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(Vicky Kafkaki) This file has the links to my blog for this course. In week 11 I have the files for my projects.

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Are we providing the 3000 word business plan as a document alongside this pdf or should the contents of the business plan pdf (not including the research and development) be 3000 words +/- 10% even if we're structuring it in a more engaging way.

i.e. if we're including job roles and descriptions as a diagram we'll save on words because we won't need fully fleshed out paragraphs for each.

or if we're talking about financial road maps within a diagram, will each number be a word?

Just a bit confused with how the 3000 words will be judged. Are we happy with it being 3000 words but a very loose layout/approach.

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CRIT/Webinar: Thursday, 31st July 2025, 6PM (BST)

Here is the link:
https://teams.microsoft.com/l/meetup-join/19%3afc5d91e501d7443784b25efc12e2dcf2%40thread.tacv2/1753856906913?context=%7b%22Tid%22%3a%22550beeb3-6a3d-4646-a111-f89d0177792e%22%2c%22Oid%22%3a%220691d424-6dda-4eb6-b24b-fd76a4c3c392%22%7d

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Guest Lecturer
24th July @ 6PM
Teams Link: MA Graphic Design / Guest Lecture / Sara Boris | Meeting-Join | Microsoft Teams

https://teams.microsoft.com/l/meetup-join/19%253ameeting_MzYyOGM5NTktNjcyMC00YTVhLThjMTYtMTEyOTQ0NGRkMGRl%2540thread.v2/0?context=%7B%22Tid%22:%22550beeb3-6a3d-4646-a111-f89d0177792e%22,%22Oid%22:%228c15a94a-f04f-427f-aaa0-c59851c21d7c%22%7D

Sarah Boris

A recent article was released this week on her work:
https://www.creativeboom.com/news/a-never-ending-rainbow-sarah-boris/

Sarah Boris is an artist and designer who's practice encompasses book making, sculpture, drawing, printmaking, painting and design. She started out working as graphic designer for some of the biggest cultural institutions in the UK (ICA, Barbican, Phaidon) before setting up her own studio to focus on her art practice. Her work explores various topics and forms, from symbols to climate change and language. Her projects often emerge from lived experiences or are connected to specific contexts. Her published books include Rainbow (2022/3), Global Warming Anyone? (2019), Le Théâtre Graphique (2015/ 2016/2023) and After the Rain (2024) most of which are part of artists’ book collections. After the Rain is her latest book which is entirely screenprinted and echoes her latest body of modular artworks and the sense of play present in her explorations. Her public art commission, The Heart Bench series (2021), demonstrates how she transforms a universal symbol into a functional sculpture. One of her most iconic artworks is the Fragile UK Flag (2015), where she created the Union Jack using fragile tape and blue paper. Her work has been exhibited at the Design Museum in London and is part of collections at the Stedelijk Museum in Amsterdam, the New York Centre for Book Arts, FRAC Normandie, MAK Vienna, Musée des Arts Décoratifs, artothèque Bel Ordinaire, the Bibliothèque Nationale de France, and the Jan Michalski Foundation in Switzerland.

Links:
sarahboris.com
https://www.instagram.com/sarahboris_ldn/

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We talked about the 'bat bricks' a while back. Here is an interesting development on this:

https://www.theguardian.com/environment/2025/may/23/labour-blocks-proposal-for-swift-bricks-in-all-new-homes

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Hi everyone, here are some links from yesterday's webinar.

(Mélusine GRULET I've added Hoon Quah's link as well):

https://www.itsnicethat.com/articles/the-view-from-seoul-designer-side-businesses-korea-creative-industry-080725?utm_source=dailyemail&utm_medium=email&utm_campaign=intemail

https://nupip.co.kr/archive/article?no=89&board_no=2

https://www.typotheque.com/books/indigenous-north-american-type

https://www.printmag.com/type-tuesday/preserving-indigenous-scripts-kevin-king-typotheque/

https://lettering.ca/type-design-Mazina

https://www.instagram.com/q.phaikhoon?igsh=YXE5N3drNjUxZXh5

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Vicky Kafkaki - Graphic Design MA Falmouth University

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Week 7: Collaboration

Your personal research tasks are for deeper critical reflection and demonstration of your thinking and working processes.

These are the research tasks for this week, please share your findings on the ideas wall and on your blog:

1. Find a variety of cutting edge, global examples of collaborative creative practice that push boundaries and take risks.

2. Reflect on how you can work in new collaborative ways as a designer.

One example of collaborative creative practice is Sibling Rivalry studio. It has office in New York and Los Angeles. Mitch Mons on is executive director, creative and partner.
https://www.siblingrivalry.com/ https://www.commarts.com/columns/monson
Mitch said that traditionally, "creatives" do not evolve into business development or partnerships roles within our industry. Things have changed today. Also visibility and involvement in the business's PR/marketing and creative development aspects are incredibly valuable-it keeps us nimble, efficient and collaborative across our services...We feel incredibly fortunate for this ongoing partnership, which continually inspires our creative team. We have always believed that great clients lead to great work...Design is not just about aesthetics; it's also about creating meaningful and lasting impacts on culture and society.

On the question "" Do you have any advice for designers starting out in their careers today? " he answered:

Develop a strong work ethic. This is the cornerstone of success in any creative field. Be dedicated, disciplined and willing to go the extra mile in your work.

Give 110 percent to every project. Regardless of the project's size or budget, always put in your best effort. You never know how a project might resonate in the future.

Embrace every opportunity. Say yes to as many opportunities as possible, even if you don't have the required experience. You can collaborate with someone who does or conducts the necessary research to learn on the go. This will push you to grow, learn and improve constantly.

Surround yourself with talent. Work alongside brighter and more skilled people than you. This will push you to stretch your limits, grow and continue learning.

Read Paul Arden's Whatever You Think, Think the Opposite. This book offers fantastic insights and is a great resource to keep on hand

Learn from the best. I highly recommend watching Paula Scher's 2019 presentation 10 Life Lessons from the Field of Design. It's filled with invaluable insights for design students and professionals alike-a must-see!

Another example is the Roof Studio https://roofstudio.tv/

"Roof is a team of creators and storytellers who drift toward the quirky, the whimsical, and the uncharted. We love to imbue emotion in every frame, and every color, to craft visual stories you can't help but watch over and over.

Roof was founded in New York by two Brazilians that, at the peak of their careers, decided to start a new studio with a unique taste and pipeline focusing on delivering exceptional quality with a high level of detail. On the year of 2021, Roof was ranked the most awarded animation company in the US; today, we celebrate 10 years of building partnerships with brands and media-makers all across the universe."

They work with people based in New York, Brazil, Portugal, London and Los Angeles. They all have different skills and background but they make it work. I think having a collection of different skills and people with different culture and vision, can be a fresh air for a project.

I can work in new collaborative way as a designer being more open to ideas from other people, creating network with people having similar interests and reaching out to some of them. I think that in the today world with so much information out there for one person wearing many hats is very difficult.

We can achieve better results by working as a team.

With the technology today, location is not a barrier for designing together from different places of the world.

About taking risk I want to share what Paula said in the video above, that if you don't take risk, you will stay where you are.

Taking a risk is scary but is the first step toward something new and probably better.

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Week 7 - Approaches and Strategies for working today and delivering creative services

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Collaboration Around the Globe 1 Ken Kirton is one of the founders of Hato and Hato Press. https://hatopress.net/ He said "For us, that word 'community' is defined by our field of practice, so other designers, illustrators, artists, as well as the immediate community around us geographically.

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Do you find that a lot of (if not all) ideas you have aren't particularly unique? Feels like every idea I've had is one that has been thought and acted on by someone else already.

If/when you encounter this do you discount the idea, validate its existence in your own context or only push forward with it if you can find a way to change it into something different enough?

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Vicky inspired me! I was lucky to visit the Gates in 2005 (I even have a swatch of the cloth.) When I was in high school I watched The Valley Curtain, which I watched again recently. They saw their art as collaboration with the community and the fabricators. Most of the documentary focused on the steel workers who rigged the curtain and the pride they felt. Walking through the Gates in the cold was wonderful. They may not have collaborated so much in their artistic vision, but they certainly collaborated with the workers and communities that made it possible. I remember being baffled by The Valley Curtain when I was younger, now I see it as the unbridled joy of collaboration that brings disparate people together.

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Official website of artists Christo and Jeanne-Claude. Features photographs and texts about all major projects, early works, and works in progress. Includes biographical and bibliographical information as well as past, current, and upcoming exhibitions.

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Vicky Kafkaki - Graphic Design MA Falmouth University

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Week 6 – Interdisciplinary Insights – New Approaches and Creative Partnership

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This week we listen to how and why collaborative partnerships can result in impact and change. We explored a range of unconventional collaborations, studio models and collectives that represen…

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I love the Japanese poetic form: the Renga. It is a series of linked poems written at a gathering. Each poet contributes a verse in turn that plays off the preceding verse and sets up the following verse. Adapting that to a design exercise could help collaborators to get to know other and build trust--a crucial ingredient for collaboration.

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Design Collaboration - Giorgi Lupi + Stefanie Posavec

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Design Collaboration - Giorgi Lupi + Stefanie Posavec

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Those in my cohort will recognize Giorgi Lupi from my Ides Wall posts from past semesters. She strikes me as a very collaborative person and here is a wonderful example. She writes about the correspondence with Stefanie Posavec, "Instead of using data just to become more efficient, we argue we can use data to become more human and to connect with ourselves and others at a deeper level." They could only plumb those depths through a very personal collaboration.

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On the front of the postcard there would be a unique representation of our weekly data, and, on the other side (in addition to the necessary postage and address), we would squeeze in detailed keys to our drawings: the code that enabled the recipient to decipher the picture, and to imagine what had happened to her new friend the week before.

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Hi Frauke, I've been struggling with the collaboration assignments because I keep seeing client work. When a client is open minded and engaging it feels very collaborative and I love those projects. However, when they're more distant it's not collaborative at all, more like being a waiter than a partner. So is collaboration like the quote Christina shared by Ken Kirton saying, "creating a fair exchange of value" as a way to empower both the designer, the client, and the audience? I worked closely with a friend on a collection of memorial essays about her sister a few years ago and we both contributed to the design and the content. It was an important collaboration for me, and we did it for free with the proceeds going to charity. My question is: What differentiates collaboration vs work by a group of people?

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A note on collaboration/co-creation (week 5)

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A note on collaboration/co-creation (week 5)

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Ken Kirton from the Week 5 lecture emphasises that co-creation is about balancing effort and, as he says, ‘creating a fair exchange of value’.

https://www.itsnicethat.com/features/ken-kirton-opinion-review-of-the-year-2018-graphic-design-121218

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Hato’s Ken Kirton on why co-creation really mattered in 2018

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We founded Hato nine years ago as a close-knit design practice with a global outlook. With offices in London and Hong Kong, our purpose is to connect, enable and engage people and communities to create the world they want to live in, together.

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https://news.adidas.com/originals/adidas-originals-and-edison-chen-unveil-the-clot-stan-smith-beaded-by-edison-chen/s/cea5dd85-567a-45e4-be6c-6411f04892e7

Interestingly, this 'beads' intervention is a case study to show what kind of designer you want to be - if it is to bring your culture and crafts in the form of disruptive interventions into projects etc- could be both a 'concept for a product or service associated with your new business

proposition and an artefact that could be used in a wider marketing campaign to help promote your new business'.

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adidas Originals and Edison Chen Unveil the CLOT Stan Smith Beaded by Edison Chen

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adidas Originals and Edison Chen present a bold new chapter in their evolving partnership with the launch of the CLOT Stan Smith Beaded by Edison Chen, redefining who belongs - and what’s allowed…

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https://wwd.com/footwear-news/sneaker-news/edison-chen-clot-adidas-stan-smith-beaded-release-info-1237922172/

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Edison Chen and Clot Update the Adidas Stan Smith With Beaded Detail for Summer

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Adidas Originals is back at it again with Edison Chen and his Clot label for an updated Stan Smith sneaker featuring a beaded heel counter.

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Late to the Party :D Week 1 research task

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Late to the Party :D Week 1 research task

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GDE730: Studio and Entrepreneurship - Week 01 Research Task

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For this week the task falls to explore various designers, creative studios as well as practitioners whom I appreciate for their work. KNOT, JapanAs many, my style and admirations stem through personal experiences and one such brand that I fondly recall is “KNOT” which is a hand crafted watch brand in Tokyo, Japan.It is no secret that the Japanese take pride in their art and craft and meticulously find new ways to portray their culture and crafts through the present day’s work.Japan is a country

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Hi Frauke,

I was trying to download the assignment briefs, but it is the same brief that is added for all assignments. Am I doing something wrong? :O

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I've never had any problems with copyright in my (non-design-related) career.

I wasn't aware though, that when a designer creates his own original work they automatically have the ownership, unless they signed a contract with a client or employer. Certain things are not copyrighted though, like non-visual ideas.

A common example of copyright infringement is the creation of a logo that is very similar to an existing logo, as in the Apple v Prepear case, where Prepear's pear looked very similar to Apple's apple shape.

In some situations, clients may not be aware of the intricacies of intellectual property rights, so we as designers should know more about them. In general, I would say that it is common sense to respect the rights of the author and to follow ethical standards.

Bootlegging, on the other hand, a term I first heard in the week 3 lecture, is a term created to intentionally disrupt or reinvent (correct me if I'm wrong, Frauke). It can be used to challenge social inequalities or to showcase a particular underrepresented group (especially in fashion).

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Hi Frauke, the link for "Business strategy: a guide to effective decision-making" by Jeremy Kourdi is difficult to read. Text gets cut off and re-formats to the screen which creates disorientating layouts. This leads to the pagination not matching the recommended reading. VLeBooks is the only instance in our program where I've run into such a challenge. Can it be shared through a different platform? ProQuest is far better. Thank you for any help you can offer.

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Hi everyone, here is the link to last week's webinar in case anyone missed it. Get in touch anytime if you have questions:

https://falmouthac.sharepoint.com/sites/FAL_FAL_730_2025/Shared%20Documents/1_Webinars/Recordings/Week%203%20Webinar-20250612_190222-Meeting%20Recording.mp4?web=1&referrer=Teams.TEAMS-ELECTRON&referrerScenario=MeetingChicletGetLink.view

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Hi everyone, please see here the 'What to include in your business plan' document.

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Hello,

I'm posting here because I think you showed a PDF during one of your webinars about what to include in a business plan, but I can’t seem to find it anywhere.

If it exists, I’d love to know how to get access to it.

Thanks in advance!

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In my mind it was a big campaign with lots of color... but in reality it's a bit underwhelming. Makes for an interesting story.

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BBC NEWS | Europe | US family turned into advertising

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A US family gets a shock when they find a photo from their Christmas newsletter is being used to advertise grocery deliveries in Prague.

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Hi - we are learning this week about legal rights and I wonder how about image that is done by or with a help of AI tool - who has the rights of it?

Is Vicky - I don't know why I shaw as anonymous

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Reviewing copyright and other legal challenges in my career has shown how I've gotten more responsible over the years and my most recent challenges I've handled well. As educated designers we can offer our clients best practices that can legally protect them. Years ago I discovered an American client had been misleading me about the rights they had, researching legal responsibility I found that as an employee I wasn't protected but could be held liable individually in addition to them. Since then I've gotten much firmer with my clients and it makes our relationships stronger.

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Your personal research tasks are for deeper critical reflection and demonstration of your thinking and working processes.

These are the research tasks for this week, please share your findings on the ideas wall and on your blog:

1. Research common copyright issues, as well as some of the ethical and legal factors most frequently affecting graphic designers today.

2. Choose a designed object and outline the key areas that may infringe copyright or require IP protection when creating an artefact of this kind.

Font Licenses

Using Pirated Fonts

Using Fonts for Unlicensed Uses

Modifying Fonts

Photography & Illustrations

Copyrighted Imagery

Usage Rights

Rights Duration

Model Releases

Building Copyright

Cultural Copyright

Lack of Clarity

License Ownership

Usage Rights

Fair Use

Educational Use

Indemnity

I was unaware of clearly stating with clients whether I do or do not guarantee the final product doesn't violate copyright. I will add this to my contract, that will be a good opportunity to discuss copyright issues with them at the outset of a relationship or project. I also want to make the contracts more visible with the client. I will start sharing them online and making addendums as the project progresses.

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It's still quite messy, and maybe not the best written, but it's still nice to share to see how everyone appropriates the course!

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The AI workspace that works for you. | Notion

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A tool that connects everyday work into one space. It gives you and your teams AI tools—search, writing, note-taking—inside an all-in-one, flexible workspace.

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I am thinking to write about creating a web site "Graphic Design 101" - probably you wonder why - there are so many resources out there. But in all the classes that I have been in the past, we learn just briefly about the design tools and then we need to continue on our own. Most of the classes just focus on the Adobe software but there are others that are equally good - Figma for example. So, this website is going to be like introduction to all of them - is 101 -so, just the basic stuff. Also, once a week is going to be life lesson.

Maybe can be held from different instructor every week (lets say Paul Trani, Ramirez...).

And maybe every week each college will have 1 hour to introdused its program and showcase the work of the students;

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Vicky Kafkaki - Graphic Design MA Falmouth University

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GDE730- Week 2 Business Models, Studios, Estimating, Invoicing and Budget Management

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The focus in this lecture to go in details about the operational and functional aspects of design practice and business. Kate Moross The first one is Kate Moross. She is founder of studio Moross, w…

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As I am leaning toward a Community Fundraising Event for my project, the Core Aspects involve Community partners.

One of the biggest of these communitty partners I believe would be our local regional development association. Regardless of what type of entrepenurship i would choose this would be one of the first I would need to contact. They help with all new business start-up, have helped with local freelancers, and are the foremost aid for the majority of community action events.

https://nrgrda.org/

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New River Gorge Regional Development Authority

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Raleigh County is updating our 2012 comprehensive plan. The purpose of a comprehensive plan is to identify issues and concerns of residents that are negatively affecting the quality of life of those that live and work in Raleigh County. The plan will include a detailed action plan outlining specific steps that County government and other partners can take to address the identified issues and concerns. The plan will also be the foundation for future growth and development in the County.

As the plan revolves around issues in Raleigh County, citizen input is a vital part of the planning process. Therefore, a survey has been created to solicit input from the general public. The survey is designed to only take a few minutes to complete and will help local elected officials identify issues and concerns in Raleigh County. This information is vital in helping define the future of Raleigh County and what actions the County should take in order for it to prosper.

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NRGRDA | Serving Fayette, Nicholas, Raleigh and Summers County

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The New River Gorge region is a collection of vibrant, prosperous, futuristic-thinking people and employers.

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With two weeks behind me I wanted to respond to the question Frauke asked in an email before the week 2 webinar. This is a barometer for how things have changed since I worked on our Week 1 research question. This isn't a finished post, no design inspirations yet.

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The AI workspace that works for you. | Notion

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A tool that connects everyday work into one space. It gives you and your teams AI tools—search, writing, note-taking—inside an all-in-one, flexible workspace.

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My big takeaway from this week's task is discovering just how complex my ecosystem is. Each professional I work with introduces a new facet to the ecosystem I share with them. Just like finding the beauty in noticing a specific tree for the first time, discovering this ecosystem that we share is part shame--that I never really noticed it before--and part joy--that I can see the tendrils stretching out. I've worked on too many small teams in the past, but I could have made them larger by simply meeting new people and introducing them. I'm more motivated to reach out to others just to chat. And as cheesy as it sounds, get some business cards and check my email more often.

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The AI workspace that works for you. | Notion

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A tool that connects everyday work into one space. It gives you and your teams AI tools—search, writing, note-taking—inside an all-in-one, flexible workspace.

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Hi Frauke, my gut tells me "core operational aspects of a design studio" are the various roles that are required like designer, animator, accountant, writer, project lead, therapist, etc. But looking online my searches are returning DesignOps. Are these related? Thanks.

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Research Task week 1

My biggest inspirations are:

Aaron Draplin

Just-A-Jar Design Press

CJ Cawley

I will share a link to my blog, this evening with a description of these.

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The link to my blog

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Vicky Kafkaki - Graphic Design MA Falmouth University

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Interview with Gem Barton “The book celebrates the various strategies that students and graduates are taking to gain exposure, while also including interviews and inspirational advice f…

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Here the link for my blog post

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Vicky Kafkaki - Graphic Design MA Falmouth University

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Interview with Gem Barton “The book celebrates the various strategies that students and graduates are taking to gain exposure, while also including interviews and inspirational advice f…

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It's not an easy task for me because I'm interested in different designs and media. I also haven't really had the time to develop my own sense of what makes me a designer. That's why it's difficult for me to take a clear stance on this.

I recently attended a Riso printing workshop and really enjoyed the atmosphere at https://www.instagram.com/herrundfraurio/ -> the owners are very personable and Riso printing is a printing technique not widely used in Munich/Germany. The technique is supposed to be more environmentally friendly. I like to learn more about graphic design techniques off screen/ non digital

I don't know if this should be on this list, but I really like the style of this tattoo artist https://www.instagram.com/howstarsdie/ -> feels more like art to me, less like the typical tattoos

Letter type inspo: https://www.instagram.com/letterformarchive/

Photography: https://www.instagram.com/raniamatar/ -> beautiful photos with a serious background

Studio with a wide range of services - especially like the typography designs https://hellome.studio/

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Here are some brand/people/studios that inspire me:

Studios → https://wwwesh.studio/ ; https://www.instagram.com/mmparisdotcom/ (one of a kind!) ; https://www.larampe.io/ (excellent copywriting) ;

Individual practitioners → https://www.instagram.com/brandbycamille/?hl=en (good advice about freelancing and very cool human-scale projects)

Founders → Krissy Cela (@krissycela) • Instagram · krissycela3,3M+ followers (love how she created a whole environment around her passion) ; https://www.instagram.com/oddmuselondon/?hl=en

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Welcome back to Instagram. Sign in to check out what your friends, family & interests have been capturing & sharing around the world.

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Accessing the recording of Week #1 Webinar

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Accessing the recording of Week #1 Webinar

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Hello, I've been added to the GDE730 group chat, but I'm still having trouble accessing the recording of the Week #1 webinar. Could you please share the replay link here?

Thanks!

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Hi all - please make sure that you have downloaded the updated Briefs PDF document from Canvas (at Assignments).

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Hi everyone, please let me know if you had trouble accessing the webinar tonight, and/or did not receive an invite to Teams. Thanks

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Hi everyone, this week's lecture video, Practitioner Case Studies, features a series of interviews with graphic designers discussing their studios. It's remarkable how different their individual approaches are. If you notice any aspects that interest or relate to you, or might be important for your own practice, please share or discuss them at the webinar - see you later.

Graphic design practitioners and studios we interviewed are:

Simon Manchipp, SomeOne

Sarah Boris

Julian House and Adrian Talbot, Intro

Sam Winston

Tom Finn and Kristoffer Soelling, Regular Practice

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Here's a link to my blog post. Below are the highlights. Pardon the dust, I'll be editing it over the next few days.

• Studios: Pentagram

• Individual Practitioners: Kenya Hara

• Business: Shakespeare & Co. (Paris)

• Brand: Japan Sumo Association

(Video link to the match when Onosato clinched the May Sumo Tournament.)