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https://www.julian-pg.com/cuccchi.html

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Promesa - https://www.julian-pg.com/promesa.html

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https://www.borislabbe.com/

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Challenge Coins

https://paglen.studio/

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Installation at In Search of Symmetry, at HDLU, Zagreb, Croatia. 2014

https://paolocirio.net/

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https://vimeo.com/555601399?embedded=true&source=vimeo_logo&owner=98142250#at=10

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Câble robotisé, 2020
Samuel Bianchini

Réalisation robotique : Léo Quénéhervé
avec les conseils de Kanty Rabenorosoa
et la collaboration d'Olivier Bienz et Didier Bouchon

Design du mobilier et implantation scénographique : Corentin Loubet

Ce projet a été réalisé sur la base d'un premier prototype élaboré sous la direction de Kanty Rabenorosoa par Yoann Dumas, Thomas Gaulier, David Kristanek et Léo Quénéhervé.

Projet développé dans le cadre du groupe de recherche Reflective Interaction d'Ensadlab, laboratoire de l'École nationale supérieure des Arts Décoratifs (EnsAD - Université Paris Sciences et Lettres) en partenariat avec l'École nationale supérieure de mécanique et des microtechniques (ENSMM), S.MART Franche-Comté, AS2M department / FEMTO-ST Institute et avec le soutien de la Chaire arts & sciences de l'École polytechnique, de l'EnsAD-PSL et de la Fondation Daniel et Nina Carasso.

Comment le contenu d'un signal peut-il faire bouger le câble qui le transporte, comme dans le cas d'un dispositif de diffusion vidéo ? Comment ce que représente cette vidéo influerait-elle alors, dynamiquement, sur le mouvement du câble qui bouge, se tort, se débat, lentement ou par sursaut, tel un serpent pris dans un piège ?
Un écran plat est accroché face contre un mur. Il projette un halo de lumière et le câble l'alimentant en images est bien visible : il sort de l'angle de ce même mur, pour se tordre et bouger suivant l'image ainsi diffusée, celle d'une chaîne d'information en continu. 
Si les industries de la communication, comme les penseurs de ce domaine, ont encore tendance à séparer les questions relatives au contenu de celles qui concernent les dispositifs qui y donnent accès, ici, il n'en est définitivement rien.

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https://dispotheque.org/fr/fossilation

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Fauteuil handicapé

Fauteuil à roulettes robotisé et fauteuil roulant, 2014 - 2019
Samuel Bianchini

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La version 1 du Dadamètre a été co-produite par les Rencontres Internationales Paris-Berlin-Madrid pour le nouveau cinéma et l’art contemporain. Dans ce cadre, elle a été exposée à Madrid du 5 au 14 mai 2008.

Elle comprend pour l’instant :
— un site Internet décrivant le projet
— une application off-line, présentant un graphe interactif et une cartographie, représentations du langage à grande échelle, tel qu’il est emmagasiné dans Google
— des cartes imprimées
Programmation informatique : Valeriu Lacatusu.

Pour l’espace virtuel en ligne, dans le cadre du second volet de la programmation Satellite du Jeu de Paume, le projet Dadamètre sera adapté, en créant notamment une version Internet du graphe interactif en français.

www.iterature.com/dadameter

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New Atlantis est un programme de recherche piloté par Locus Sonus. Il s’agit d’un projet aux multiples aspects — pédagogiques, techniques et artistiques — centré sur l’écoute et la création sonore en ligne. L’un des principaux objets du projet est le développement d’univers virtuels, en ligne et multijoueurs, dédié à l’expérimentation et à la création sonore. Il s’agit d’une plateforme dédiée à l’exploration des relations entre son, image 3D et interactivité, destinée aux artistes sonores, musiciens, chercheurs et étudiants. Le nom de New Atlantis vient du titre d’une nouvelle utopique de 1627 du philosophe anglais Francis Bacon, considéré comme le père de l’empirisme moderne. Il y décrit une société imaginaire, sur l’île de Bensalem quelque part dans l’océan Atlantique, qui place l’éducation et le savoir au cœur de la culture, favorisant la recherche scientifique par le faire et l’observation. L’île est traversée de phénomènes et de machines sonores qui prédisent les techniques électroniques et numériques actuelles. Inspiré par l’ouvrage de Bacon, New Atlantis met l’accent sur la découverte, l’échange culturel, l’expérimentation, l’apprentissage et l’approfondissement des connaissances dans un environnement éducatif et créatif.

La plateforme a connu plusieurs versions depuis une dizaine d'années, elle est aujourd'hui encore en développement dans une version web accessible via ce lien https://jonlab.github.io/NewAtlantisWeb/index.html?spawn=accueil

Site du projet

https://newatlantis.world/

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Jean-Paul Fourmentraux, socio-anthropologue (PhD) et critique d’art (AICA), est professeur à l’Université d’Aix-Marseille et membre du Centre Norbert Elias (UMR-CNRS 8562) à l’École des Hautes Études en Sciences Sociales (EHESS). Il est l’auteur de plusieurs ouvrages sur les (contre-)cultures numériques, dont Art et Internet (CNRS éd., 2010), L’Ère Post-media (Hermann, 2012), L’œuvre Virale. Net art et culture Hacker (La lettre volée, 2013), Identités numériques (CNRS éd. 2015).

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https://billvorn.concordia.ca/menuallF.html

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http://www.smoothware.com/danny/

Daniel Rozin est un artiste israélo-américain travaillant dans le domaine de l'art numérique interactif. En tant qu'artiste interactif, Rozin crée des installations et des sculptures qui ont la capacité unique de changer et de répondre à la présence et au point de vue du spectateur.

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Pierre orbinais

http://oujevipo.fr/

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arrivée de l'adsl particulier en France

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Domestic Tension - 2007

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The Paint Ball Project: Day 30; Artist Wafaa Bilal

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wafaabilal.com Iraqi born artist Wafaa Bilal has become known for provocative interactive video installations. Many of Bilal's projects over the past few years have addressed the dichotomy of the virtual vs. the real. In Domestic Tension, viewers can log onto the internet to contact, or shoot, Bilal with paintball gun.

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XVeme

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1985

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Années 60, pas d'année exacte.
title: | Schotter
material: | drawing, b/w, computer-generatedInk on paper
algorithm: | Schotter Generator
artwork type: | drawing
collections: | Sammlungen Herbert W. Franke/ National Archive of Computer Based Art and Design

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Cybernetic Serendipity Music ICA01 | ICA02
1968 ICA Nash House, The Mall, London SW1

ICA01

A1 Lajaren Hiller & Leonard Isaacson - Illiac Suite (Experiment 4). 1957, 4 minutes, Mono.

A2 John Cage - Cartridge Music (excerpt). 1960, 5 minutes, Stereo.

A3 Iannis Xenakis - Strategie (excerpt). 1962, 5 minutes, Stereo.

A4 Wilhelm Fucks - Experiment Quatro-Due. 1963, 5 minutes, Mono.

A5 J.K. Randall - Mudgett (excerpt). 1965, 7½ minutes, Stereo.

ICA02

B1 Gerald Strang - Compusition 3. 1966, 2½ minutes, Mono.

B2 Haruki Tsuchiya - Bit Music (excerpt). 1967-1968, 2 ⅜ minutes, Stereo.

B3 T.H. O'Beirne - Enneadic Selections. 1968, 4¼ minutes, Mono.

B4 Peter Zinovieff - January Tensions. 1968, 10½ minutes, Stereo.

B5 Herbert Brün - Infraudibles. 1967, 8 ½ minutes, Stereo.

This record was made to celebrate and commemorate the Cybernetic Serendipity exhibition held at the ICA, London, 1st August to 20th October 1968.

During the preparation of the Cybernetic Serendipity exhibition two things became apparent.

One, that in order to show what was going on in the field computer music, it was necessary to include a considerable amount of material that was not strictly composed with or played by computer. Two, that dealing with an exploratory field, all attempts at a historical perspective or firm evaluation were out of place. The exhibition and this record, therefore, are essentially a reportage of current trends and developments in programmed and stochastic music.

The first landmark in computer composition is Lejaren A. Hiller's 'Illiac Suite', 1957. Many experiments have been carried out before, but these were either exploratory without yielding a tangible music, or were mostly concerned with the technical possibilities of imitating familiar sounds.

Ideas which are relevant to composition with computers were frequently employed in the experimental musical composition of the past thirty years. The work of Joseph Schillinger, for instance, through its systematic analysis and programming, antedates the methods employed by computer composers today. The notion of randomness exemplified in the work of John Cage is also of crucial importance. Randomness (decision avoiding, or more concisely, leaving a decision to chance within an exactly specified range of possibilities) is one of the most important tools of the computer composer.

Computer music falls into two categories: computer composition and computer sound. Specific works may employ one or both of these. 'Illiac Suite' is computer composed but performed by a string quartet. Pieces by James Tenney, Gerald Strang and Peter Zinovieff utilise the computer both as a tool to compose with and a sound-making instrument. The experimental pieces produced at Bell Telephone Laboratories make use of existing tunes like 'A bicycle built for two' but played and sung by a computer.

As a souvenir of the Cybernetic Serendipity exhibition this record is a selection of work in progress.

The cover shows a section of a score for "Four Sacred April Rounds' 1968 by Peter Zinovieff

Curator Jasia Reichardt introduces the 'Cybernetic Serendipity' exhibition at the Institute of Contemporary Arts in London.

Gordon Pask Colloquy of Mobiles
installation view video 2 (close up)
ICA, London, 1968.

(Source: cyberneticians.com)

Gordon Pask Colloquy of Mobiles
installation view video 1
ICA, London, 1968.

(Source: cyberneticians.com)

exhibition view, ICA London, 1968.

[Gordon Pask, Colloquy of Mobiles]

exhibition view, ICA London 1968.

Featuring Bruce Lacey 's ROSA BOSOM with MATE.

[View related British Pathe newsreel.]

Bruce Lacey and Princess Margaret at Cybernetic Serendipity, ICA London, 1968.

exhibition view, ICA London 1968.

Rowland Emett's The Honeywell-Emett Forget-me-not Computer

[View related British Pathe newsreels 1 & 2]

exhibition view, ICA London 1968.

exhibition view, ICA London 1968

"Cybernetics - derives from the Greek "kybernetes" meaning "steersman"; our word "governor" comes from the Latin version of the same word. The term cybernetics was first used by Norbert Wiener around 1948. In 1948 his book "Cybernetics" was subtitled "communication and control in animal and machine." The term today refers to systems of communication and control in complex electronic devices like computers, which have very definite similarities with the processes of communication and control in the human nervous system. A cybernetic device responds to stimulus from outside and in turn affects external environment, like a thermostat which responds to the coldness of a room by switching on the heating and thereby altering the temperature. This process is called feedback. Exhibits in the show are either produced with a cybernetic device (computer) or are cybernetic devices in themselves. They react to something in the environment, either human or machine, and in response produce either sound, light or movement. Serendipity - was coined by Horace Walpole in 1754. There was a legend about three princes of Serendipity (old name for Ceylon) who used to travel throughout the world and whatever was their aim or whatever they looked for, they always found something very much better. Walpole used the term serendipity to describe the faculty of making happy chance discoveries. Through the use of cybernetic devices to make graphics, film and poems, as well as other randomising machines which interact with the spectator, many happy discoveries were made. Hence the title of this show."

from the exhibition press release, ICA London, 1968.

exhibition view, ICA London 1968.
[ SAM (Sound Activated Mobile) in foreground.]

exhibition view, ICA London 1968

Featuring Bruce Lacey 's ROSA BOSOM with MATE

exhibition view, ICA London 1968.[
SAM (Sound Activated Mobile) in foreground.]

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Cybernetic Serendipity Music ICA01 | ICA02 1968 ICA Nash House, The Mall, London SW1 ICA01 A1 Lajaren Hiller & Leonard Isaacson - Illiac Suite (Experiment 4). 1957, 4 minutes, Mono. A2 John Cage - Cartridge Music (excerpt). 1960, 5 minutes, Stereo. A3 Iannis Xenakis - Strategie (excerpt). 1962, 5 minutes, Stereo.

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Myspace est un site web de réseautage social fondé aux États-Unis en août 2003, qui met gratuitement à disposition de ses membres enregistrés un espace web personnalisé,

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Ouverture du réseau social Facebook en France.

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https://www.increpare.com/

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Sexy Robot - 1985

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Brilliance by Robert Abel and Associates and directed by Randy Roberts circa 1985

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Documentary segment discussing the late Robert Abel's pioneering use of computer graphics in a 1984 television commercial for the canned food industry.

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1969
Éliane Radigue, née le 24 janvier 1932, est une compositrice française. Le choix et l'utilisation exclusive de sons continus, dit drones, situe son esthétique à la croisée des courants minimaliste, électronique et spectral.

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Eliane Radigue | Feedback Works 1969-1970 [2012, Full Album]

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2002

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MicroImage (Software 1), 2002/2014. Software, 1920 x 1080 pixels. (Two-minute capture from generative software.)

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10 print - 2011

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As demonstrated by Casey Reas at the Eyeo Festival, June 2011, Minneapolis, Minnesota, a random maze generation program in one line of Commodore 64 Basic. The program uses the PETSCII character set, specifically the line character code of 205.5, plus a random occurrence of 1 or 0, which alternates between the / and \ characters, and then repeats without causing line breaks.

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Bridget Riley, née le 24 avril 1931 à Londres, en Angleterre, dans le quartier de Norwood, est une artiste peintre britannique d'origine anglaise.

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En 1967 Guy Debord publie La société du spectacle

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Elle est considérée comme une précurseuse de l'art numérique et de l'art algorithmique. Imprégnée d’un héritage pictural caractéristique de l’Europe de l’Est, elle s’installe à Paris en 1947 afin de développer une œuvre expérimentale et fortement engagée. Elle vit à Paris, où elle poursuit sa carrière artistique. Elle est représentée à Rennes par la galerie Oniris et à Paris par la galerie TORRI.

Courbes - 1975

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http://mandelbulb.com/2014/artist-profile-john-vega/

Machina Canyon

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1967

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Maison Vole 1983 premier film d'anime en full 3d

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Maison Vole 1983 premier film d'anime en full 3d

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The Computer Graphics Museum MAISON VOLE SOGITEC 1983 first french computer graphics

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visit the first computer graphics museum here: http://computergraphmuseum.free.fr MAISON VOLE SOGITEC first french computer graphics

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Vortex 2015

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Miguel CHEVALIER Vortex 2015 Lélia Mordoch Gallery (with interviews)

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A film by Claude Mossessian © Claude Mossessian Miguel CHEVALIER Vortex 2015 Solo Show in Lélia Mordoch Gallery, Paris (France) From 24th of September to 31st of October 2015 Software: Claude Micheli Music : Michel Redolfi Voxels Productions : Nicolas Gaudelet, Emilie Lesne

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John Lasseter, né le 12 janvier 1957 à Hollywood, Los Angeles, est un réalisateur et producteur américain de films d'animation.

Luxo 1986

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Pong est un des premiers jeux vidéo d'arcade et le premier jeu vidéo d'arcade de sport. Il a été imaginé par l'Américain Nolan Bushnell et développé par Allan Alcorn, et la société Atari le commercialise à partir de novembre 1972.

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Mars en guerre, 2003

suite à la déclaration de la seconde guerre d'Irak

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http://www.jacquesperconte.com/

REQUIEM CRASH

2002 (-), impression,
4K 23.96p (4096 * 2160 1,89 : 1 : 12bit) N/A

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http://gwenolawagon.com/

Video interactive installation, 2000-2001

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Golden Voyage 1973

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Steina & Woody Vasulka - Golden Voyage (1973)

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Copyright © 2016 Steina and Woody Vasulka. Courtesy Electronic Arts Intermix (EAI), New York remove? plspxtm@gmail.com

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Chop suey 1995

Cd Rom - Emulateur

http://archive.rhizome.org/theresa-duncan-cdroms/

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Woods of Arcady - 2010

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The woods of Arcady are dead, 
And over is their antique joy; 
Of old the world on dreaming fed; 
Grey Truth is now her painted toy; 
Yet still she turns her restless head: 
But O, sick children of the world, 
Of all the many changing things 
In dreary dancing past us whirled, 
To the cracked tune that Chronos sings, 
Words alone are certain good. 
Where are now the warring kings, 
Word be-mockers? — By the Rood
Where are now the warring kings? 
An idle word is now their glory, 
By the stammering schoolboy said, 
Reading some entangled story: 
The kings of the old time are dead; 
The wandering earth herself may be 
Only a sudden flaming word, 
In clanging space a moment heard, 
Troubling the endless reverie. 

Then nowise worship dusty deeds, 
Nor seek, for this is also sooth, 
To hunger fiercely after truth, 
Lest all thy toiling only breeds 
New dreams, new dreams; there is no truth 
Saving in thine own heart. Seek, then, 
No learning from the starry men, 
Who follow with the optic glass 
The whirling ways of stars that pass — 
Seek, then, for this is also sooth, 
No word of theirs — the cold star-bane 
Has cloven and rent their hearts in twain, 
And dead is all their human truth. 
Go gather by the humming sea 
Some twisted, echo-harbouring shell,
And to its lips thy story tell, 
And they thy comforters will be, 
Rewarding in melodious guile 
Thy fretful words a little while, 
Till they shall singing fade in ruth 
And die a pearly brotherhood; 
For words alone are certain good: 
Sing, then, for this is also sooth. 

I must be gone: there is a grave 
Where daffodil and lily wave, 
And I would please the hapless faun, 
Buried under the sleepy ground, 
With mirthful songs before the dawn. 
His shouting days with mirth were crowned; 
And still I dream he treads the lawn, 
Walking ghostly in the dew, 
Pierced by my glad singing through, 
My songs of old earth's dreamy youth: 
But ah! she dreams not now; dream thou! 
For fair are poppies on the brow: 
Dream, dream, for this is also sooth.

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Tesão, 1985-86. Minitel artwork

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Super Mario Clouds 2002
Super Mario Brothers, ... but with just the clouds.

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Totally Fucked - 2003
​Super Mario stuck on a cube.

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Space invader - 2004
​Space Invaders with only one invader.

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Bill Viola - Tristan's Ascension -- 2005

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Mario Bros - 1983

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Pong 1972

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Quick Office - 2015

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I shot Andy Warhol

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Cory Arcangel - I Shot Andy Warhol - 2002

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Mod of Hogan's Alley video game where one is asked to shoot Andy Warhol. http://www.coryarcangel.com

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Nicolas Schöffer was one of the truly innovative artists whose theoretical and practical influence on present day art is remarkable. Born in Hungary and active in Paris since 1936, he developed theories of spatiodynamism (1948), luminodynamism (1957), and chronodynamism(1959) which challenged earlier notions of static viewing of sculpture.

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Supermario clouds 2002

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Cory Arcangel - Super Mario Clouds - 2002

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Just the clouds from Mario Brothers. http://www.coryarcangel.com/

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Light Space Modulator 1930

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Black flags 2017

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Buried Cube Containing an Object of Importance but Little Value 1968

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The Crossing, 1996

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Serial Project #1, 4 Part Set (Row) ABCD 3,

1966

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https://www.technoromanticism.com/

Autoportrait 1991

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He weeps for you 1976?

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The Greeting 1995

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Metadata 1971

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Méta Cité 1993 - 2004

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Autre nature1996

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Cyclo 2000

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cyclo. id#00 (Carsten Nicolai & Ryoji Ikeda)

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POPRALLY PRESENTS: cyclo.id Sunday, October 6, 2013, 8:00 -11:00 p.m. MoMA PopRally invites you to the premiere U.S. performance of cyclo., the collaborative project of artist/composers Ryoji Ikeda and Carsten Nicolai. Since their collaboration began in 1999, cyclo.'s work-live performances, CDs, books, and ongoing research-has focused on their shared interest in the visualization of sound.

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Oenologie 1992

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Transaction 1990

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Coming into a Lighter Place 1988

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LYONEON, Tour Lumière Cybernétique de Lyon, 1988
(Tour cybernétique de 30 m de haut), Place d'Arsonval.

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Them Fuckin’ Robots/male robot (2) 1988

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Disparition, 1989

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Anthropométrie 1989

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Le combat des images 1987

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Le combat des images 1988

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1999 Electric Sheep

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Electric Sheep in HD (Psy Dark Trance) 3 hour Fractal Animation (Full Ver.2.0)

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Processing 2001

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Pure Data 1988
https://fr.wikipedia.org/wiki/Pure_Data

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Artificial Mondrian
1966

En Fortran IV, avec un HITAC 5020

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Années 60, pas d'année exacte, mais image fondatrice, existe en plusieurs exemplaires différents.

title: | Schotter
material: | drawing, b/w, computer-generatedInk on paper
algorithm: | Schotter Generator
artwork type: | drawing
collections: | Sammlungen Herbert W. Franke/ National Archive of Computer Based Art and Design

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A. Michael Noll (born 1939, Newark, New Jersey) is an American engineer, and professor emeritus at the Annenberg School for Communication and Journalism at the University of Southern California. He served as dean of the Annenberg School from 1992 to 1994.[1] He was a very early pioneer in digital computer art and 3D animation and tactile communication.

Computer composition with lines - 1964

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exposition du centre Pompidou, 28 mars 1985 – 15 juillet 1985.
Commissariat : Jean-François Lyotard, Thierry Chaput.
Scénographie : Philippe Délis.

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Title Unknown - 1979

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Tel. Message Sender 1978

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Vasarely with Curvilinear Data 1977

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Funky Isn’t Junky 1982

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P-300/B 1980

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Funny Weather 1983

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Grube und Pendel (textgenerierte Maschine)
1983

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South temple 1981

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né le 1er juillet 1938 à San Antonio au Texas est un artiste des nouveaux médias canadien souvent considéré comme un des pionniers dans l'utilisation des technologies électroniques et de la robotique en art

Splish Splash Two (1975)

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Hervé Huitric / Monique Nahas / GAIV (Groupe Art et Informatique de Vincennes)

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Hervé Huitric / Monique Nahas / GAIV (Groupe Art et Informatique de Vincennes)

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Cube 1973

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Edward Zajec was among the pioneers in the 1960s, and more recently is professor of computer graphics at the School of Art and Design at Syracuse University.

Très peu d'infos, un site pas trop mal mais incomplet. Série de vidéo de 84 à 87 très interessanes, mais introuvables.

TVC 1971

TVC 1971

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Néons 1967

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Kenneth C. Knowlton began working at Bell Labs after earning a Ph.D. in computer science from MIT (Massachusetts Institute of Technology) in 1962.

Nude 1966

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Pixilation 1970

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INTERROGATION

GALERIE SAINTE-CROIX, TOURS.

MAI 1969

Messe électronique dans une chapelle gothique. Mise en relation du "savoir" du Passé avec le "savoir" du Présent…

Conception/réalisation ………. Fred Forest.