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The first literary term found in "we two-how long we were fool'd" would be a personification. "...as Nature escapes...", this is a personification because he is giving nature a human characteristic of escaping.
The second literary term would be a metaphor. "We are Nature..." This is a metaphor because Whitman is comparing us to nature.
The third literary device would be repetition. "We are...We become...We browse..." The word we is repeated many times which gives it an important role in the story.
The fourth term would be a simile. "...we are as two comets..." This is a comparison using as.
The fifth literary terms would be imagery. "We become plants, leaves, foliage, roots, bark..." This is imagery is because it gives descriptions of nature.
The sixth term would be a metaphor. "We are two resplendent suns..." This is a metaphor because it compare "we" to being suns.

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WE TWO—HOW LONG WE WERE FOOL'D PARAGRAPH

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WE TWO—HOW LONG WE WERE FOOL'D PARAGRAPH

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In "We Two--How Long We Were Fool'd" by Walt Whitman, many examples of transcendentalist ideas. In the lines "We are Nature—long have we been absent, but now we return;" Whitman explains that we as people have disconnected from nature and it is our duty to once again bring the connection back. It is important that we learn to keep nature as apart of our modern era. Throughout the poem, Whitman uses many metaphors to describe how we not only connect to nature, but that we are apart of nature. So not only will you connect with nature, you will end up having a better understanding of yourself.

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The first literary term that is noticeable in the poem, "To the Garden, The World", would be the use of personification. "...and the quivering fire that ever so plays..." This example is a personification because a fire can neither quiver nor play as humans do.
The second literary term found in, "To the Garden, The World", would be repetition. "...all wondrous...most wondrous...", this is an example of repetition because it was repeated multiple times throughout the poem and has a strong positive connotation.
The third literary found in, "To the Garden , The World", would be a metaphor. "The THE garden, the world..." this is a metaphor because it is comparing the world to a garden without using like or as.
The fourth literary term in, "To the Garden, The World", is a metaphor. "...My limbs, and the quivering fire that ever plays through them...", this is a metaphor because it compares his body to the fire that will continue to feed the world.
The fifth literary term found, "To the Garden, The World", is a personification. "The revolving cycles, in their wide sweep, having brought me again", this is a personification because he is giving the revolving cycles of Earth human characteristics.

The sixth literary term found in, "To the Garden, The World", would be an allusion. "Existing, I peer and penetrate still...", this is an allusion because it is in the past.

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In the poem "To the Garden, The World" by Walt Whitman, the author demonstrates many different transcendental ideas. One of the transcendental ideas expressed in this poem would include the idea of individuality and not following other people. This idea can be seen in the poem when Whitman states, "Content with the present - content with the past," Whitman is explaining that people shouldn't be held back with the actions of their past nor with the action of the present. The people should be content and happy with the present and the past they have created. This idea of self reliance can also be seen in the poem when he states, "To THE garden, the world, anew ascending," The author believes that the only way a community can grow is if everyone is true to themselves. A true community can form and anew ascending can occur after everyone becomes self reliant with themselves. Throughout this poem the author expresses many different ideas of transcendentalism. The main idea being the individualism of people and being able to find who you really are, not what people want you to be.

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WE two—how long we were fool'd!

Now transmuted, we swiftly escape, as Nature escapes;

We are Nature—long have we been absent, but now
we return;

We become plants, leaves, foliage, roots, bark;

We are bedded in the ground—we are rocks;

We are oaks—we grow in the openings side by side;

We browse—we are two among the wild herds, spon-
taneous as any;

We are two fishes swimming in the sea together;

We are what the locust blossoms are—we drop scent
around the lanes, mornings and evenings;

We are also the coarse smut of beats, vegetables,
minerals;

We are two predatory hawks—we soar above, and look
down;

We are two resplendent suns—we it is who balance
ourselves, orbic and stellar—we are as two
comets;

We prowl fang'd and four-footed in the woods—we
spring on prey;

We are two clouds, forenoons and afternoons, driving
overhead;

We are seas mingling—we are two of those cheerful
waves, rolling over each other, and interwetting
each other;

We are what the atmosphere is, transparent, receptive,
pervious, impervious;

We are snow, rain, cold, darkness—we are each pro-
duct and influence of the globe;

We have circled and circled till we have arrived home
again—we two have;

We have voided all but freedom, and all but our own
joy.

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To THE garden, the world, anew ascending,

Potent mates, daughters, sons, preluding,

The love, the life of their bodies, meaning and being,

Curious, here behold my resurrection, after slumber;

The revolving cycles, in their wide sweep, having
brought me again,

Amorous, mature—all beautiful to me—all wondrous;

My limbs, and the quivering fire that ever plays through
them, for reasons, most wondrous;

Existing, I peer and penetrate still,

Content with the present—content with the past,

By my side, or back of me, Eve following,

Or in front, and I following her just the same.

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Braden Label, Brad Jacobson, and Noah Tovar