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Iago causes Othello's jealousy as revenge for his own

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Through this passage, the reader understands the loving relationship between Desdemona and Othello, which is enhanced through the use of romantic imagery and name calling (language) between the two. Furthermore, Othello is characterized in a positive and memorable way through Desdemona’s language, while Iago is characterized in a dramatic way that adds suspense in the scene and foreshadows the rest of the play. 

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Act I Scene i  (lines 263 - 303) - Marta

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Act I Scene i  (lines 263 - 303) - Marta

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In this extract of Othello we can see how structure and language can aid in our understanding about Iago's manipulation and abuse of power as well as his insults and double faced personality which contrasts with the emotions showed in the soliloquy.

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This dialogue from act 2, scene 1 accentuates Iago’s devilish intentions for Othello and Cassio, and simultaneously characterizes Othello and his relationship with Desdemona, through the use of emotional language. Furthermore, this text also foreshadows Iago’s diabolic plans through both Othello and Iago’s dialogue.

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In this passage from Shakespeare's famous Othello, published in the early 1600's, specific presentation and structure are used to emphasize the relationship Barbantio has with his daughter through his worry and being disappointed, while simultaneously displaying the mutual hatred characters have toward Othello in their deceiving actions and their language.

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Through this passage, the reader understands the loving relationship between Desdemona and Othello, which is enhanced through the use of romantic imagery and name calling (language) between the two. Furthermore, Othello is characterized in a positive and memorable way through Desdemona’s language, while Iago is characterized in a dramatic way that adds suspense in the scene and foreshadows the rest of the play.

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Act II.i (line 272 - line 304)         -Sabrina

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Act II.i (line 272 - line 304)         -Sabrina

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The extract emphasises the characterizations of Iago and Rodrigo, through the effect of the dialogue between Iago and Rodrigo, Iago’s soliloquy that demonstrates his psychological realism, and the language used throughout the extract.

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Othello act IV scene i lines 100 - 141 - Kuba

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Othello act IV scene i lines 100 - 141 - Kuba

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This excerpt conveys Iago’s cunningness in leading a conversation with Cassio to prove to Othello that Cassio does have an affair with his wife. The main thesis of this passage is the way Iago is able to fool Othello by talking about his wife and making him think, it is Desdemona. The dialogue occurs between Cassio and Iago about Bianca’s love for Cassio, however Othello hidden near by understands they are talking about Desdemona, driving him angry due to the way Cassio talks.

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In this soliloquy Iago divulges information about his plan to achieve the downfall of Othello, and also his motivations behind the plan, therefore confiding in the audience as in the previous soliloquies, but he also makes an accurate, though probably biased, characterization of Othello and himself.

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Through the dialogue in this extract, both Iago's and and Roderigo's incentives to con Othello are uncovered; however Iago evidently affirms his authority over Roderigo. As the conversation between Iago and Roderigo develops, Iago further characterizes himself and Othello; and establishes a rather uncomfortable relationship with the audience.

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Act I, Scene iii (lines 128-170)- Diego Lebrija

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Act I, Scene iii (lines 128-170)- Diego Lebrija

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Othello's speech within this extract in Act I, scene iii, accurately demonstrates his respectful and formal language and the love he holds for Desdemona. Furthermore, it allows Shakespeare to depict Othello as a kind and romantic individual, while demonstrating the effect of Iago's cruel intentions.

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Through the dialogue in this extract, both Iago's and Roderigo's motivations are explained. Iago clearly asserts control over Roderigo by leading the conversation and instructing him. Once Roderigo exits, Iago furher characterizes himself by talking about Othello and Desdemona, as his comments showcase his evil character. He then repeats information said in his first soliloquy and giving the audience more information about his hatred for Othello.

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FRANCESCA: Through the dialogue in this extract, Iago takes misogynistic stands and verbally criticizes women and labels them as smart/stupid or pretty/ugly. Meanwhile, Desdemona seems to take him seriously and proves to be one who isn’t hurt by one’s opinion, and can confront a man without having her husband around. Rhymes are also used by  Iago as he talks about the types of women, giving the impression of humour.