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1. Title
2. Artist
3. Medium
4. Date

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1. Describe
2. Analyze
3. Interpret
4. Evaluate

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A standard way that information is encoded for storage in a computer file.

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The smallest controllable element of a picture represented on the screen.

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A lossy compression technique for color images. Although it can reduce files sizes to about 5% of their normal size, some detail is lost in the compression.

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Contains minimally processed data from the image sensor.

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Uncompressed and thus contain a lot of detailed image data; also extremely flexible in terms of color.

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A proprietary file that allows the user to work with the images’ individual layers even after the file has been saved.

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A genre of photography is just the style of the image which has to do with landscape, objects involved, and how the picture was taken.

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Small format film.

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A type of camera with two lenses that have the same focal strength. One of them is for taking the picture and the other is for what you're viewing.

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The large format camera requires the film to be well taken care of and photographers develop the film in a darkroom. The camera can tilted up, down, left and right,making it easier to capture the landscape, and it has excellent focusing ability.

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A type of photography introduced in the 1800's that used film to make negative prints.

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A specialist who is involved with heritage material and has positions for those with a background in photography.

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An event where pieces of art are displayed for a short time.

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Involves the position and perspective of the viewer; the position on which the photo is taken has great impact on the perception

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A room or building for displaying works of art.

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Property rights which subsists in original literary, dramatic, musical or artistic works

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The path of a moving point.

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The contour of a flat object.

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An object's chromatic quality.

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A 3-dimensional object.

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The tactile quality of a surface.

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An object's lightness/darkness.

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An object's internal/external areas.

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When a subject in an image stands out and directs the viewer's attention to it.

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Refers to the visual weight of the elements of the composition; can be achieved through types of symmetry.

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A tool used to direct the focus using dissimilar subjects.

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To use repeating elements to enhance the composition of a photograph.

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The visual size and weight of elements in a composition and how they relate to each other.

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The rhythmic effect of a repeating visual element.

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When all parts of an image are manipulated to look equal, has a sense of harmony.

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A conceptual contrast that we often shoot without noticing it

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Each side of the picture is an exact mirror of each other; equal weight

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Not even or off-center

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Elements "radiate" from the center point in a circular fashion

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All elements fit perfectly in the photo

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Involves mentally dividing up your image using 2 horizontal lines and 2 vertical lines. You then position the important elements in your scene along those lines, or at the points where they meet.

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A mathematical equation often found in nature.

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Often said to be hues from red through yellow, browns and tans included.

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Often said to be the hues from blue green through blue violet, most grays included.

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Not two colors that compliment each other per se, but they do enhance or accentuate one another, creating a type of contrast.

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Rational conclusions made from observations.

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When the photo impacts the way you think about something.

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To be good or worthy so as to receive praise and awards.

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Feedback to improve the elements of the photo and make it better.

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To think about the meaning of the photo or how it makes you feel.

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Tries to show the world as it really is.

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Tries to show the world as the photographer herself sees it

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A logo or type of signature on a photo to represent who created it so that it shows that it's original

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When someone steals or copies art without permission.

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Photography that involves ethical issues in society.

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When the sun is directly in front of you lighting the back of your subject.

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- Describe the subject matter. What do you see.
- Do not make any kind of judgment about the work.
- It is important to carefully, non-judgmentally observe the art.

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- Pay close attention to which Elements of Art the artist used.
(Line, Shape, Color, Value, Texture, Space, Form)
- Look for ways the elements were used to organize the composition using the Principles of Design
(Rhythm, Balance, Movement, Proportion, Variety, Emphasis, Unity)

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Non-directional light, where the intensity of light is even. This light is fantastic for portrait photography, as it creates little or no shadow on a person’s face.

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- What is the artist trying to say?
- How are they using this photograph to get their point across?
- Why was the photograph composed in this manner?

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- Decide whether the work is successful or has merit.
- Discuss what you like and what could've made it better with a defense.
- Support your judgment with answers from the first three steps.

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Natural light and light already present in a scene.

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The high contrast light/dark style.

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A view of an object or a scene consisting of the outline and a featureless interior, with the silhouetted object usually being black.