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1. History of Early Photographic and Cinematic Devices

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1. History of Early Photographic and Cinematic Devices

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[REFERENCE PHOTOS ON THE END]
Camera Obscura [C.O.]
Its image projection and the fact that some substances are visibly altered by exposure to light are the roots of early photography.
The Camera Obscura is a natural phenomenon, also know as pinhole image, projecting a reverse image through a small opening onto an opposite surface.
The most antique recording of its use can be found in Chinese writings called Mozi, dated to the 4th century BCE.
Until the 16th century it was mainly used for studies in the optics and astronomy areas. In the later half of the 16th century technical improvements were made.      The oldest known surviving photograph, a image of a roof know as "View from the Window at Le Gras" (1826 or 1827) was created by Nicéphore Niépce, exposing a polished sheet of pewter with a thin coating of bitumen dissolved in lavender oil during a very long time (nowadays believed to be several days).

Zoetrope [Z.]
Its etymology is composed from the Greek words zoe (life) and tropos (turning), as a transliteration of "wheel of life". It's one of the several pre-film animation devices, producing the illusion of motion by displayinf a sequence of drawing or photographs.
William E. Lincoln invented the definite zoetrope in 1865 when he was circa 18 years old.
The Zoetrope consists of a cylinder with cuts vertically in the sides. On the inner surface of the cilynder is a band (ring) with images from a set of sequenced pictures. As the cilynder spins, the user looke through the slits at the picture across.

Praxinoscope [P.]
Was the successor to the zoetrope. It was invented in France by Charles-Émile Reynauld in 1877. Like the zeotrope it used a strip of pictures placed around the surface of a sppining cylinder.
It improved the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, so that the reflections appeared more or less stationaru in positions as the wheel turned.
In 1889 Reynauld also developed the Théâtre Optique, an improved version capable of projecting images on a screen from a longer roll of pictures.

Magic Lantern [M.L.]
Is an early type of image projector, employing pictures on transparent plates (usually made of glass), one or more lenses and a light source. It was mostly developed in the 19th century and commonly used for entertainment purposes.
The magic lantern was in wide use from the 18th century until the mid-20th century, when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector.

Commonly types of mechanisms used to add movement to the projected image: Slipping Slides, Slipping Slides with masking, Lever Sides, Pulley Slides, Rock and Pinion Slides, and the Fantoccini Slides.

Mechanical Slides with abstract special effects include: Chromatrope, Astrometeoroscope, Eidotrope, Kaleidotrope and the Cycloidotrope.

Shadow Theatres [S.T.]
Also known as shadow puppetry or shadow play, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets)which are hold between a source of light and a translucent screen.
The popular shadow theatre evolved nonlinearly into projected slides and ultimately int cinematography. According to Olive Cook (Writer of "Movement in two dimensions : a study of the animated and projected pictures which preceded the invention of cinematography", 1963) there are many parallels in the development of shadow play and modern cinema, such as their use of music, voice, attemps to introduce colours and mass popularity.
The Shadow Theatre was probably developed from "par" shows with narrative scenes painted on a large cloth and the story further related through songs.

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Serif: small line attached to the end of a stroke in a letter or symbol (Serif Typeface of Serifed Typeface) - also refered as Roman.

Sans-Serif: typeface without serifs (the French word "Sans" means "without") - also refered as Grotesque(Grotesk) or Gothic.

Ligature: occurs when two or more graphemes (smallest unit of a writing system) or letters are joined in a single glyph (elemental symbol). Exemple: æ.

X-Height: distance beween thw baseline and the mean line of ower-case letters in a typeface (set of one or more fonts)

Cap-Height: height of capital letters.

Bowl: the curved part of the character that encloses the circular or curved parts of some letters.

Ascender: portion of a minuscule letter in a Latin-derived alphabet that extends above the mean line (x-height).

Leading: the distance between adjacent lines of type.

Kerning: process of adjusting the spacing between characters in a proportional font, usually to achive a visually pleasing result.

Picas: measure corresponding to 1/6 of an inch.

Points: smallest unit of measure (0.3528 mm)

Em dash: longer than an en dash (half the width of an em dash), one em (same size as the font's heigth) wide

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Filipe Grimaldi, who gave us a class on Typography and coordinated the painting on the wall.

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Militaremos contra qualquer forma de facismo #elenão #elenunca

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3,120 curtidas, 54 comentários - Filipe Grimaldi (@filipegrimaldi) no Instagram: "Militaremos contra qualquer forma de facismo #elenão #elenunca"

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Here are the musics that I listened as I developed The Sonne ideas.
Music really has the power of slightly controling my thoughts, that's why it was so important that I listened to it while developing ideas.
- Sonne (*)
- Du Hast (*)
- Wollt Ihr Das Bett In Flammen Sehen?
- Fuhrer Mich
- Rosenrot
- Engel
- Mein Herz Brennt (*)
- Mein Land
- Keine Lust (*)
- Ohne Dich
- Feuer Frei!

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My X, made with a more realistic style that really pleased me and is really different from the other letters.

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SMsize (227㎜×158㎜) Oilpaint 油絵 ■sold out #art #artwork #oilcanvas #oilsketch #oiloncanvas #artoftheday #oilpainting #paintingoftheday #arte #illust #paletteknifepainting #fineart #textureart #artcollective #artsy #popart #artworkoftheday #kunst #美術 #contemporarypainting #painting #drawing #stilllife #stilllifepainting #allaprima #contemporaryart #アート #illustration #絵 #heineken @heineken

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1,879 Likes, 26 Comments - 松永健志（1985生まれ）japan/kumamoto (@matsunagatakeshi85) on Instagram: "SMsize (227㎜×158㎜) Oilpaint 油絵 ■sold out #art #artwork #oilcanvas #oilsketch #oiloncanvas..."

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The same reference picture painted two years later again in exactly the same place. Left=new, right=old. I still like the old one better. You? #andreenstapas #skärhamn #Portrait #Portraitsketch #Sketch #Sketchbook #Sketchoftheday #Draw #Drawing #Portraitdrawing #Aquarelle #Watercolor #Portraitoftheday #Artist #Art #Ink #Messylines #Dominicbeyeler #Illustration #Contemporaryart #artwork

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12.8k Likes, 137 Comments - Dominic Beyeler (@beyelerdominic) on Instagram: "The same reference picture painted two years later again in exactly the same place. Left=new,..."

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748 Likes, 22 Comments - Timuçin KELEŞ (@timucinkeles) on Instagram: "❌❌❌"

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3,730 Likes, 5 Comments - 👨🏻‍🎨 Sol Art Studio (@studiobysol) on Instagram: "Iris Studiobysol _ @siyeon_tattoo #studiobysol #koreantattoo #koreantattooshop #iristattoo"

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Where are you looking ? . #oozy #oozytattoo

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37.4k Likes, 227 Comments - OOZY / (@oozy_tattoo) on Instagram: "Where are you looking ? . #oozy #oozytattoo"

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И вновь московское окошко 😊

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987 Likes, 9 Comments - Alena Ponkratova (@_alenaponkratova_) on Instagram: "И вновь московское окошко 😊"

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It’s straight forward, feel more love, think with more love, let the love be a part of your day, please. As it’s seen on the link below, it was born in 2009 and it is still part of our city, it’s really easy to find this phrase on a wall on the urban space, even 9 years later, it continues to occur, maybe because the message is still necessary, maybe because we still hide our love. I intend to propose an answer to “How can we love more?” With “Think less, and feel more”

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"Mais amor por favor" nasceu em 2009. A intenção era a de tentar despertar a atenção das pessoas sobre o que há de mais belo: o amor.
É um pedido, uma imploração (mas com educação) em meio à toda agressividade, indiferença e velocidade de uma metrópole como São Paulo. Uma proposta que tenta fazer com que o observador se surpreenda com o conteúdo da frase inserida no âmbito urbano, reflita por um tempo, ou pelo menos abra um sorriso no momento da leitura e passe adiante a mensagem.

Concientização social ou intervenção urbana, originou-se na rua, a partir de "tags" em lugares públicos de São Paulo. Não tem a intenção de agredir ninguém, apenas encontrou nos muros e paredes da cidade um suporte possível e eficaz para a mensagem.

No decorrer do tempo, a frase ganhou dimensão, repercursão e aliados, se transformou em um organismo vivo. Saiu de São Paulo, está estampando muros de diversas cidades, inclusive fora do Brasil. Através da internet, ganhou mais divulgação e vida. Está em blogs, tumblrs, flickrs, twitter e facebook. Se tornou inspiração para poesia, música, fotografia e até mesmo tirinhas de jornal.

Aplicar o amor em doses diárias, compartilhar respeito, solidariedade, generosidade, gestos de gentileza, carinho e carinho.

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Mais Amor Por Favor | Semeando Bons Pensamentos

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"Mais amor por favor" nasceu em 2009. A intenção era a de tentar despertar a atenção das pessoas sobre o que há de mais belo: o amor. É um pedido, uma imploração (mas com educação) em meio à toda agressividade, indiferença e velocidade de uma metrópole como São Paulo.

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Alex is the graffiti artist I admire the most.  The first time I saw one of his graffitis I was going to the metro Vila Madalena doing my usual commute to high school, I was 14/15 years old, and noticed a wall painted with a man holding a brief case and a neutral expression on his face, whilst a speech balloon came from him with a heart symbol upsidedown and a tiny bird was right next to him with a balloon as well, but this time the heart was right. That enchanted me, and up until today it continues to enchant.

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Calle Regina. 💃🏽 Gracias @gerso_siete 🙏🏽🇲🇽 📷 by eddie gonzalez & video by andrea Vega

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2,723 Likes, 38 Comments - se.n.na (@alexsenna) on Instagram: "Calle Regina. 💃🏽 Gracias @gerso_siete 🙏🏽🇲🇽 📷 by eddie gonzalez & video by andrea Vega"

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Basically our left hemisphere is the Logical one and the right one is the Creative/Emotional one. On a poster I draw on the background a brain (realistic) and over the left side write "Less Mind" and over the right side "More Love".

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Our brain is divided into 2 halves, or hemispheres, that are connected to each other by the corpus callosum. These two hemispheres control the motion in and receive sensory inputs from the opposite side of our body. In other words, the left hemisphere controls the right side of our body and also receives sensory inputs from the right side of our body.

The left brain

The left hemisphere of our brain handles tasks such as reading, writing, speaking, arithmetic reasoning and understanding. Study shows that when we speak or do arithmetic calculations, activity increases in our left hemisphere. Another characteristics of our left hemisphere is that it tends to process information sequentially, one at a time.

The right brain

The right hemisphere of our brain excels in visual perception, understanding spatial relationships, recognizing patterns, music, emotional expressions, etc. It is also good at making inferences. For example, when primed with words such as "foot", "cry" and "glass", our right hemisphere will relate these words to "cut". Our left hemisphere knows all these words individually but is unable to quickly make inferences from them. Our right hemisphere also lets us perceive the sense of self. People with lesions in the right brain sometimes have difficulty recognizing themselves in the mirror. Unlike the left hemisphere, our right hemisphere tends to process information as a whole.

Brain lateralization

In a normal brain, any information that enters the left hemisphere will travel across the corpus callosum to the right hemisphere and vice versa. The two halves of the brain work interdependently and information is not being processed solely on right or left. However, having said that, one hemisphere is usually dominant in certain functions. This is called lateralization. The degree of lateralization varies from one person to another. For example, for right-handed people, the control of language is probably concentrated more in the left hemisphere while for left-handed people, the language centres are more likely located more in the right hemisphere.

The split-brain experiment

Researchers had found that by cutting the corpus callosum and therefore separating the two hemispheres of the brain of patients who suffer severe seizures decreases the frequency and severity of the attacks. Psychologists Roger Sperry and Michael Gazzaniga studied these patients with split brains and their studies provide a key to understanding the functions served by the two hemispheres.

In one experiment, a blindfolded patient was asked to touch an object with his right hand and then name the object. Since the right side of the body is controlled by the left hemisphere, where the language centres are normally located, the split-brain patient was able to complete the task without problem. However, if the same patient was asked to touch the object with his left hand and then name the object, he was not able to complete the task.

Roger Perry actually won a Nobel prize for his split brain studies. You can read more about the experiments here.

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Our brain is divided into 2 halves, or hemispheres, that are connected to each other by the corpus callosum. These two hemispheres control the motion in and receive sensory inputs from the opposite side of our body. In other words, the left hemisphere controls the right side of our body and also receives sensory inputs from the right side of our body.

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A modernidade líquida, 'um mundo repleto de sinais confusos, propenso a mudar com rapidez e de forma imprevisível' em que vivemos, traz consigo uma misteriosa fragilidade dos laços humanos, um amor líquido. Zygmunt Bauman, um dos mais originais e perspicazes sociólogos em atividade, investiga de que forma nossas relações tornam-se cada vez mais 'flexíveis', gerando níveis de insegurança sempre maiores. A prioridade a relacionamentos em redes, as quais podem ser tecidas ou desmanchadas com igual facilidade - e frequentemente sem que isso envolva nenhum contato além do virtual -, faz com que não saibamos mais manter laços a longo prazo. Mais que uma mera e triste constatação, esse livro é um alerta: não apenas as relações amorosas e os vínculos familiares são afetados, mas também a nossa capacidade de tratar um estranho com humanidade é prejudicada. Como exemplo, o autor examina a crise na atual política imigratória de diversos países da União Europeia e a forma como a sociedade tende a creditar seus medos, sempre crescentes, a estrangeiros e refugiados. Com sua usual percepção fina e apurada, Bauman busca esclarecer, registrar e apreender de que forma o homem sem vínculos - figura central dos tempos modernos - se conecta.

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Amor Líquido - Sobre A Fragilidade Dos Laços Humanos

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A modernidade líquida, "um mundo repleto de sinais confusos, propenso a mudar com rapidez e de forma imprevisível" em que vivemos, traz consigo uma misteriosa fragilidade dos laços humanos, um amor líquido. Zygmunt Bauman, um dos mais originais e perspica

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"They say that time heals all wounds but wounds leave scars and scars are always present reminders of how that wound happened, so that begs the question; does time really heal all wounds?"

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"They say that time heals all wounds but wounds leave scars and scars are always present reminders of how that wound happened, so that begs the question; does time really heal all wounds?"

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Sorry guys but things are going to be a little heavy this Monday morning because today is June 12th. To most it's just another day, to some it has a special meaning but to those of us who live here in Orlando, today marks one year since our community was rocked by the events that took place at Pulse Nightclub. That night will forever be etched in my memory and I wasn't even there and I'm not part of the LGBTQ community but I can only imagine what the survivors of that night feel not just today, but every day. The horror that took place that night is something that cannot ever be explained.

Today marks 365 days since pain, terror and fear struck Orlando and the patrons of Pulse. In some ways it feels like a lifetime and in other ways it feels like it was just yesterday. They say that time heals all wounds but wounds leave scars and scars are always present reminders of how that wound happened, so that begs the question; does time really heal all wounds? Just because the pain is no longer there physically doesn't mean it's gone. Sitting here today I can still remember reading that first post from the Pulse Facebook page and praying it wasn't real but knowing in my heart it was. 8 words. 8 words that I will forever remember reading. That post is probably gone now but I and many will never forget. So has time really healed? Who's to say? What matters is that we've allowed the healing process to begin. What matters is that we have moved forward. Anger, sadness, love, hope - it's ok to feel all of these things. Not just today, every day. Any day. As long as we don't let the fear and anger take over it's ok to feel those emotions whenever because it is part of the healing process and feeling means we're alive.

Today marks a day of a lot of feelings but it also marks a new year for Central Floridians. For this year I hope we will not let hate win. Today is Orlando United Day but I hope we can be united more than just today. "Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that." - Martin Luther King

If you would like to donate to the onePULSE Foundation, you can make a donation or purchase a t-shirt here. Please note that I am in no way affiliate with the onePULSE Foundation and I am not receiving any compensation to push out their link. I am simply a girl from Orlando who loves and supports her community.

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Sorry guys but things are going to be a little heavy this Monday morning because today is June 12th. To most it's just another day, to some it has a special meaning but to those of us who live here in Orlando, today marks one year since our community was rocked by the events that took place at Pulse Nightclub.

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June 12th of 2016 - Shooting at LGBT Nightclub Pulse in Orlando.

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Surveillance video of Pulse nightclub shooting released

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To Reflect: To hate you must care, and to care you must love….

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To Reflect: To hate you must care, and to care you must love….

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We need apathy as much as we need anger.

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Love and hate, are both choices anyone can make. It's not something that you own, it's something you choose.

A person choose one, or other, never both, never nothing. A person is either doing love, or doing fear. Those are the only two options.

Love is: Trust+empathy=understanding+knowledge=acceptance+embracing all life=Love.

All of the above must be present, in order for it to be Love. If any component is missing, it is not love.

The opposite of love, is fear. When it is not love, it is fear.

Fear is: distrust+anxiety=judgment+ignorance=anger+hate=fear

If any of these components are present, then it is fear. When fear is present, love is not present. When love is present, fear is not present.

That is how love and fear function. Both are choices, and you are always doing one or the other.

There is absolutely no connection, with love and hate, other than the fact that they are opposite each other. The components of love, do not work with the components of fear, and vice versa. That is true for every human being on earth, whether they know it or not.

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If everyone could only love, would hate become the new way of showing affection?

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Answer (1 of 2): You know at first I was like..... Because if people could only love then it meant that they couldn't hate.... But then I remembered...and to quote the band Lumineers "The opposite of love is indifference" it's not actually hate. To hate you must care, and to care you must love....

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https://www.youtube.com/watch?v=ClzJkv3dpY8

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The same question used in Sept 1994s The Cranberries' Zombie sang by Dolores O'Riordan, continues happening until today, which is sang by Bad Wolves  in their cover of the same music in memory to her death. In their lyrics, the only thing they changed was "Since nineteen-sixteen" to "In two thousand eighteen" making explicit the permanency of War.

Song Analysis
Zombie - The Cranberries
Protest Song Analysis
My reading of 'Zombie'
At first, I understood the song to be about war in general and a child being separated from his family. In the first stanza, I understood that children were taken away for military purposes, however it actually refers to children dying and how the mourner’s “head hangs lowly” in sadness.

After learning the context of ‘Zombie’, I interpreted the song as a plea for peace from the Irish war, illustrating the anguish of those surrounded by conflict and violence in Northern Ireland. It is an angry and aggressive song, disapproving of the mindless violence seen in Irish history, especially after two young boys died as a result of the foolishness of the IRA.

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Nowadays we fear emotions so much we block ourselves when confronted by them. We live in a time of scarcity of love, relationships are rare, one night stands are the "new thing". People don't want the responsibility or the doubtful state of a relationship fearing the betrayal in many aspects.

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-Cover by Disturbed of the 1964's Original Music by Simon & Garfunkel-

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Disturbed  - The Sound Of Silence (Official Music Video) [4K UPGRADE]

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The song uses the imagery of light and darkness to show how people's ignorance and apathy destroys their ability to communicate even on simple levels.
Its theme is man's inability to communicate with man. The author sees the extent of communication as it is on only its most superficial and "commercial" level (of which the "neon sign" is representative). There is no serious understanding because there is no serious communication - "people talking without speaking - hearing without listening". No one dares take the risk of reaching out ("take my arms that I might reach you") to disturb the sound of silence. The poet's (character in the song) attempts are equally futile (" . . . but my words like silent raindrops fell within the wells of silence"). The ending is an enigma. The words tell us that when meaningful communication fails, the only sound is silence.
https://songmeanings.com/songs/view/7354/

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I interpret this song slightly different.

I feel it is an allusion to Plato's "Allegory of the Cave." While the ideas of commercialism (the people bow and pray to a neon god they made, the words of the prophets are written on the subway walls, etc) run throughout the poem, it also has to do with a frustration the narrator feels with humans in general. They are content to "hear without listening," not willing or interested in focusing on anyone or anything too intently. They are not willing to go beyond the superficial, but merely to accept the world around them, as no one "dares disturb the sounds of silence."

The allusion comes into play in the beginning, as the narrator has a revelation, a vision, that awakes him from this superficial, merely shadowed world. He rises, walks alone as the man in Plato's story did, and he sees the light. He tries to tempt others out of the cave of ignorance and look beyond teh surface of things, but his "words like silent raindrops" fall. His attempts are futile.

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To Reflect: Disturbed's The Vengeful One

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To Reflect: Disturbed's The Vengeful One

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Video treating about the control of mind by the TV (explicit) generating Hate/Fear/Submit/Obey....

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Disturbed - The Vengeful One (Official Music Video) [4K UPGRADE]

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Conheça o "Mapeamento Gráfico Popular", projeto que busca resgatar a profissão de letrista

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Funny type that plays with the form and negative spaces.

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Watercoulor soft letters. It passed me the feeling of kindness and warmth that Love gives me, so I found it a really nice association.

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Black board caught my attention, the type used in it is not conventional to a board.

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A curvy/soft type. Remembers cat fur and body, that's why it caught my atention.

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More URBAN type.

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Rammstein  is a German Neue Deutsche Härte band from Berlin, Germany, formed in 1994. Throughout its existence, Rammstein's six-man lineup has remained unchanged — lead guitarist Richard Z. Kruspe, rhythm guitarist Paul H. Landers, lead vocalist Till Lindemann, keyboardist Christian "Flake" Lorenz, bassist Oliver "Ollie" Riedel, and drummer Christoph "Doom" Schneider.
The band helped to found a subgenre within German hard rock and metal that became known as Neue Deutsche Härte. The majority of their songs are in German, but they have also performed songs entirely or partially in other languages including English, Spanish, French, and Russian.[Rammstein's award-winning live shows are known for their PHYROTECHNIC elements and both on and off-stage theatrics

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Is my absolute reference for the Sonne Project, which resulted in The Nacht Zine.
Sonne is a music perfomed by Rammstein, it's video mentions a Sonne [Sun] that is represented as Snow White for the six dwarfs that are the six members of the band.
Till has an amazing presence, he enchantes me, his way of being cruel and untamed, and doing actions that provoke uneasiness on the viewer simply captivates me.
I see him as the band itself, it is really strange for me, I've always been aware of the whole band, but with Rammstein I can only see TIll.

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Is a Pop reference from a videogame/animated TV shows/movies/card games/comic books licensed by The Pokémon Company.
I chose it since is a really known character with has RED cheeks :)

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Is the main character of Sony's video game GOD OF WAR (2005 - ). Also know as "Ghost of Sparta",  was based on Greek Mythology.
He bacame the Ghost of Sparta after accidentally killing his family due to Ares' trickery, resulting in his pale skin and RED marks.
He then became the God of War after avenging the death of his family and killing Ares.
As one of my favorite games, I chose Kratos from his RED marks and all the blood that takes part in the game.

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Deadpool is often confused with Spiderman, and that is pretty understandable, since his clothes were actually based on spider's suit.
With time, Marvel integrated the two characters in crossovers, braking the "fourth wall" [As Deadpool often does] and creating lots of fanfics as a result.
Officially Peter doesn't like Wade, and they are often portrayed aguing.
Since both are well known nowadays and wear RED clothes, I chose to portray them as friends posing for a picture.

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Needless to say.
Marylin Monroe and her iconic RED lipstick.

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The Nacht project could not be finished in time. Thus it became a opportunity.
Profesor Henry gave me really great ideas regarding continuing the project. On the day of the fair put a list beside the originals, and make a kind of queue for people who are interested in buying them

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John Kenn Mortensen was born in Denmark in 1978. He is a writer and producer of television shows for children. The father of a pair of young twins, he finds he has very little time to do anything much, but when he does have a spare second, he draws pictures of monsters on post-it notes.
Don Kenn's pen is full of wonderfully creepy monsters which crawl onto sticky yellow note pads when darkness falls. Here we have collected some of the best monster drawings in a delectable hardback edition.

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born in Denmark 1978. I write and direct television shows for kids. I have a set of twins and not much time for anything. But when i have time i draw monsterdrawings on sticky notes... it is a little window into a different world, made on office supplies.

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Book:

Sticky Monsters

In the vein of the great Edward Gorey and Maurice Sendak's Where The Wild Things Are, an irresistible little book of monster drawings, all on office stationery
Available at Livraria for R$45.

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BOO! Make sure to check out Luke Jaden's BOO! At @brooklynhorrorfest 14th oct. @lukejadenfilms #johnkennmortensen #BOO!

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14.3k Likes, 30 Comments - John Kenn Mortensen (@johnkennmortensen) on Instagram: "BOO! Make sure to check out Luke Jaden's BOO! At @brooklynhorrorfest 14th oct. @lukejadenfilms..."

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As said in the reflection, Nacht represents a magical mystic way of seeing the unknown.
I want to continue with that. Develop some other ideas based on that.
Gnomes, Fairies, and even the other little creatures that are trapped in glass jars in Nacht could be used to build new outcomes. And even be crossovers between themselves.

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for every end there was a begining

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Odi was born on August the 1st of 1966 in São Paulo, lived his youth in the interior of São Paulo, but moved back to the capital because of University . Graduated in Architecture from USP (University of São Paulo), but he never practiced the profession.

He has illustrated books for over twenty years, and also writes some of them. According to Zahar website he "likes the type of literature that uses words and pictures simultaneously."

"Lá e Aqui", his and Carolina Moreyra’s book published in 2015.26.02, has won 3 prizes, "Prêmio Crescer - 2016", "Prêmio FNLIJ - 2016" and "Prêmio Jabuti - 2016". Described as a "Little Masterpiece which overflows emotion" by Zahar Website,  the book is full of soft beautiful illustrations and really short sentences portraiting the separation/divorce between a couple with a little kid.

A year before that, he had the pleasure of illustrating Mauricio de Souza's, one of the biggest names in braziliang writing history, "Mônica é daltônica?"; a classic, the first story published on the "Mônica" magazine in 1970.

Odilon has participated in various rewarded writings, some of them which won the "Jabuti" prize includes: "A Saga de Siegfried"(1994); "Lá e Aqui" (2016); "O Matador"(2009)'; "Teleco, o Coelhinho"(2017); "Conselho"(2014).

Some of his own books are “A Princesinha Medrosa”, “Rosa" and “Pedro e Lua”

“A Princesinha Medrosa” is his very first book. It depics a little princess who is frightened of a lot of things. The princess uses all of her authority to deal with the great things - the fears of darkness, loneliness, and poverty. The little princess does not realize that her fear is, in fact, her own fear. And, while she fears the invisible and the unlikely, she lets her own happiness escape. It will be the help from a boy, who teaches to listen to the whisper of the stars, that she learns to deal with sadness.  https://www.youtube.com/watch?v=DxeZq6PRee4

https://www.facebook.com/OdilonMoraesilustrador/

https://zahar.com.br/autor/odilon-moraes

https://www.companhiadasletras.com.br/autor.php?codigo=00762

http://leiturinha.com.br/blog/odilon-moraes-e-a-incrivel-capacidade-do-livro-ilustrado-na-literatura-infantil/

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"Graduated in Architecture and Urbanism from the University of São Paulo, I do illustrations for a very long time. But it was in 2007 that I decided to leave the drawing of objects and furnitures aside so I could "colocar os dois pés na mesma canoa"/"Put both feet in the same canoe""

Scarpelli has illustrated innumerous magazines articles, a huge amount of them.

She was indicated to the "Prêmio Jabuti" 2018, for her participation in "Extraordinárias" and "Os 101 Dálmatas"

Scarpelli also has a Blog called Dona Margot, in which she includes a huge amount of her works, from cute drawings to some of her publishings on magazines. http://donamargot.blogspot.com/

Veridiana Scarpelli was born in São Paulo in 1978. The taste for drawings, which accompanied her since childhood, made her think of opting for the Plastic Arts. In the end she ended up joining the BA of Architecture and Urbanism of the University of São Paulo in 1997, and never stopped drawing. She started her career as a designer of furniture and objects, but in 2007 she decided to persue her hobby. She presented her portfolio for every publishers she could reach.

Her efforts really worked out, one just needs to see her client list. One of them is the newspaper Folha de S. Paulo, to which her drawings illustrate weekly the section “Tendências/Debates do Jornal”. She is the author of “O Sonho de Vitório” (Cosac Naify, 2012), also published in Mexico (“El sueño de Victorio”, Fondo de Cultura Económica, 2013)

Some of her illustration for kids books are on the following titles: "Ora, pílulas"(Tatiana Belinky), “A Montanha Encantada dos Gansos Selvagens"(Rubem Alves); “A Operação de Lili”(Rubem Alves), “A Libélula e a Tartaruga”(Rubem Alves), “O Decreto da Alegria”(Rubem Alves), “Cantigas, Adivinhas e Outros Versos:  Volume 2”(Melhoramentos); “A fada Oriana" e “A menina do mar”(Sophia Mello)

“O Sonho de Vitório” is a book writen and illustrated by Veridiana, for which she had a pretty funny development, narrated by her on this video https://www.youtube.com/watch?v=tSyK43P3w2k

Here is an enterview with her for “O Ser e o Agir Transformador” which she had illustrated

https://www.youtube.com/watch?v=4BaRqKG2i5I

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Was born in November 15th of 1948 in Rome (Italy). Her family moved to Brazil in 1950, when she was two years old. She graduated in Architecture at the University of São Paulo (USP), and from 1976, began to venture into the publication of pictures book, with no text.

She is a children’s book writer and illustrator, and has won the “Prêmio Jabuti” for Children’s Literature seven time. In 1993 for “Truks”; 1995 for “A Bruxa Zelda e os Oitenta Docinhos”; 1998 for “Anjinho”; two in 2006 for “Cacoete” in Illustration and Children’s Book; 2007 for “Felpo Filva”; and 2017 for “Drufs”.

I am a huge fan of Eva Furnari. I grew up reading her books in Livraria Cultura bookstore and at school. The only book from her that I ever owned was “Os Problemas da Família Gorgonzola” because it was on the school’s material list. The reason why I never had another one, as much as I loved her books, is because children’s books are very expensive, so I would read the books on the bookstore and not buy them. Her works that I love the most are: “Os problemas da Família Gorgonzola", “Umbigo Indiscreto", a Bruxinha (Zuzu)(“O Amigo da Bruxinha”), and “Nós”.

Eva mentions that hers two favorites illustrators are: Einar Turkowski (https://einarturkowski.de/galerie/) and Lisbeth Zwerger.

She also has collaborated in the children’s section Folhinha of the newspaper “Folha de S. Paulo" , in which she creates one of her better-know character, “Bruxinha”.

In 2004 she was selected to illustrate a new edition of six children books by Érico Veríssimo.

Marilu gets a little makeover: https://cultura.estadao.com.br/noticias/geral,escritora-e-ilustradora-eva-furnari-retoca-uma-de-suas-mais-belas-historias-imp-,887792

http://www.evafurnari.com.br/pt/