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The mise en scene of the trailer is going to be shown as being very dark and gloomy. Due to the movie being a psychological thriller the audience are going to sense a negative feeling throughout the trailer, this is to show the darkness and horror in the movie, which also reflects on an insight to the characters, and the feelings of the characters in the movie. We will create this dark mood  using editing technique to present the scenes with dark colours. We will also many scenes, in the evening and night.

The audience should expect a twisted and exciting trailer, so many of the shots and scenes we are going to include in the trailer are going to shows the narrative but also not give away too much information.The expectations of the audience will be related to a mysterious genre, as in psychological thriller, the narrative is purposely presented as being confusing.

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The target audience for our movie is going to be 18+. This is because the movie may be too scary for any younger ages, whereas the adults would be able to handle the contents of the movie. In a psychological thriller, there are loads of confusing elements involved, so children for example, would not be able to understand what is going on in the movie, which is why the appropriate age group we have chosen is over 18.

The target audience for our movie, will fit into a the demographics of having a wide interest in horror movies overall. This could include, supernatural movies, mystery movie and others.

The lifestyle of our target audience would include, studying at university or college, or part time jobs. The target audience could be interested in different and unique types of horror movies,  and due to them making their own money (potentially), they can spend it on going to the cinema and watching movies, which also contributes to their social life. On the other hand, the older target audience would have already had more experience of previous psychological thriller movies. The target audience overall would be interested in unique and twisted plots and narratives which would interest them further to continue watching similar films.

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For our trailer, we will need to use a street for filming. Due to the fact that we don't have a major budget or a big branded name, we can't be closing a street down just to film, even though that'd be ideal as it would be quiet and less people would be around, benefiting our filming quality, it isn't realistic. In order to do this, we will have to wake up early in the morning, as that way the shutters will still be down over the shops, which we need as in our narrative for the trailer Lopez is seen banging on shutters in order to get someones attention from the nightclub. This rids of our issue, as we will have to be dedicated and prepared to go out early in the morning in order to film that scene between Lopez, and her finding Craig. Locations we have thought about for this would be Broad Street in town, as that is flooded with nightclubs that would make the setting look more realistic, instead of using a regular shop street as that wouldn't look very relate-able to Lopez's mission.

Another location we will potentially have to use is the school. This is because there are room we can refurbish and design to look like an office for Lopez. This would be the most realistic location to use as the walls and flooring are neatural, and so they will look like an office location. This will also be easy for us to film, as we go to school 6 hours a day with frees. However, the issue with using this location is the additional sound that might get caught whilst we are filming. However, if this location doesn't work, we could always use the Living Well Centre that Trin goes for Church. There is a room in there that looks just like an office, and if we were to film the scene of Lopez looking through the files at night, it would work due to the position of the street lamps. This would work well as it is quiet and isolated in there at certain times, and would fit perfectly for an office in our narrative. This gives us more variation for our filming. Permission will need to be seeked by the Pastor in order to use this location however.

The main location of our movie is going to be based in a house. Parts of the house going to be including are as follows: the attic, the stairs, the doorway, kitchen and the dining room. Due to the movie being about Spencer locked up in her own house, the mystery of basing the trailer around the house is a great twist to the movie, as the audience would not expect Spencer to be living in the house shown. The attic is also included as shots of Spencer tied up in the loft are also crucial to the trailer, as it gives an insight to the audience, about the narrative of the movie. The main meetings that Detective lopez has with Patrik are also going to be based in the house.

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Equilibrium

The narrative starts with Spencer.All of this links to Propp's narrative themes of the 1st Sphere, as it shows Absentation and Interdiction. Absentation starts when Spencer wakes up in darkness, she tries to sit up but her head feels dizzy and she feels weak. She realises she has been tied up, and in a panic she begins pulling at the ropes trying to get them off. She tries to scream but her voice isn’t heard as she has her mouth covered in duct tape. She starts weeping and looking around nervously, she lies down and at that moment a sequence of flashbacks begin. It shows Patrik and Spencer, who have  been married for a year, after meeting in a supermarket five years ago. The flashbacks include memories the couple have, the audience will see them on dates, camping trips, buying their first house, getting married etc. What this will do is establish that Spencer is the victim of the narrative, as she is the character that is in danger and in an unfamiliar place. Interdiction begins when It cuts to a desperate Patrik,  who is sitting in his  dining room with Detective Lopez of the police inquiring about his missing wife. It establishes that Patrik is also the victim, as well as the helper to Detective Lopez who fills the character role of the hero. The Detective will then notices that Patrik is in distress over his missing wife, and asks him for details about the last time he saw her. Patrik tells her that she went out saturday night for her best friends birthday, Sally. She told him that she would be returning sometime around monday morning as they are spending the weekend together. By Monday evening, Patrik came home to find that Spencer wasn't back. Patrick then called Sally and asked her when Spencer would be home, and Sally tells Patrik that Spencer already went home because she wasn't feeling well on Saturday night. Detective Lopez tells Patrik that it would be a good idea to go on the news and make an appeal to find his wife, as maybe Spencer would be more willing to come home if she sees how upset Patrik is without her. Detective Lopez then suggests that maybe she was kidnapped, and so he needs to address the kidnapper and plead to them to give Spencer back. The next day, Patrik makes his appeal live on BBC news from their living room, where he tells Spencer how much he loves her and how he wants her back.

Act 2-

The next narrative theme is Trickery, when the Villain deceives the victim. This is shown when Spencer wakes up from unconsciousness to a pounding ache at the side of her head. She moves suddenly to face the direction of the opening latch on the floor. She realises that she is in an attic. She hears creaks of a ladder and the thudding sounds of boots against it. A bright light comes blaring through the latch opening, as a shadowy figure appears carrying a torch light before her. As the figure starts approaching her slowly. She knows it is a man by the height and build of the figure, and she starts asking herself questions like “who is this?” and ‘What have I done?”. He takes the duct tape off her mouth,  she yells at him saying ‘Who are you?’, “What do you want from me?”. The figure doesn’t reply to her, instead it drops a plate by her with lasagne on it. She stares at the plate in confusion. She looks up at the figure, crying, and says “Please let me go”. Her voice is shaking, and the figure slaps her round the face, hauling her to the back wall of the attic. She starts screaming and crying, and the figure comes to her and places the duct tape back over her mouth. The figure then leaves   the attic in a hurry, slamming the latch door behind him after establishing that he is the bad guy.. Spencer is left weeping.

Delivery is the next theme, where the Villian discovers information. This figure is seen in a pitch black room, alone. He then reaches into the pocket of his hoody, and pulls out Spencer's phone. He unlocks it with his finger print, as earlier he had used Spencer's to put his own one on. He starts searching her camera roll, her social media profiles, emails and texts messages. He clicks on Sally’s name and scrolls up the texts messages, revealing a conversation about him and Spencer. Sally’s texts read  ‘have you finished with him?’ ‘is it over?’ ‘did it end badly?, you know you can talk to me’. He then presses on messages from a college friend called ‘Jason’. He reads through the messages, and then clicks on patriks name and reads those messages, as if they are being compared. He then looks through the camera roll again, focusing solely on the pictures of Spencer and Patrik. He zooms in on their faces, taking a long look.

The next few bits with Lopez delves into more themes of Propp's, such as Counteraction and Departure. Detective Lopez is in her office at the police station, and is trying to find an answer as to where Spencer went from the saturday night to the sunday morning as that is when she disappeared. Lopez visits Sally and asks her where they went for her birthday, and Sally tells her it was a local club in town called ‘Terrifix’. Lopez decides to take action and searches  the address of the nightclub, and rushes out of her office telling her assistant to cancel all of her morning meetings because she’s got a lead. She arrives at the nightclub that Spencer went to with her friends. When she gets there, the nightclub is closed, and so she bangs on the door loudly yelling up that it’s the police. Eventually, a man comes to the door and opens it, asking her what she wants. Lopez  shows the owner an image of Spencer and it takes him a moment to recognise her face. He tells Lopez that she was here with a hot blonde (sally),but he doesn’t know what happened to her after clubbing. He tells Lopez that she needs to ask, George, the bouncer working that night, as he might’ve seen where he was. The owner then takes Lopez to the back of the club, where a group of guys are sat round a table playing poker. The owner calls out to George and tells him that it’s the detective who wants to see him. George is tall and bald, and approaches Lopez slowly. Lopez asks if he remembers Spencer, and shows him the picture. He tells her that she left alone in a taxi. Lopez asks for the taxi name, and George says yes because it is the taxi’s that always come to the nightclub called Starr Carz and the driver was Craig. Lopez thanks the bouncer and the owner and tells them that if they hear anything about Spencer, to call her immediately. Lopez makes her way to the taxi company, hoping to find out more information about where spencer is. Lopez arrives at Starr Carz, and approaches a man in a shirt and trousers. She asks him is he owns Starr Carz and if he knows anyone named Craig. He says ‘Oh yeah I know him, the scoundrel, but he’s not here right now’. Lopez asks him what he means by scoundrel, and the driver tells her that he’s just a bit weird sometimes. Lopez asks him when he’ll be back, and he tells her he just went on a quick drop. He tells her to come back later. Lopez goes back to her office and starts researching Craig and finds out that he has a record of stalking women and being weird, this creates suspense and makes Lopez suspicious, thinking about what this taxi driver, Craig, could've done to Spencer.  Lopez comes back to taxi company and meets craig, staring at him suspiciously. The driver questions Lopez about what this is all about, and she tells him she’s a detective, to which the driver realises that he shouldn’t of said anything. Craig, quiet and giving one word replies, tell lopez that he dropped spencer off at her house.

Moments pass and Lopez calls her office, telling her assistant to call for backup, at least 2 officers. When they arrive, she explains that she’s found a lead, and that the Taxi driver might have been the one keeping Spencer hostage. Craig arrives, and immediately flees the scene upon seeing Lopez. A chase ensues until Craig is caught in a dead end alley way, and he is arrested.

Back at the station, Lopez and her second hand interrogate Craig. He told her the reason he ran is because he’s been in trouble lately, and he was scared. She tells him that she knows all about his criminal record. He knows that he stalked his ex girlfriend and attacked her new boyfriend, that he was found creeping outside of bars and hotels watching women. Lopez tells him that he better have a good story and alibi because it’s not looking too good for him. that all she cares about is finding Spencer. Craig asks her who the hell spencer is, and she tells him he drove her home saturday night from the club Terrifix. Craig takes a moment and realises that he did, and tells her that all he knows is that she went home and nowhere else. Lopez tells him that can’t be true, because she never got home. Craig insists that she went home and that he has nothing to do with her disappearance.  Lopez leaves the room after more discussion, and heads over to the investigators. They are inspecting Craigs taxi and satnav to find any clues of a Spencer being there, and if there was a struggle. Lopez ponders, there is a rising suspicion with her that someone is lying, and heads over to Patrik. When she gets there, she asks Patrik if he lied about his wife, to which Patrik says no. Lopez tells him that Spencer did come home that night, and she has evidence for it. Patrik tells her she’s insane and that she was taken by somebody, maybe not the taxi driver but definitely someone. He tells her to go and talk to Sally because she’s ‘not the best example of a friend, she’s probably lying to you’.

The next day, Lopez gets a call from the investigators, telling her that Craig did take Spencer in his taxi, and that there is no evidence of a struggle, her being drugged, or her being in there for long. However, the investigator tells her that he did find an earing in the taxi, and tells her that she should come get it to show Patrik, to see if he can identify it.  She calls Patrik to the police station, and when he sees the earring, there is a ghostly look on his face. He tells Lopez it was an anniversary present, and asks Lopez where she found it, and she tells him in the Taxi. Patrik gets angry and starts telling her that she needs to find his wife immediately, and that the animal who drove her away from that club is responsible. Lopez tells Patrik to go home and rest, as she has something else to do.

Lopez goes to the office and finds Sally, and tells her she needs to speak to her urgently as she has some questions. She asks Sally why Spencer left so early when she said she was stopping the weekend. Sally tells her that ‘she doesn’t know, she had be tense all evening and was telling me she felt she had a fever, she left pretty early and it just seemed...off’. Lopez asks her if there is anywhere she would have gone, and Sally tells her no. Lopez asks Sally if she is lying, and Sally tells her ‘I’m not lying to you. I know my best friend. Look...I didn’t want to say anything, but Spencer and Patrik haven’t had the perfect relationship that he is making it out to be. Yeah, now he is desperate and misses her because he knows he might of lost her forever, but either way, her disappearing or not, she was leaving him’. Lopez asks her if patrik knew this and why, and Sally tells her ‘I don’t think he did. I think she found someone else… well.. Got in touch with an old College boyfriend. Jason, I think’. Lopez asks Sally if she knows anything about Jason, but she doesn’t. Lopez goes back to her office and finds Jason, and that he works for a mechanic shop. When she calls up, they tell her that Jason has been in california for the past week and a half visiting relatives. Lopez puts down the phone and sighs, as now Jason can’t be seen as a suspect, unless Spencer ran off to california to be with him.

Back at the station, lopez hears news of Craig’s statement, in which he tells how spencer was incredibly upset for the whole ride and was frantically looking at her phone, and back out the window. He told how Spencer got out the car in a hurry and ran to the house, and that a man was waiting at the door for her.

Lopez goes to her boss and tells him that she thinks Patrik knows more than what he’s saying, but he says she has no evidence and so she can’t be blaming him.

Lopez calls patrik and tells him that both the taxi driver is looking like a dead end, and in reply he tells her that her kidnapper is out there and that they need to be found.

Lopez finds this curious, and decides to look into Patrik’s history. Nothing comes up on the system, and eventually Patrik calls her and tells her he needs to talk to her urgently, as he believes he has found a lead.

Act 3-

Detective Lopez goes to Patrik's house, and he opens the door in a hurry. They sit down in the living room opposite each other, he offers Lopez some coffee and she takes it, but doesn’t drink it. Patrik asks her what happened with the taxi driver, and she tells him that there wasn’t enough evidence against him and that he’s innocent. Patrik sighs, which confuses Lopez as he doesn’t seem distraught.  Patrik asks if Sally had anything sufficient about it, and Lopez tells him that she told her a few things, nothing important. They sit there in silence for a minute, and Patrik tells her that there is no way he’s going to give up on finding Spencer’s killer, even if they have to question everyone. Lopez stops for a second, and looks at Patrik dead on, as he looks at her with distant eyes. ‘Killer? No one said she was dead, Patrik.’ Lopez asks, and straight after, patrik starts giggling with eyes wide open. Lopez tries to stand up but he shouts at her to sit. ‘I really knew he’d mess up at some point you know. When i told him he had to be distraught and question everything and just miss his awful wife he seemed perfect, but as the days went on...oh that was a different story entirely. He got shaky, tried telling me to stop, but why should I? She had it coming, trying to leave us for that trashy college ex, Jason. What could he possibly do for her that I couldn’t, mhm?’ Lopez stares at Patrik wide eyed, and asks him who she is talking to. He tells her that ‘I’m sick of Patrik, so Patrik isn’t here. You know, Patrik always told me there was something special about her, that we could trust her. He was wrong, he always is, he makes the mistake all the time. But, I will give him credit though, because she is smart. Heck, she knew on the second day it was us keeping her up there, with Patrik being a softy and all and feeding her her favourite dish. Idiot, she knew too much by then, the beatings, the no food, the no water just didn’t seem like enough justice for how she broke his heart. I wanted to protect him, he deserves better.’ Lopez sits for a moment, and asks him where Spencer is. Patrik’s other half, laughing and giggling, tells Lopez about how his mother was kept in an attic until she died, just like how Spencer is being kept. Lopez, knowing where Spencer is, jumps up and pulls out her gun, Patrik flips over the back of the sofa avoiding it, and crawls to the next room. Suddenly the lights start going out. He tries to attack lopez but before he can do so, she shoots him in the leg ,and he drops to the floor. Whilst laughing with a smirk on his face, he tells her that she is too late. Lopez runs upstairs, and the house is silent. She pulls down the ladder to the attic and climbs up. She enters the attic, welcomed by a rotting smell of blood. She uses her torch to look around and find blood marks and puddle all around, including tools and objects in which spencer was tortured with. She then looks in one corner and finds spencers dead body, damaged and corrupted by her husband, Patrik who had kept her and tortured her the whole time.She calls the police immediately and an ambulance to take the body of spencer. The investigators arrive and begins looking through the attic, finding a box, full of folders, books and papers. The folders had cut pieces of newspaper reports in, stating women gone missing, the newspaper article had highlighted text, connoting false information, as the mastermind behind the missings and murder was patrik all along,  but the audience come to know to know that patrik moves countries and cities regularly, and makes a new start. In a desperation of finding a true woman.

The next day at the station, Detective Lopez speaks to psychiatric doctor Natali, who tells her that Patrik was the side created by Eric, who would act as the nice and loving husband to hide his true self, which he was ashamed of. Eric also killed his mother in an attic but covered it up to make it look like a suicide and played victim. He did it because he blamed his mum for his father’s suicide, as she cheated and broke the family apart, neglecting Eric. She explains that this is why he got so rational over spencer, as he had killed girls in the past, such as prostitutes on the street and cheaters, just for fun as he despises them. When he found Spencer, he believed he had found a perfect woman who wouldn’t be like that, but when she was, he panicked and locked her in the attic in hope of reforming her and getting her to love him again, and to change her ways, but she didn’t.

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Spencer: Spencer is the victim in the narrative. Spencer is a 26 year old woman. She is pretty, friendly, hard working, reliable and reserved. She works in a office for her father after graduating with honours. She lives in a small neighbourhood with her husband, Patrik. She is medium Height, has blue eyes, and throughout the trailer she is seen wearing jeans and a hoody due to not being able to change as she is being kept in the attic.

Patrik: Patrik is the secret villain of the narrative, as well as the helper, and possibly the donor. He is a 24 year old man. His occupation is a writer, he is self employed and has previously written crime and murder novels, and sometimes does work for journalists. He is mysterious, twisted, puts on a good front, intelligent, caring, loud and friendly. He is tall with light brown hair and blue eyes. Throughout the trailer he wears jumpers, shirts and jeans, because it is winter he wears cosier clothes. This is also to show that he's professional and of a higher class.

Detective Lopez: Detective Lopez is the hero of the narrative, as she is the one who is trying to find Spencer. She is 34 years old. She has been working as a detective for the past five years. She is Clever, educated, serious, takes her job very seriously, but sometimes pushes the line with her ideas, and she is sceptical.  She is medium height, long dark brown hair and brown eyes. Throughout the trailer, she wears a suits and smart clothes, as that is whats required of her for her occupation.

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Start: There will be clips introducing the three main characters: Spencer, Patrik and Lopez. It will establish that Spencer and Patrik are married, and were very happy together. The audience will be informed that Spencer has been kidnapped and is in trouble, which will be done through quick shots of her tied up. It will then introduce Lopez and Patrik
Patrik is answering the questions of Detective Lopez about the disappearance of his wife and if he knows anything. He tells her that she never came home after Sally's party.
Middle: Detective Lopez goes off on her search for Spencer, questioning people like Sally, who tells her that Spencer got in a taxi to go home because she wasn't feeling well. Lopez then goes off to speak to the taxi driver, and interrogates him. He tells her she went home. Meanwhile, Patrik is making Tv appearances trying to reach out to his wife, organising search parties and doing his best to help Lopez. Lopez also searches into Sencer's old high school boyfriend, Jason, incase he knows anything. When both Jason and Craig (taxi driver) come up as loose ends, she realises what is going on.
End: Detective Lopez goes over to Patrik's house. She discovers that he isn't in, and decides to investigate the house on her own. When she enters the kitchen, she hears a noise in the attic. Just as she begins to rush up the stairs, PAtrik comes out from the bottom and of the stairs and asks Lopez to sit with him. There Lopez discovers that Patrik has been keeping Spencer in the attic the whole time. When she finally gets past Patrik by shooting him, she finds Spencer dead in the attic. She was too late.

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Production Company name: Krin Productions
Production Team Members: Kiran Deol and Trinity Roberts
Title of Production: Think Twice
Genre: Psychological Thriller