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This type of Photography is usually done in a studio and a very intense lighting is required to perform this photography. Very Intense lighting is Very Important in this because the photographer must use a very fast shutter speed from 1/200 of a second and over which means only very little amount of light will be allowed by the camera if you don't balance your camera settings like changing your aperture to the biggest hole in the window of the camera or the smallest number you can change your camera into, ISO in this picture needs to be the lowest possible because if you use a high ISO your picture will lose its sharpness and become grainy. This Type of photography is really interesting because it captures every detail and movement in the picture, and the challenge a photographer will face in this photography is the timing of when the photographer will press the shutter because everything will happen really quickly in one go.

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Eadweard Muybridge (/ˌɛdwərdˈmaɪbrɪdʒ/; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer important for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the name Eadweard Muybridge, believing it to be the original Anglo-Saxon form of his name.

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Same goes to this picture as the first one, The timing, the exposure, and the sharpness of the picture is really overheads.

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I like how the photographer used a black background while taking this picture because it makes you see even the little details and bits of the photo. Also, the timing of the picture is really exceptional. The exposure of the picture in a really super quick shutter speed matters in this type of photography.

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Gersht graduated in Photography, Film and Video from University of Westminster, London and studied for an M.A. in Photography from the Royal College of Art, London.

Gersht has exhibited widely in museums and galleries since the early 1990s. He is represented by Angles Gallery in Los Angeles, CRG Gallery in New York, Ben Brown Fine Arts in London, and Noga Gallery in Tel Aviv. In 2012, Gersht's show History Repeating was mounted at the Museum of Fine Arts, Boston. Gersht engages the themes of life, death, violence, and beauty. His photographs and films transcribe images of sites of historical significance—the Judean Desert, Sarajevo, Auschwitz, the Galicia region of Ukraine, the Lister Route in the Pyrenees (on which Walter Benjamin made his ill-fated exodus from Nazi-occupied France)—into ciphers of psychological disruption. Such scenes may not seem out of the ordinary unto themselves, but, through the artist’s focused attention and treatment they evoke the emotional resonance of what has transpired—most often, violence, and, more significantly, the ghosts of war’s most egregious detritus, its refugees

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Knowing the technique on how to do this type of photography last tuesday, I admire this picture because personally I find it to create a photograph with strobelights and the timing, because you have to press the timer at the right time to create your ideal picture. Unlike the first picture, this type of photography needs a really long shutter speed.

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Whats visually interesting in this picture is how the photographer froze time and used a really quick shutter speed whilst exposing the photograph correctly.

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Harold Eugene "Doc" Edgerton also known as Papa Flash (April 6, 1903 – January 4, 1990) was a professor of electrical engineering at the Massachusetts Institute of Technology.[1] He is largely credited with transforming the stroboscope from an obscure laboratory instrument into a common device. He also was deeply involved with the development of sonar and deep-sea photography, and his equipment was used by Jacques Cousteau in searches for shipwrecks and even the Loch Ness monster