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Mon projet est constitué de trois reproductions de peintures exécutées d’un point de vue du 21e siècle. Je vous démontre ainsi qu’avec les outils modernes : nous pouvons reproduire facilement des œuvres qui sont considérées grandioses pour leur temps en termes d’exécution et d’artisanat.

La technologie & les réseaux sociaux ouvrent une porte à tous ceux qui ne se sont jamais intéressés ou très peu à ces œuvres. Regardez l’utilisation de plusieurs toiles dans le monde culturel d’aujourd’hui (par exemple – les mèmes).

À quoi ressemblerait La femme à la perle et de La Dame à l’hermine si De Vinci les avait créées à notre ère moderne? Quand serait-il de Juan de Pareja de Velázquez? Mon projet est donc une suggestion de ce que ces artistes auraient créé s’ils faisaient partie de notre époque en utilisant un téléphone mobile au lieu de la peinture.

Pour accomplir ce projet, j’ai porté attention aux détails tels que les poses, les expressions faciales, la lumière, la coloration ainsi que les vêtements qui font simplement penser à la peinture originale sans toutefois en faire des pastiches.

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La femme à la perle (De Vinci)

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Juan de Pareja (Velázquez)

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La Dame à l'hermine (De Vinci)

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Par Leslie McKellar

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@moviecats Instagram

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Peinturer l'éclair et cheveux sac plastique

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Sweater + Cheveux + dessiner les cils

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Faire cheveux avec papier de construction ou papier d'aluminium

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Chapeau + manteau

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Prendre un drap pou faire la robe / bouchons plastique pour boucles d'oreilles, sac plastique pour les cheveux

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Faire la moustache avec...

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Hendrik Kerstens

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Mix entre des photos noir et blanc trouvées sur internet mises en contexte dans mes propres photos en couleur

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Pièce sous forme de GIF animé démontrant l'énorme quantité existante d’interprétations (ou appropriations?) de l'œuvre iconique de La Joconde.

Je trouve intéressant de voir une œuvre qui est connue à travers le monde, modifiée par des gens qui se trouve aux 4 coins de la Terre, et ainsi voir les possibilités infinies que donne le processus de la parodie, le pastiche et la caricature. Ce projet pousse à créer une réflexion sur la limite entre l’appropriation et le plagiat. Voici un bref extrait d’un recours juridique à ce sujet :

«Inspiré du cubisme, le courant artistique de l’appropriation nait aux Etats-Unis dans les années 1950. Selon les experts du MoMA, il désigne « l’emprunt, la copie et la modification intentionnels d’images et d’objets préexistants ». L’appropriation renvoie ainsi à la pratique d’artistes utilisant, une œuvre préexistante – souvent iconique – à laquelle ils ajoutent une légère transformation révélatrice de leur vision, de leur empreinte.»

Par Cabinet Bouchara, Blog propriété intellectuelle, (http://www.cabinetbouchara.com/P-399-2-A1-l-appropriation-creation-originale-ou-atteinte-au-droit-d-auteur.html)

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Mitch Paone on LinkedIn: New Work! Kinetic Identity for this year's International Graphic Design | 26 comments

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New Work! Kinetic Identity for this year's International Graphic Design Biennial in Chaumont France. The identity concept is based on this year's theme... 26 comments on LinkedIn

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Photos prises par moi en marchant à Montréal. J'ai tenté de centrer tous les panneaux pour une continuité visuelle.

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Exploration de modifications et d'interpretations sur le célèbre portrait de la Mona Lisa. Le gif montre la multiplicité, effet intéressant de garder le visage toujours au même endroit.

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Début de collection, classer les portraits de la femme en ordre chronologie afin de voir l'évolution de l'image de la femme à travers le temps

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Téléphone & main, reflet de la personnalité

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Téléphone & main, reflet de la personnalité

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Things Organized Neatly is a perfectionist's dream come true. Curated by Indiana designer Austin Radcliffe, the blog features images of various items meticulously organized in tidy rows. Arranged according to size, color, type, or plain aesthetics, the objects range from burnt matches to deconstructed gadgets to minuscule pieces of food.

Amidst all the chaos and clutter of everyday life, Things Organized Neatly stands out as a soothing haven for the neat freaks of the world. Gazing at the perfectly aligned displays is an oddly meditative experience, with each image providing some much-needed relief for those in need of some clean, orderly, visual satisfaction.

According to Radcliffe, neat collections of items are so aesthetically pleasing and a trend of contemporary design because of the deliberate nature of organizing. In an interview with Print Mag, he says, "I think that taking time and care to adjust and arrange objects shows a certain time dedication, and therefore implies importance on the objects. The person arranging the items is inherently exercising his or her aesthetic preferences. Even if the objects are arranged scientifically, by size for instance, a pattern reveals itself. So neatly organizing a subject will give visual interest, and even function to the viewer. Precision is beauty."

Things Organized Neatly on Tumblr
via [ Distractify]

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Photos of Things Organized Neatly Provide a Soothing Feast for the Eyes

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Things Organized Neatly is a perfectionist's dream come true. Curated by Indiana designer Austin Radcliffe, the blog features images of various items meticulously organized in tidy rows. Arranged according to size, color, type, or plain aesthetics, the objects range from burnt matches to deconstructed gadgets to minuscule pieces of food.

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I am a self taught painter and photographer. Many of my paintings and photographs are arrangements of objects, both real and imagined. When I was a child I began collecting things, and by the time I was in my twenties, I was spending weekends perusing flea markets and antique malls looking for small treasures.

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My Collections: 1980s Erasers

As you may have guessed, my childhood and adolescence spanned the 1980s.

And clearly, I had a lot of time on my hands. At my school, collecting 'cute' items of stationery, from pieces of 'pretty paper' (gawd), stickers and rubbers was the thing we did to entertain ourselves. (I feel slightly fraudulent calling them 'erasers'. Growing up in '80s suburban Australia, we only knew them as 'rubbers', and no, we didn't associate them with the American slang term for prophylactics.)

We never traded. I have no idea why, except (1.) 'trade' was not part of our vocab (we would have 'swapped'); and (2.) it wasn't in our school culture to swap. Every last scented-lemon-slice-rubber and scratch-n-sniff grape sticker was highly prized, and most probably procured from the local Granny May's shop.

If you haven't heard of Granny May's, you're obviously not a middle-aged Australian female. Granny May was the 1980s Australian patron saint of highly-desirable-but-totally-useless-novelty-items-marketed-at-pre-pubescent-girls. Think Smiggle now. It got a smuttier in the late '80s. You know, gross novelty dick stuff. Weird.

My rubber collection is like a shrine to Granny May's. I remember clutching a new purchase in one of those highly-covetable pink polka-dot plastic bags, my heart palpitating from the adrenaline rush of spending my pocket money on my 'choice' rainbow love-heart rubber (most likely, it was palpitating from the toxic chemical fumes that created that sickly-strawberry scent). Other more 'exotic' erasers were collected from the UK and the States, which were obviously my 'showpiece' items.

My favourites back then were the jolly hot dog; tea cup and plate; matchsticks; ice-cream; cassette tape and scented biscuit rubbers, but now I'm loving the old Australian $10 and $5 notes. The assorted dog breeds are also rather interesting, and how good are the Star Wars and ET rubbers? All still in mint condition, never used. Naturally.

Tell me: did you shop at Granny May's, too? Did you have any of these rubbers? Do you still have them?
Click here to see more of our collections. Photography and styling by Lisa Tilse for We Are Scout.
This post was originally published onWe Are Scout.

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As you may have guessed, my childhood and adolescence spanned the 1980s. And clearly, I had a lot of time on my hands. At my school, collecting 'cute' items of stationery, from pieces of 'pretty paper' (gawd), stickers and rubbers was the thing we did to entertain ourselves.

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Photographer Barry Rosenthal has found a unique way to tell the story of the damage humans are doing to the Earth's oceans -- by collecting thousands of pieces of trash scooped up from the coastal areas of New York harbor and arranging them into intriguing works of fine art for his "Found in Nature" series.

Though his intent, initially, wasn't political -- he describes his collecting as an addiction -- it certainly turned into a powerful statement that makes the viewer ponder the "sheer quantity of trash" we produce and throw away.

Article: Ocean trash becomes photographer's artistic statement

"Forks Knives Spoons"

Forks knives spoons, found objects collected from New York Harbor, Brooklyn, New York City, arranged, collections.
By CBSNews.com Senior Photo Editor Radhika Chalasani

"The Soles"

Rosenthal says, "I feel like I discovered a certain language I can use to express some of the choices we make... through trash."

The photographer's favorite hunting ground is Floyd Bennett Field in Brooklyn, where quite a bit of trash washes up.

Once he feels he has enough to work with, it can take Rosenthal one month to create each photo. He must arrange, curate, photograph until the piece is fine-tuned to perfection.

"The Soles" - 2013

"Pens"

After 25 years as a commercial photographer, his coastal sojourns helped him escape the studio.

He originally went in search of botanical pictures of common plants and weeds. Along the way, on an outing to the Jersey Shore, he found colorful plastic items and realized he was visually attracted to the trash.

"Pens"

Pens, pencils, markers and found objects collected from New York Harbor, Brooklyn, arranged, collections

"No Vanishing Point"

Initially, the photographer worked outdoors in nature with a small portable studio, quickly making miniature collages.

When he became a resident artist at Chashama five years ago, Rosenthal finally had a large studio to work in at Brooklyn Army Terminal. That allowed his work to transition from small collages to large collections.

"No Vanishing Point" - 2013

Prescription bottles, syringes, found objects collected from New York Harbor, Brooklyn, arranged, collections,

"The Grid"

There's an appealing aesthetic quality to the images which makes them beautiful to look at, while still making one stop and think about the environmental impact of trash.

The photographer would say that he isn't beautifying trash per se, but "re-using" it.

"The Grid" - 2014

Plastic objects, wheels, found objects collected from New York Harbor, Brooklyn, arranged, collections.

"Beer Cans"

Rosenthal's work has recently taken a turn with new collections of objects focusing on people's addictions such as alcohol, drugs, fast food and smoking.

There's always more to collect and reveal for the artist who describes himself as "addicted to collecting."

"Beer Cans"

Rusty beer and soda cans, found objects collected from New York Harbor, Brooklyn, arranged, collections

"Oil, Drugs and Alcohol"

"Each new piece gives me new insights into what I am creating. I judge that I am somewhere close to the middle of the project," states Rosenthal.

"Oil, Drugs and Alcohol" - 2012

"Clear Plastic Cups"

"Clear Plastic Cups"

Clear Plastic Cups, found objects collected from New York Harbor, Brooklyn, arranged, collections
Barry Rosenthal Photography
On Facebook

Instagram: @barry.rosenthal

Upcoming exhibitions: Open Call: Up for Debate BRIC House Brooklyn, NY, February 5 - February 28

InLiquid Art and Design Benefit, Philadelphia, February 5 - February 6, 2016

© 2016 CBS Interactive Inc. All Rights Reserved.

First published on January 21, 2016 / 6:00 AM

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"Found in Nature": The language of trash

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Photographer Barry Rosenthal has found a unique way to tell the story of the damage humans are doing to the Earth's oceans -- by collecting thousands of pieces of trash scooped up from the coastal areas of New York harbor and arranging them into intriguing works of fine art for his "Found in Nature" series.

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Beloved British artist David Shrigley has collaborated with Casetify on a collection of phone cases and accessories featuring Shrigley's iconic style and satirical comedy. The pieces feature phrases like "We will probably be ok" and "Everything is totally fine", side-by-side with Shrigley's signature chunky black line work.

The collection launches on 25 May and fans of the artist will be able to enjoy either a favourite Shrigley artwork or a never-before-seen design, with over ten to choose from in total. There are also ways to customise the items, choosing from "bold, colourful case types, to beautiful reflective mirror surfaces and ultra drop-proof canvases" that will then feature your chosen design. One artwork - an illustration of a howling wolf - offers the option to also customise its accompanying text.

As well as iPhone cases, the collection includes Apple Watch bands, AirPods cases, grip stands, wireless chargers, laptop sleeves, and crossbody bags.

Alongside the launch of the phone cases and accessories, Casetify is also introducing a new series called Show.Case; a "new way to experience special edition accessories," explains a recent press release. The first in this series includes "an extremely rare release of the artist's best-selling phrase: 'There are no rules'" which adorns Casetify's black mirror phone case. With only 100 available of each design released as part of Show.Case, the pieces comes in a custom-made display box, turning the phone case into "a rare collectable item, with special packaging featuring Shrigley's handwriting and illustrations." You'll have to join a raffle list to get your hands on anything from Show.Case though, and each frameset goes for $199. Entries to the raffle will be open from 20-23 May.

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David Shrigley designs collection of phone cases and accessories for Casetify

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Beloved British artist David Shrigley has collaborated with Casetify on a collection of phone cases and accessories featuring Shrigley's iconic style and satirical comedy. The pieces feature phrases like "We will probably be ok" and "Everything is totally fine", side-by-side with Shrigley's signature chunky black line work.

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The revered London-based studio saw an opportunity to reinvent the visually striking block of papers, with sustainability and unique hand-rendered touches in mind.

Since paper was first invented back in China's Eastern Han period (25-220 AD), it has been an essential aspect of society and culture. Fast forward a couple of millennia to today and paper is just as important, particularly when it comes to working in the creative industries. At the helm of quality paper production is G. F Smith, a 135-year-old establishment with top knowledge on the simple beauty and countless possibilities of the material. Bringing creativity to life through one of the world's oldest mediums, creatives regularly turn to G. F Smith for its exhaustive variety of papers offering everything from embossing to colour, texture and weight.

This eclectic assortment of paper is also now available all in one place: The Collection. Recently launched, The Collection features 48 ranges and 298 papers in weights ranging from 32 GSM to 1,400 GSM, and spanning four sections. Designed by G. F Smith's longtime collaborators London-based design studio Made Thought, the portfolio champions tactility throughout, enhancing the physical interaction between designer and paper. Made Thought's creative director Alistair Webb tells us: "In all of the design decisions we make, we look to interrupt the simple beauty of the paper as little as possible, only adding to the surface of the paper with print to communicate the paper's capabilities."

The result is a visually striking block which binds a single sheet of each paper from the collection. Satisfying to touch, it encourages the user to "see, feel and understand the tactile qualities of the product without interruption," says Alistair. Having worked with G. F Smith for years now, Made Thought understands the brand back to front, and its archives are home to several previous iterations of The Collection. So, when it came to designing the edition launched earlier this year, Made Thought's designers found themselves with a unique opportunity to reinvent the format.

In the past Made Thought's design has explored a variety of avenues, from innovations in print to the way information is indexed. The project has always been a challenge in finding the right balance between conventional print and production at scale, but the latest design for The Collection pushes forward by partnering the physical experience of the collection with an equally engaging digital experience. In the paper industry, this is unexplored territory which Made Thought were eager to tackle, offering up "an exciting frontier" for the studio to experiment with.

As designers working deep in the cultural sector, the team at Made Thought are no strangers in deciding the right paper stock for a project. Utilising this valuable insight, it created digital filtering tools for the user to efficiently find the perfect paper for a particular function. Additionally, clever art direction highlights the surface qualities of each manufactured piece of paper, allowing enthusiasts to experience G. F Smith's collection in whole new ways and entirely online too.

However when it came to the production process of the physical collection it was an entirely different story. Nine months in the making, with a considerable amount of experimentation added to the mix, the end result features a wealth of crafted accents. Manufactured in close partnership with Pureprint who worked with Made Thought to develop "new processes that we hoped could be additive to the physical experience," each tome in The Collection is entirely hand-built.

This process also involved combining 450 different paper stocks in the collection, resulting in 18 million printed pages created. "The production scale was so large that the team had to house all the paper in an additional warehouse," adds Alistair. "When a designer has a single collection book in their studio it is easy to loose sight of scale of a production that results in such a small object, but the thought and determination that goes into a collection book is really a testament to the passion of the G.F Smith and production teams."

Other hand-rendered touches include the binding, thumb tabs, and The Collection's four sections which are all hand cut. The hand-finished qualities make each publication slightly unique too. That being said, Made Thought and G. F Smith considered their environmental footprint every step of the way.

Both sustainably-minded studios, the designers were keen to reduce their energy impact as much as possible. As a result, the page size was reduced allowing for optimum economy across the production."This relatively simple change saved a massive amount of paper being used, and had a significant impact on reducing our waste," Alistair adds. As an extra plus, this line of thought spurred on several more ideas for other green initiatives at G. F Smith, for example new materials made solely from waste offcuts. "Sustainability provides us all with an opportunity to challenge and change our design processes in a positive way," continues the designer, "even small decisions on face value can have a big impact."

An ideal companion for a creative project, both G.F Smith's paper and The Collection itself "are all about possibility," says Alistair. Diverse and easily manipulated, with the added ability to transform in the application of a myriad techniques, considered paper offers any designer limitless doses of inspiration. "As canvases for creativity go, paper isn't a blank one, it already has so much character, from colour to texture and physical properties," concludes the creative director, "with so much amazing work already created with it throughout history, it really is an open invitation to create."

You can sign up for the opportunity to pick up a free edition of The Collection here.

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Made Thought on the tactile design of G. F Smith's latest collection featuring over 450 different paper stocks

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The revered London-based studio saw an opportunity to reinvent the visually striking block of papers, with sustainability and unique hand-rendered touches in mind. Since paper was first invented back in China's Eastern Han period (25-220 AD), it has been an essential aspect of society and culture.

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Gabriella Jackson

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Yas N Vicente

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Souffle - studio créatif