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https://www.dawsons.co.uk/blog/what-is-field-recording - Field Recording

https://acousticnature.com/journal/what-is-field-recording - Field Recording

https://www.premiumbeat.com/blog/recording-foley-and-sound-effects-the-fundamentals/ - Foley

https://usv.edu/blog/the-foley-artist/ - Foley

https://www.studiobinder.com/blog/what-is-adr-in-film/ - ADR

https://soundclass.weebly.com/6-spotting-for-sound-design.html - ADR

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Watch this video to find out more about contemporary field recording.

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Sound Fields: Adventures in contemporary field recording

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For this task you will need to replace the dialogue for your documentary.

1. Access the script for your documentary.
2. Document the rehearsal phase.
3. Re-record your dialogue in the studio.
4. Take pictures that document your progress.

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Log in to teams and choose one of the short cartoons. You will need to import the cartoon and strip all of the audio.

1. Make a list of all the sounds you will need to recreate.
2. Make a list of materials you will need.
3. Act as a professional foley artist.
4. Take photographs that document your experience.

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Now that you have finished editing your nature trailer you will need to start thinking about the sound you will need to capture.

Using the sound equipment available, record all of the necessary sound needed to bring your trailer alive.

1. Make a list of sounds needed and identify the location.
2. Make a list of equipment you will need to take with you.
3. Act professionally as a sound engineer.
4. Take photographs to document your experience.

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Watch Hugh Jackman in action. This is a perfect example of ADR.

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Hugh Jackman Doing ADR For Logan [Must See]

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Above is an example foley list.

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ADR in film is the process of re-recording audio in a more controlled and quieter setting, usually in a studio. It involves the re-recording of dialogue by the original actor after filming as a way to improve audio quality or reflect dialogue changes.

What does ADR stands for? Automated Dialog Replacement, also referred to as “looping.” In the early days, when the dialogue replacement was first being done, each re-recorded line of dialogue used a loop of film which would play over and over again in a loop. Modern techniques use computers to loop the section which is where we get the “automated” part of ADR.

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Essential equipment for the foley artist

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Essential equipment for the foley artist

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- Industry standard Digital Audio Workstation (DAW) Logic Pro or Adobe Audition.

- Condenser and Dynamic Microphones.

- Foley or sound list (A list of sounds from the director that need to be recreated in the studio)

- Sound source list (List of equipment need to recreate the sounds)

Misc: Headphones - Boom stands - studio engineer - screen and footage

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Watch this video to see the foley artist in action.

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The origins of Foley come from the live broadcast era of the 1920s. Radio studios would hire sound artists to create the effects live on cue and improvise with the radio host during broadcasts.

One of the pioneers and most recognized names in the broadcast world was Jack Foley. Jack Foley was the first sound artist to break into the film industry, innovate sound for film, and pioneer the techniques that foley artists still use to this day.

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At GC, you will be given the opportunity to explore different sound equipment.

Recorder options: Zoom H4n OR Tacam DR-60D

Cables: XLR

Microphones: Rode NTG 2 OR Rode NTG 5.

Misc: Dead cats - Tripod - Closed back headphones

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Before the invention of television, shows were broadcasted on the radio. These shows had sound effects, but they were not prerecorded. Instead, a hired crew would make the sound effects live. Their performance was critical because their sounds had to match up perfectly with the voice actors ques.

Eventually, recordable tape was invented and sound effects were forever changed. Now, sound effects could be recorded anywhere and be added to film later. This allowed for more creativity and realism in shows.

For the first time, a show could feature real sounds of a busy street, a train going by, and even whistling winds. In fact, the first field recording ever used in film was from a busy street.

In present times, recording sound effects is one of the main reasons people get into field recording. With so many people producing media of all sorts, there are tons of people looking for high-quality sound effects. If you are good at this craft there is the potential to make a lot of money selling your recordings.

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Field recording is the practice of capturing an audio source outside of a studio environment. Doing away with the luxuries of an acoustically treated and soundproofed recording studio, dispensing with thousands of pounds worth of recording equipment, dismissing the team of expert engineers, field-recording is as intimate and raw as it gets.

You might think that field recording is a technique used merely for adding texture to radio interviews, providing audio for nature documentaries, or aimed toward academic pursuits such as acoustics and sound design, social anthropology, etc. However, artists have been capturing on-location sounds to integrate into their own work for over a century.

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Welcome to the Padlet dedicated to different recording techniques within the media industry.

Aims and Objectives:

- Identify the different recording techniques by examining on-set and studio application.
- Understand how setup equipment for field recording.
- Understand how to capture sound in external locations.
- Capture sound in the recording studio and produce original foley.