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L'Heure de tous, Arman, 1985, bronze, 460 × 152 x 182 cm, Paris 

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Birds in an aquarium, Jean Arp, 1920, Bois, Peinture, 25 cm x 20 cm x 11 cm, New York

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Dame Ninette de Valois, Enrico Baj, 1974, collage sur un support en bois, 114 x 146 cm, Rome

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Sans titre, Gaston Chaissac, 1955, Collage et encre sur papier, 18,5 x 13,5 cm, Collection particulière, Belgique

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Jean-Michel Basquiat, Slave auction, 1982, 183 × 305,5 cm, Paris 

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Ben Benjamin Vautier, 12 Cercles qui se prennent pour de l'art, acrylique sur bois ,1991, 80 x 65.5 x 3 cm, Marseille 

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Joseph Beuys, I like America and America likes Me, 1974, New York 

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Some of the Sources of Pop Art V, Peter Blake, 2007, impression couleur avec de la paillette, 50,7 x 50,8 cm, 

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La Charge des lanciers ,Umberto Boccioni, 1915, tempera et collage sur carton, 32 × 50 cm

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Le tennisman Yvon Petra, Pierre Boucher, Epreuve gélatino-argentique, 1937, 30,4 x 24 cm

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Violon et Palette, Georges Braque, 1909, huile sur toile, 91,7 × 42,8 cm, New York 

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Prelude to a Civilization, Victor Brauner, 1954, encaustique et encre sur masonite, 129,5 x 202,6 cm, New-York

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Cadavre exquis, André Breton, 1938, collage de gravures découpées sur papier, 25,2 x 16,2 cm, Paris

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Démonstration interventionniste, Carlo Carrà, 1914, tempera et collage sur carton, 38,5 x 30 cm  

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Le Rideau de Fer, rue Visconti, Christo et Jeanne-Claude, 27 juin 1962, Mur de barils de pétrole, Paris

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Max Ernst, C'est le chapeau qui fait l'homme, 1920, (gouache, pinceau , peinture à l'huile, collage), 35.2 x 45.1 cm, Museum of Modern Art New York.

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Robert Filliou, Recherche dans le langage d'enfant, collage, 1971, dimension inconnu, collection privée.

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Gérard Fromanger, Le rouge et le noir dans le prince de Hombourg, 1965, (collage, peinture), dimension inconnu, collection privée.

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Red Grooms, Wyoming Target (Self-Portrait), 1988, (collage, aquarelle), 46 x 60.5 cm, collection privée.

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George Grosz, Le coupable reste incognito, 1919, (Dessin à la plume et à l’encre de Chine, collage sur carton), 50.7x35.5 cm, The Art Institue of Chicago.

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Raymond Hains, L'affiche en Yiddish, 1950, collage, 33.50 x 53 cm, collection inconnu.

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Richard Hamilton, Just what is it that makes today's homes so different, so appealing?, 1956, collage, 26 × 24.8 cm, Tübingen (Allemagne) Kunsthalle.

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Raoul Hausmann, ABCD, 1920, Collage, 15.1 x 10.1 cm, Musée National d'Art Moderne de Paris.

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John Heartfield, The Hand Has Five Fingers (5 Finger hat die Hand), 1928, (Collage, photomontage), 971 × 697 mm, The Art Institute of Chicago.

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GUDMUNDUR ERRÓ, " Red Sonja" hommage à Fernand Leger, 1997, Collage sur papier, 32 x 18 cm, collection privée.

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Hannah Höch, Collage II (On Filet Ground)(Collage II [Auf Filetgrund]), 1925, collage, 24.5 x 19.2 cm, Museum of Modern Art New York. 

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David Hockney, Pearblossom Highway #1, le 11-18 avril 1986, Collage photographique, 47 x 64 cm, collection privée.

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Marcel Janco, Geometric collage, date inconnu, Collage, 22 x 35 cm, collection privée.

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Jasper Johns, Decoy, 1971, Collage, 105.6 x 75.3 cm, Museum of Modern Art New York.

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Peter Klasen, Lost landscape regard bleu / ventilateur, date inconnu, (collage et peinture à huile), 130 x 97 cm, collection inconnu.

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Paul Klee, The column, 1926, (collage et peinture), dimension inconnu, collection inconnu.

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Jiri Kolář, La nostalgie des murailles, 1982, collage sur bois, 40 x 30 cm, collection inconnu.

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Henri Laurens, Zeus et Hermés, 1950, (travail sur papier, collage, gouache), 34.8 x 26.4 cm, Museum of Modern Art New York.

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Rene Magritte, Untiled, 1925, collage papier, 55 x 40 cm, collection privée.

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Kazimir Malévitch,Soldier of the First Division, 1914, (peinture à l'huile, collage), 53.6 x 44.8 cm, Museum of Modern Art New York.

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Filippo Tommaso Marinetti, Une Assemblée tumultueuse, 1919, collage, 26.7 x 33.0 cm, collection inconnu.

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Henri Matisse, Sorrow of the King, 1952, (collage, peinture à huile), 55.2 × 39.1 cm, collection inconnu.

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Joan Miro, Collage, 1929, (brou de noix, collage, crayon couleur),72.7 x 108.4 cm, Museum of Modern Art New York.

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Annette MESSAGER, Mes vœux, 1989, 320 x 160cm, (photographie, collage et assemblage), Musée d’Art Moderne Paris.

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Sylvie Fleury, Karma International, (collage, peinture acrylique, calques papier), 125 x 10.0 cm, collection Art Basel.

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André Masson , Untitled, 1925–1927, (composition collage avec du matériels et du cotons, gouache, encre noir), 250 × 207 mm, The Art Institute of Chicago.

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Roman Cieslewicz, Affiche Katastrofa, 1961, (collage), 84,5 x 58,6 cm, Centre Pompidou

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Salvador Dali, La tentation de Saint-Antoine, 1946, huile sur toile, 89,5 x 119,5 cm, Musées Royaux des Beaux-Arts de Belgique

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Robert Delaunay, Rythme sans fin, 1934, (huile sur toile), 207 x 52 cm, Centre Pompidou 

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Stefan de Jaeger, masque africain, 1996, (polaroïds), 54 x 50 cm, collection inconnue

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Robert Combas, Le guerrier et le spirituel, 2004-2005, (acrylique sur toile), 218 x 207,5 cm, collection inconnue 

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https://mind42.com/mindmap/c0373eb0-604a-48ac-9a46-453b8b4e8f67

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László Moholy-Nagy, Light space modulator, 1930, sculpture, 24 × 18.1 cm, Allemagne

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electronic superhighway continental us alaska hawaii, Nam June Paik, 1995, 15 x 40 x 4 ft, Smithsonian American Art Museum

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Sack-o-sauce, Eduardo Paolozzi, pop-art, 1948, Scottish National Gallery Of Modern Art

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Dances at the spring, Francis Picabia, Art abstrait, 1912, The Louise and Walter Arensberg Collection

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Guernica, Pablo Picasso, cubisme, 1937, 3,49m x 7;7m , musée reine Sofia

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Suprematist Relief-Sculpture, Jean pougny, 1920, sculpture, 

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Rayonograph (the kiss), Man Ray, Dadaise, 1922

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Last Year in Capri, Martial Raysse, Portrait, 1962, 184 x 134.6 cm, 

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parts of the face french vocabulary lesson, Larry Rivers, 1961, oil

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alexandre rodchenko, Battleship potemkin, 1925, moscou

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Boats and boating--Equipment and supplies

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Mimmo Rotella, Pepsi, 1979, art abstrait, 76,2 x 58,4 cm

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Niki de Saint Phalle, Nanas, 1960, 180 × 110 × 39 cm, Montréal

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kurt schwitters, Aphorism, 1923, 89 × 73 mm, HM Government

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Daniel spoerri, tableaux piège, 1960, hotel carcassone à Paris

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Yves Tanguy, Mama, Papa is Wounded!, 1927, 92.1 cm × 73 cm, museum of modern art NY city, 

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Vladimir Tatline, Le marin (autoportrait), 1911, 71,5 × 71,5 cm, musée russe

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boite d'allumettes, hervé télémaque , 162.2 x W 129.8 cm, 1963, University of Glasgow

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Karton, 2008, Vladimir Velickovic, 55 x 51 cm, 

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Boulevard Saint-Martin, jacques villeglé, 1959, 222 x 252 cm, 

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You are Leaving the American Sector, Wolf Vostell, 123 x 451 cm, 1964, 

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Diptyque Marilyn Monroe, Andy Warhol, 1962, sérigraphie, 205,4 × 144,8 cm, 