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Balinese Wayang Kulit has evolved its own unique music and puppets. Wayang Kulit owes its form to its Javanese predecessors. However, these puppets are much smaller but more naturalistic than the ones of the Javanese.

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The religious and symbolic purpose of a piece of classical Balinese sculpture determines the type and style of matirels
used and the ultimate placement of the piece

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The hinduism go to temples as meeting points. There the gods descend from the mountains to take their seats. The people welcome them with offerings (bottom)

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There's 25 different types of gamelan and sizes. Usually there in metal or bamboo and they have different sound. All villages have at least 1 gamelan. In Bali, they call it "gamelan angklung."

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There are many different characters in the Wayang. All of these characters are made from stiffly tanned hide hide mounted on handles of horn or bone.

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Every village at least owns one gamelan, if not dozens. Traditionally, no one in Bali plays music as pure concert, or only for pleasure, because music has above all a socio-religious function.

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when the balinese people are praying they raise put there hands together and shut their eyes. But, you may not think of it but, it actually means something when their hands are at the level of the brow it indicates a prayer addressed to the gods and defied ancestors. hands with fingers down symbolises and invocation to the demons. In between is human salutation.

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Most contemporary Balinese sculptures are the product of a marriage between the 9th-century Hindu-Buddhist style, and the ancient island animist vision. In spite of all the religious and political upheavals, sculpture has changed little over time in terms of themes and iconography.

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Bali is known for its instrumental ensembles, gamelan. Gamelan also varies in different regions of Bali. In Western Bali they play with bamboo tubes and somewhere else they play with wood. Lastly, traditionally no plays gamelan for pleasure in Bali.

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The gamelan(indonesian orchestra) is the predominant in balinese music. Every village has at least one Gamelan with instruments like gongs, drums, metallophones, xylophones made out of metal or bamboo.

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Spiritual scenes of divine birds enliven the upper section (right) of a building, a position near the gods, while hideous, infernal scenes of carved animals appear in relief on the lower section of temple walls, nearer the evil ground spirits.

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Balinese Doors are often carved and painted beautifully, they can be single leaf or double leaf. The meten has twin leaf doors, the kitchen has a single leaf door, hinged the ancient Chinese and Indian way, with post and socket hinges.

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In a wayang performance, there is only one pupeteer (Called a Dalang), who has to take on the parts of every role in the play

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In a Family Compound, the Ceremonial Pavilion is used for life rites and death rituals. (The building labeled 5)

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Ancient Kings are deities to the Balinese. Their sculptures are also in temples, worshipped with the other religions.

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The Cremation Tower is a tall decorated tower that is supported on a bamboo structure it is a symbolic representation of the universe.

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Bali is 84% Hindu