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Dancyger and Rush discuss the restorative three-act structure.

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Dancyger and Rush discuss how to break the mould of convention in scriptwriting. Notes only.

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SHORT STORY: The Piece of String by Guy de Maupassant

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SHORT STORY: The Piece of String by Guy de Maupassant

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SHORT STORY: The Lady with the Pet Dog by Anton Chekhov

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SHORT STORY: The Lady with the Pet Dog by Anton Chekhov

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SHORT STORY: I Stand Here Ironing by Tillie Olsen

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SHORT STORY: I Stand Here Ironing by Tillie Olsen

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SHORT STORY: Hills Like White Elephants by Ernest Hemingway

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SHORT STORY: Hills Like White Elephants by Ernest Hemingway

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SHORT STORY: Everything That Rises Must Converge by Flannery O'Connor

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SHORT STORY: Everything That Rises Must Converge by Flannery O'Connor

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SHORT STORY: Cathedral by Raymond Carver

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SHORT STORY: Cathedral by Raymond Carver

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SHORT STORY: A Father's Story by Andre Dubus

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SHORT STORY: A Father's Story by Andre Dubus

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Andre Dubus discusses some of his writing processes. Notes only.

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Frank Conroy discusses his thoughts on the writer's workshop and it's importance. Notes only.

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Bailey discusses the writer's individual style and how to structure sentence and paragraph for effect. Notes only. pp.73-79.

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Tom Bailey shares some writing insight as to the functioning of metaphor, simile and symbol. Notes only. pp.68-72.

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The Lesser Angels of Fiction: Setting and Time

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The Lesser Angels of Fiction: Setting and Time

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Tom Bailey takes us through the importance of a solid setting and time in short story form. Notes only. pp.56-67

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Tom Bailey discusses how we might begin to structure short form fiction. Notes only.

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From: Bailey, T. 2000. Character, Plot, Setting and Time, Metaphor, and Voice. In: Bailey, T. ed. On Writing Short Stories. New York: Oxford University Press. p.49.

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Tom Bailey talks about crafting characters for short stories. Notes only.

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Joyce Carol Oate's essay on how to read from a writer's perspective. Notes only.

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Francis Pope's essay on how we might define a short story. Notes only.