborations.

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"The idea becomes the machine that makes the art."

Sol LeWitt. Paragraphs on Conceptual Art, 1967
Back to Portfolio
This is a collection code art projects using p5.js and Java Script, exploring the relationship of form, motion, time and space inspired by complex systems and generative design.

Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the generative system represents their own artistic idea, and in others that the system takes on the role of the creator.

Creative coding is a type of computer programming in which the goal is to create something expressive instead of something functional. It is used to create live visuals and for VJing, as well as creating visual art and design, entertainment (e.g. video games), art installations, projections and projection mapping, sound art, advertising, product prototypes, and much more.

I have been an interdiciplinary artist from more than three decades working in the intersection of:

Improvisational dance practices and choreographic thinking

Interactive/generative real-time technologies and multimedia

Emmbodied Cognition

Blockchain and arts.

All thse works are released to MIT License inless indicated otherwise
** Reserach and Development with partial support of MotionDAO/Near Foundation.

Soft Spaces

It is series of classic video processing algorithms that uses the webcam input as a source and the browser as a performance space; it helps us to rediscover the interactions of movement and perception augmented by computational systems and strategies. The space of the frame is choreographed and remapped in collaboration with user/performer. Soft Spaces represents the cognitive continuity of motion, software, interface design and embodiment. They are invitations to create and compose inside computational spaces. How do the spaces make you move?"

Developed with partial support of MotionDAO/Near Foundation.
Canonical: Soft Space #1 Horizontal SlitScan: Soft Space #2 Vertical SlitScan: Soft Space #3
This series investigates the potential of generative and procedural drawing using motion based algorythims. It creates the posibility that each app becomes for its a tool for creativity and expression.
Dancing Dots Live
Dancing Dots Repo)

Uncelebration:USA 4th of July 2022

https://user-images.githubusercontent.com/90220317/177328165-5b7582cb-d167-4f25-9b9b-d2cfbb75cd65.mov

Expressive code work manifesting the terror created by gun violence, police brutality, and supreme court law reversals in the US. I started trying to create 'firewoks'and this is what became.
Uncelebration Live
Uncelebration Repo)

MotionDAO Logo with moving particles mutually attrated and moving around text.

#generativedesign #codeart #p5
Generative MotinDAO Logo Live Generative MotinDAO Logo repo
Wolfram Cellular Automata

Simple demonstration of a Wolfram 1-dimensional cellular automata. When the system reaches bottom of the window, it restarts with a new ruleset Mouse click restarts as well

#generativeart #codeart #cellularautomata #wolfran #p5 #1dimension
Wolfram Cellular Automata Live Wolfram Cellular Automata repo
Flocking Bubbles

I am fascinated by complex systems. An array of particles is created when you click the mouse. The particles flock towards the mouse and and cluster around it. They are sensitive to the sound in the room. Press space bar to reset the system. Press P to take screenshot.

#emergent #p5 #javascript #complexity #flocking
Flocking Bubbles Live Flocking Bubbles repo
Color Particles Fountains

A particle system is created in the canvas and the particles are programmed to be attracted by the mouse. On mouse click, more emitters are created in the clicked location of the canvas. All particles are individually attracted by the 'gravity' of the mouse. Pressing the space bar deletes the 'emitters' in order. "e" resets the canvas.

#creativecoding #particlephysics #p5 #codeart
Color Particles Fountains Live Color Particles Fountains repo
Seven Morphing Rainbows

An experiment in generative art and creative coding. Seven autonomous agents generate a morphing object sculpting and tangling time with all the colors of their own existence. Reload the browser to get different initial conditions. Click on the image to capture a unique moment in time (image). #creativecoding #generativeart #p5js #js #jsdeveloper
Seven Morphing Rainbows Live Seven Morphing Rainbows repo
Abstracted Mycelium 1.

I have been fascinated by self-organizing systems and the possibilities of software to simulate them. Slowdown and watch. It is always different and is changing forever. You can load and click when you like an image. It exports the image to you desktop. #creativecoding #generativeart #p5js #js #jsdeveloper
Abstracted Mycelium 1 Live Abstracted Mycelium 1 repo
Another experiment on making a dynamic logo generated by code in p5.js playing with sine waves structures in WEBGL #p5 #p5js #codeandmath #genertiveart #nature #complexsystems
Dynamic Logo 2 Live Dynamic Logo 2 repo
I created a generative animation inspired by the MotionDAO logo. I am totally into creative coding; it is much fun. This is generated by drawing oscillating waves (sine and cosine). #creativecoding #generativeart #p5 #js
Dynamic Logo 1 Live Dynamic Logo 1repo
Simple Fractal Tree

Simple interactive fractal tree. Move the mouse in the x axis and increase the angle of the branches (opening) and move the mouse on the Y axis to make the tree grow in size. Recursion and mouse in interaction. #fractal #nature #p5.js #complexity
Simple Fractal Tree Live Simple Fractal Tree repo
It Takes Two to tangle

Interplay of a human agent (you) moving the bigger ellipse with the cursor creating a gravitational pull for the smaller circle (software agent) following rules of position, mass and acceleration and leaving traces. The closer they get, there is more gravitational force making the smaller ellipse orbiting around the larger circle. Dance with the cursor and 'follow each other". Reload to change the initial conditions. It takes two to tangle. Slow down and play. #generativeart #p5 #softwareart
It Takes Two to tangle Live It Takes Two to tangle repo Back to Portfolio

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Creative Coding Generative Art Generative Systems

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"The idea becomes the machine that makes the art." Sol LeWitt. Paragraphs on Conceptual Art, 1967 Back to Portfolio This is a collection code art projects using p5.js and Java Script, exploring the relationship of form, motion, time and space inspired by complex systems and generative design.

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Get ready to enter the vortex!!

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MotionDAO@ CreativesDAO in Near Protocol

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MotionDAO@ CreativesDAO in Near Protocol

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This is the governance platform from CreativesDAO supported by Near Protocol.

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French art-tech artist, performer and researcher. Through interactive installations, performances and academic publications and presentations

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Profile Information

Joining date:

December 4, 2013

Do you want this account to represent:

individual

First Name (Required: even if you are representing an organization you must use your name)

Jeanne

Last Name (Family Name)

Bloch

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

Jeanne Bloch is an art-tech and performing art artist, researcher and speaker.(http://jeannebloch.com)

BIO
(245 words):
Jeanne Bloch is a French art-tech artist, performer and researcher. Through interactive installations, performances and academic publications and presentations, she explores how light pollution impacts human imagination.

Her research, based on embodied knowledge, dance-tech, e-textile and practice based research in the arts, includes partnering with science labs, electronic engineers and sociologists. She's interested in the ethics of a cyborg world of entangled matters.
Jeanne is currently an artist in residence at BCG, Paris. She had been artist in residence at Ecole Polytechnique Paris - Chaire Arts et Sciences (2018-2020), as well as in different art-tech/dance venues (Centre National de la Danse, Gaité Lyrique (Paris), Dancetech (Berlin), 104 (Paris), Le Shadok (Strasbourg), Stereolux (Nantes), Cité des Sciences - CN2 (Paris)... where her work has been presented. She was also invited as an artist- guest speaker / workshop leader at University of Michigan, Park City Mathematics Institute Seminar (USA), Théâtre de la Ville (Paris), Summer Lab-Imagine 2020 (EU funded, Portugal), Computing Human Interaction Conference (Canada and Italy), Ballet du Nord (France) as well as in numerous other venues. Her work was awared International Year of Light, 2015.

Jeanne holds an MFA from ESACM and a MBA equivalent from IEA. She completed with distinction a Practice Based Research online course from Stanford through NovoEd. She studied dance and choreography in recknowned schools in NY and Paris.
Prior engaging as an artist, Jeanne Bloch was a sustainability advisor to global companies and NGOs.
Instagram: jeanne_bloch
Linkedin: linkedin.com/jeannebloch

Contact Jeanne Bloch ︎

Personal/professional Website:

http://contemporaryhope.dance

Occupation ( maximum of three):

Artist, researcher

which other:

Artist in Residence, Arts-Sciences Group, Ecole Polytechnique, Paris (2018-2020)

English is the main language of this site, but let us know which language you would use in this network besides English:

French

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

jeanneb.near

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Profile Information Joining date: December 4, 2013 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Jeanne Last Name (Family Name) Bloch About Me (human/individual)/interests, work..short bio/ THis is the most important.

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Germany :: started in contemporary dance at a young age through the urban street dance and the breaking scene. Communication, somatic ecology, love

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

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Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

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MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Brazil :: dancer, choreographer and teacher at the Graduação em Dança - Licenciatura FUNDARTE/UERGS, RS, Brazil.

# data[].attributes.attachment_link.readable_text
welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

# data[].attributes.attachment_link.description
welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Colombian choreographer, artist and researcher completing her PhD dissertation in science and performative studies at the Ecole Polytechnique in Paris.

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April 16, 2022

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Rodado

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

Aniara Rodado is a Colombian choreographer, artist and researcher completing her PhD dissertation in science and performative studies at the Ecole Polytechnique in Paris. Aniara's thesis explores witchcraft and interspecific relationships with the plant world from a transfeminist perspective. As a choreographer, her practice seeks to go beyond dance and beyond the human body. It questions the fetishization of all things techno-scientific in the context of the ecological crisis, including the tendency to standardize life at all scales, affecting bodies, their alliances and the very possibility of knowledge. Her performances, installations, texts, videos, dance pieces, and drawings are all created under open source with a preference for old or low tech forms and domestique DIY bricolage.

In the last two years, her work has been presented at the Click Helsingor Festival, National Museum of Denmark ZKM, La Casa Encendida, Madrid, Culture Center Contemporary Andalusia, Centro de Cultura Digital and National Arts Center CDMX-Méxique, Festival Un-Split Munich, CitéInternational des Arts de Paris, Emmetrope, Bourges where she was commissioner of the exhibit Ou/Vert Phytophilie, Chlorophobie & Savoirs Situés. In 2010 she won the prize for Creation Dance and New Technologies at theFestival Les Bains Numériques.

Personal/professional Website:

http://aniara-rodado.net

Occupation ( maximum of three):

chorégrapher

English is the main language of this site, but let us know which language you would use in this network besides English:

French, Spanish, Italian

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

aniara.near

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Profile Information Joining date: April 16, 2022 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Aniara Last Name (Family Name) Rodado About Me (human/individual)/interests, work..short bio/ THis is the most important.

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Brasil :: artist and researcher in the field of new media and collaborative art. Teacher at Unisinos University for the Digital Communications, the Audiovisual Media and the Game Development Programs.

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

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Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

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MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Germany :: Started out as a computer scientist in peer-to-peer systems (sacrificing my dance classes in college - and now super happy that after decades I found dance-tech!).

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Choreographer-dancer & interaction designer

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

# data[].attributes.attachment_link.description
welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

# data[].attributes.attachment_link.readable_text
welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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Crypto in Motion: Crypto-economy Labs for dance-tech Creators Members

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Argentina :: Piano, Singing, Vocal Technique, Musical Composition, Counterpoint, Musical Analysis.

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Profile Information

Joining date:

June 22, 2021

Do you want this account to represent:

individual

First Name (Required: even if you are representing an organization you must use your name)

Aníbal Néstor

Last Name (Family Name)

Zorrilla

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

He studies Piano, Singing, Vocal Technique, Musical Composition, Counterpoint, Musical Analysis. His teachers were Ernesto Epstein, Sergio Hualpa, Guillermo Graetzer, José Antonio Gallo, Aurora Fiocca, Ana Pino, Enrique Morera, Helga Epstein, Horacio Amauri, Celina Torres, Antonio Yepes, Carlos López Puccio, Jorge Schultiss, among others.
He works as a pianist in accompaniment of classic and contemporary dance classes, with teachers such as Renate Schottelius, Cristina Barnils, Ana Itelman, Oscar Araiz, Vakhtang Tchaboukiani, Roxana Grinstein, Mauricio Wainrot, Ana Maria Stekelman, Freddy Romero, Margarita Bali, Ana Deutsch, Susana Tambutti, Juan Carlos Bellini, Norma Binaghi, Margarette Haim and Jackie Pirard, among others.
He holds an academic position as a University Professor at the Arts of Movement Department (Departamento de Artes del Movimiento) from the National Art University Institute (Instituto Universitario Nacional del Arte).
He has worked at the Colón Theather Superior Art Institute (Instituto Superior de Arte del Teatro Colón), at the Dance Workshop (Taller de Danzas) and at the San Martín Theater Contemporary Dance Group (Grupo de Danza Contemporánea del Teatro San Martín). He also held positions at the Dance Companie and at the Dance Academy of the choreographer Peter Goss (Paris), as well as at the Academie Chaptal, (Paris), and at the Margarita Bali´s Contemporary Dance School (Escuela de Danza Contemporánea de Margarita Bali). He worked at the Ricky Pashkus and Julio Bocca´s Musical Comedy School (Escuela de Comedia Musical of Ricky Pashkus y Julio Bocca) and at the School of Contemporary Dance Association Art XXI (Escuela de Danza Contemporánea, Asociación Arte XXI), managed by Oscar Araiz and Guido de Benedetti, among others institutions.
As an academic researcher, he participates in the following research projects: "Concept of the Rhythm in the Art of the Dance" and "The Rhythm in the Dance Interpreter and Related Disciplines". Those projects are accredited by the Arts of Movement Department Research Institute (Instituto de Investigación del Departamento de Artes del Movimiento) from the Universidad Nacional de las Artes. He also works in the projects "Art Languages Combined: Diverse Ways of Interrelation" and "The Crossing of Languages in the Argentina of the XXI Century", accredited by the School of Graduate Studies in Combined Languages (Posgrado en Lenguajes Combinados), from the Prilidiano Pueyrredón Visual Art Department (Departamento de Artes Visuales "Prilidiano Pueyrredón"), within the Universidad Nacional de las Artes.
He also works as a pianist and composer, taking part of diverse musical and theatrical performances like Tangos y Susurros by Mónica Maffía; La Puñalada by Susana Tambutti (New York); Mar en Calma, Las Paseantes, La Familia China, Suite, Caballo en un incendio (Chile, Mexico) by the La Serie Team directed by Ita Scaramuzza and Alfredo Rosenbaum; La Mirada de Dios by Alfredo Rosenbaum; El Mensajero by César Aira; Ricardo III by William Shakespeare, adaptation and direction by Laura Silva; Sangre, Macabra Parodia Trágica de una Muerte Erótica by Laura Silva and Osvaldo Peluffo; Bolero by Cristina Moreira; El Evangelio según Darío Fo by Claudio Nadie; Parece Mentira (Montevideo, Uruguay), by Andrea Bonelli and Nacho Gadano; Die Farce der Suche by Paula Rosolen (Frankfurt, Hamburgo, Berlin, Krackov and Bytom, in Germany and Poland); among others.

Personal/professional Website:

http://https://anibalzorrilla.blogspot.com/

Occupation ( maximum of three):

Musician, Digital Artist, Researcher.

which other:

University Professor

Organization Website:

http://intad.tech/

English is the main language of this site, but let us know which language you would use in this network besides English:

French, Spanish

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

anzorrilla.near

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Profile Information Joining date: June 22, 2021 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Aníbal Néstor Last Name (Family Name) Zorrilla About Me (human/individual)/interests, work..short bio/ THis is the most important.

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I am a Queer Xicana-Tejana, choreographer, educator, and collaborator working with relational aesthetics, movement, digital media, networked, and physical spaces.

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Profile Information

Joining date:

October 1, 2014

Do you want this account to represent:

individual

First Name (Required: even if you are representing an organization you must use your name)

Amber

Last Name (Family Name)

Ortega

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

I am a Queer Xicana-Tejana, choreographer, educator, and collaborator working with relational aesthetics, movement, digital media, networked, and physical spaces. I have an M.F.A. in choreography from Jacksonville University/White Oak and a B.F.A. in performance and choreography from Ohio State University.

I am a founding member of FARO (Facilitating Artistic Research and Ontologies) which is a network of scholar-artists-activists on the margins of academia, dance/somatics, and performance. We are interested in facilitating online, networked opportunities and events for practice as research, peer review, publications, panels, and performance. Currently I am working on developing dance and movement modalities for work with embodied trauma amongst the BIPOC and LGBTQ+ communities, for which I am pursuing a Masters of Clinical Counseling, and somatic trauma therapy training.

I utilize platforms such as text/writing, film, theater and networked online spaces for expanded understandings of dance. In 2016 I debuted my experimental documentary film 'Queer Be-Longing" as an augmented reality film at Luminaria Contemporary Art Festival. In 2017 the film was presented at the Gloria Anzaldúa Conference El Mundo Zurdo. In 2019 I was a resident at the Cucalorus Dance Makers Retreat and was invited to present "Queer Be-Longing" at the Queering the Somatic: Interrupting the Narrative' Symposium at Middlesex University, London.

My work focuses on creating dialogue between artists of different modes and practices to encourage broader ideas of art and art-making. Over the last three years, I have expanded my practice beyond performance and directing, to include writing on dance. In 2017 I presented my personal study on the use of social media as a tool for dance education at the National Dance Education Organization Conference. Ortega's article, Corporeal Narrative; Queering Contemporary Dance in San Antonio Towards Voices of Color was recently published in Texas Arts & Culture Magazine. I have spent the last year organizing, curating, and planning the festival Decolonizing Dance: Celebrating Bodies of Color, before it was canceled by COVID-19. I am adapting, crying, re-learning, resting, and staying alive.

Personal/professional Website:

http://https://fleshingmovement.blogspot.com/p/current.html?m=0

Occupation ( maximum of three):

Choreographer, Dance Educator,

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

spareworks.near

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Profile Information Joining date: October 1, 2014 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Amber Last Name (Family Name) Ortega About Me (human/individual)/interests, work..short bio/ THis is the most important.

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Taiwanese-Canadian immigrant and queer artist-of-colour, who’s an interdisciplinary artist, director, performer, researcher and mentor in film, sound art, new media, performance, movement and spiritual practice.

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Profile Information

Joining date:

September 14, 2011

Do you want this account to represent:

individual

First Name (Required: even if you are representing an organization you must use your name)

Sammy

Last Name (Family Name)

Chien

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

Sammy Chien 簡上翔 is a Taiwanese-Canadian immigrant and queer artist-of-colour, who's an interdisciplinary artist, director, performer, researcher and mentor in film, sound art, new media, performance, movement and spiritual practice. With over 400 collaborative projects, his work has been exhibited across Canada, Western Europe, and Asia including Centre Pompidou (Paris) and the National Centre for the Performing Arts (Beijing), worked with pioneers of digital performance: Troika Ranch and Wong Kar Wai's Cinematographer Christopher Doyle, and active in projects engaging various underrepresented communities. Sammy has been featured on magazines, TV and commercials such as Discorder, Keedan, CBC Arts and BenQ. Sammy is currently leading a dance research project "We Were One" and media arts project "Ritual-Spective 迴融", both funded by Canada Council for the Arts and BC Arts Council. Sammy is the official instructor of Isadora and Artistic Director of Chimerik似不像 collective.

Personal/professional Website:

http://sammychien.com

Occupation ( maximum of three):

interdisciplinary media artist, performer, researcher

which other:

dance, sound, new media artist

Organization Website:

http://chimerik.com

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

chimerik.near

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Profile Information Joining date: September 14, 2011 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Sammy Last Name (Family Name) Chien About Me (human/individual)/interests, work..short bio/ THis is the most important.

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Colombia :: Art and technology, fungy relations and others dimensions

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Brussels based transdisciplinary artist. He pursued his studies at Steinerschool Gent, HKU digital video design, AHK modern theatre dance, Sandberg Institute D.A.D.

# data[].attributes.attachment_link.readable_text
welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
http://www.dance-tech.net
is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

# data[].attributes.attachment_link.description
welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Venezuela :: Graduated from the Instituto Superior de Danza de Caracas and Escuela de Danza de Caracas. Art History and Graphic Design and Illustration.

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Profile Information

Joining date:

January 10, 2014

Do you want this account to represent:

individual

First Name (Required: even if you are representing an organization you must use your name)

Reyna

Last Name (Family Name)

Perdomo

About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!

Graduated from the Instituto Superior de Danza de Caracas and Escuela de Danza de Caracas. Art History Graduate studies at the Central University of Venezuela and Graphic Design and Illustration studies at the Escuela de Artes Visuales "Cristóbal Rojas" Caracas. NUFFIC Scholarship awarded for follow-up Post-Graduate Master Specialization in Interactive Multimedia Design at SCAN, "International Training Program in Computer Graphics, Computer Animation and Interactive Multimedia", Groningen, The Netherlands. Design and dance engagements in Venezuela and in Europe, private and in-company competency. First solo dance work in Venezuela: "Mudanza" (1992), "Andanza" (1994). Development of the "CD-ROM Interactive Choreographic" for the International Competition for Young Choreographers 97 Groningen, relating dance, design and interactivity in the new media. Major research platform at STEIM studios, Amsterdam, where the in-depth study of interactive software for media manipulation was conducted.
In 2000 selected to present her pioneering interactive design-dance work at the 1rst. International Dance/Technology Festival "Monaco Danses Dances Forum". In 2001 invited by the ZKM, Karlsruhe, to collaborate in an experimental dance multimedia performance for participation at the "Intermediale" Festival, Mainz, Germany. This year, she is accepted and granted a subsidy from the "Fonds voor de Podium Kunsten" (Funds for the Performing Arts), Amsterdam, The Netherlands, to follow Workshops on Interactivity as a Choreographic Phenomenon and Telematic Choreographies and Internet, dictated by Wayne McGregor, Paul Sermon, among others, at the "Choreografisches Zentrum", Essen, Germany.
Dance/Media Creations: Andanza, A Flor de Piel.
Working experience as Project and Competency Coach for Design students (social design) at the Industrial Design Department, the University of Technology in Eindhoven, The Netherlands. She developed extracurricular assignments for the application of the language of the dancing body and inner awareness into the design research process.

Other teaching experience in the visual arts field on drawing and illustration. In the physical realm, improvisation and choreography teaching as well as on movement/media relation. Reyna is also a Certified GYROKINESIS® Teacher Trainer since 2006, from the GYROTONIC Headquarters, Bad Krozingen, Germany, she has taught in Amsterdam, The Netherlands, Alicante and Valencia, Spain, Caracas, Venezuela, and Bogota, Colombia. Has dictated workshops on Improvisation Technologies and GYROKINESIS at Iudanza and Pisorrojo, Caracas, Venezuela.
Lectured on "Dutch Design" at Jose Maria Vargas University. 2014 Short Paper on "Movement, Design and Education",IV Congress on Intellectual and Creative Research, Universidad Metropolitana, Caracas, Venezuela.-https://www.academia.edu/19001398/DISE%C3%91O_EDUCACION_Y_MOVIMIENTO
Reyna is also a Social Presencing Theater and Dharma Art Practitioner. Alumnae of "The Systems View of Life" Fritjof Capra Fall 2020 Course. Certified UZAZU Embodied Intelligence Facilitator. Presently, Collaborator at Motion DAO, KB5 Fellow.

Personal/professional Website:

http://https://www.linkedin.com/in/reyna-j-perdomo-embodiment/

Occupation ( maximum of three):

Embodied Intelligence Facilitation into Co-Design and Systems Practice.

which other:

GYROKINESIS Teacher Trainer, Dancer, Choreographer, Interactive Multimedia Graphic Designer, Illustrator.

Organization Website:

http://thefactofexisting.simplesite.com/451932582

English is the main language of this site, but let us know which language you would use in this network besides English:

French, Spanish

Dance-tech.net uses the Near Protocol and its native cryptocurrency Near. Place here your Near Wallet Public Key (https://wallet.near.org/) This is very important to be able receive and give incentives to other members in this new phase of crypto of MotionDAO!

reynajperdomo.near

# data[].attributes.attachment_link.description
Profile Information Joining date: January 10, 2014 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Reyna Last Name (Family Name) Perdomo About Me (human/individual)/interests, work..short bio/ THis is the most important.

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Venezuelan-American  Interdisciplinary Artist, Educator and Researcher based between the US and Europe.

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welcome to UNSTABLELANDSCAPE
WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework. It will reflect a contemporary community interacting and embedded unstablelandscape. This network is maintained and administrated by Marlon Barrios Solano as an independent art/curatorial/social innovation project. You can donate to support my work here: WOULD YOU LIKE MAKE A ONE TIME DONATION?

Support making a single donation of any amount.
Thank you!

Contact:

marlon@dance-tech.net

for more information
We are creating an alternative cryptoeconomy:
MotionDAO is supported in part by the Near CreativeDAO Guilds
Get your Near Wallet and be part of the MotionDAO YOU MAY DONATE NEAR HERE using your NEARWALLET
MotionDAO wallet address:

motiondao.sputnik-dao.near
Dance-tech.net was generously supported from January 2017 to January 2020 by: Motion Bank/Choreographic Coding Labs (Frankfurt) You must SIGN-UP to interact with dance-tech.net members enjoy the social networking features. The use of dance-tech.net and dance-tech.tv is FREE

All content uploaded @
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is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MEMBERS ARE RESPONSIBLE ABOUT RESPECTING THE LICENSES OF THEIR UPLOADED CONTENT. LICENSE YOU CONTENT
LEARN MORE ABOUT CREATIVE COMMONS

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welcome to UNSTABLELANDSCAPE WE LIVE WITHIN AN UNSTABLE LANDSCAPE This is a social networking website connecting people concerned about innovation and experimentation on art, dance, embodiment, cognition, science, networks, post-humanism, media and the unstable landscape of contemporary culture and life. We are in a transitional phase and refocusing the network with a broader interdisciplinary framework.

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Uruguayan, Germany based Artist working and researching in the field of arts, body and technology.
Interactive interfaces, embodiment, awareness ...
https://linktr.ee/mar.ianacarr

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NFT Gallery for the MotionDAO Labs: A crypto_economy for Dance-tech Creators.

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dance-tech.net Original Post (updated 7/25/22

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dance-tech.net Original Post (updated 7/25/22

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We are an international collective of interdisciplinary artists working in the intersection of embodiment, dance, computation, creative technologies, ecology, design and blockchain. This our cartography  for navigation and wanderings. Have fun!
https://www.dance-tech.net/page/motion-dao

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Born in Venezuela and based in New York, is a director, performer and designer, whose work includes video, 2D and 3D design and animation, sound design, and digital puppetry.

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Profile Information Joining date: September 9, 2021 Do you want this account to represent: individual First Name (Required: even if you are representing an organization you must use your name) Victor Last Name (Family Name) Morales About Me (human/individual)/interests, work..short bio/ THis is the most important.