# data[].attributes.body
I thought that adding the context of my story into the screen of these two graphics, so that the voids formed through action have a specific reflected scene.

The environmental hierarchy contained in this food package:
1: The external environment of the supermarket where I live
2:The environment inside the supermarket
3.The waste space created by the food packaging I erased

# data[].attributes.headline
Then I used screen print to cope them and used them both as a lens to explore people's behavior and related  environment connections.

# data[].attributes.subject
Then I used screen print to cope them and used them both as a lens to explore people's behavior and related  environment connections.

# data[].attributes.body
Reflecting the behavior

# data[].attributes.body
The part that I didn't erase

# data[].attributes.body
I took the space created by the erasure of food packaging bags as the object of my experiment. Try to show the behavior and layer behind it

# data[].attributes.body
The part that I erased

# data[].attributes.headline
I thought how to show people's behavior behind erasure in an playful way.

# data[].attributes.subject
I thought how to show people's behavior behind erasure in an playful way.

# data[].attributes.body
I looked back at the collage method I had used on previous field trips, and I had used fragments of the environment to form voids. This made me realize that I could use the opposite approach to reflect the environment and behavior.

# data[].attributes.body
After conducting a case study, according to my current concept of space generated by Void. I think I can visualize the spatial difference caused by false demand and uncertain demand by means of spatial visualization, and use the method of extracting space to visualize them.

# data[].attributes.body
Case study：https://padlet.com/syu0320192/3xg51q8j0k7ofb0p

# data[].attributes.body
What problem does this cause? I set the location of the item to a fixed scene. Take the supermarket as an example. As a place with the largest supply and demand of residents in a community, I often find that there is a food donation area in the area next to my supermarket. Most of the items in it are canned, pasta, etc. Mainly long food. They are not used and have not expired. However, on the shelf corresponding to the item, it can be seen that the sales of the goods are very good.

Although this doesn't mean that all relevant sold items are thrown into the donation point, or thrown away. But this may cause the supermarket or manufacturer to stock and produce according to this "real but actually false demand". The raw materials produced and the consumption of production and transportation can be avoided. But because of false sales and demand, unnecessary production was caused.

# data[].attributes.body
Therefore, I analyzed these items and divided the collection process into the following flow chart from the perspective of time line.

# data[].attributes.body
And I regard this process of getting and giving as the force that is given to the object from the outside, and these actions make the definition of the object change. You can see that in the process of getting and giving, there is a bifurcation that divides the definition of items into used and unused.

And this used definition can be divided into:
1. After use, the item has been used up and it loses its value.(Truly demand)
2. Used, but not sure if it will be used again. ( Uncertain requirements)
3. The value of an item has a expiration time, and it loses its value when it reaches the time limit. ( Temporary demand )
4. After using this item, it is not used up, but it loses its value to the owner. (No longer need)

It can be found that in the classification of these items, most of them belong to the latter three cases. The reason for these situations is that when acquiring these items, whether acquirer for the items are a truth demand, a false demand or an uncertain demand.

# data[].attributes.body
In order to reflect these ideas to a specific place and scene, I thought about the collected objects and whether they might come from the same scene.

# data[].attributes.body
I was thinking about what I could get out of the void, or what it could bring to my audience. The void represents the traces that we cannot erase from urbanization, and it is the sum total of these traces that is causing the climate crisis we face. How can these extracted traces be displayed enough to make the audience think about the void left by our footprints

# data[].attributes.body
It represents climate crisis that cannot be eliminated by the erase the behavior

# data[].attributes.body
Due to the limited extension of the liquid, there is a void between my erasure action and the product.

# data[].attributes.body
During the wiping process, I set the rule that only one pour can be used for wiping

# data[].attributes.body
Greenhouse gas removal (GGR) or negative greenhouse gas emissions is the removal of greenhouse gases (GHGs) from the atmosphere by deliberate human activities

# data[].attributes.body
I use remover to erase the existence of the copy.

# data[].attributes.body
I used the model of photocopying to show the process of objects being made by machines

# data[].attributes.body
Represented by the information reflected in this receipt, the food items on the purchase list are all from China. It links raw material production sites, food factories in China, and the transport supply chain from China to the UK, and then transport to the supermarkets at Vauxhall.

# data[].attributes.headline
A receipt from the Small supermarket at Vauxhall

# data[].attributes.subject
A receipt from the Small supermarket at Vauxhall

# data[].attributes.body
I collected belongings from 12 people. These paraphernalia serve as evidence of the student community's footprint, as well as the industry, transportation, and raw material networks that are connected behind the objects. And these are part of shaping our human landscape and part of making us suffer by climate crisis.

# data[].attributes.body
In the context of climate politics, I thought about how to involve my audience in the scenes I was shaping. By reflecting on my previous collage work, I realized that it might not be necessary to create scenes through real landscapes. Surrounding objects can also be used as a means of reflecting the scene.

# data[].attributes.body
Using tools as a starting point, my CRP explores the idea that we are human because of the interaction and transformation between environment and tools. The tools and networks used in modern human society shape urbanized communities.

In the context of the global climate crisis on island, the deterioration of the ecological environment has aroused the vigilance of designers around the world. Our increasingly urbanized landscape has created more and more gaps in the ecological balance. I think that by reframing the gap, by reflecting on the human place in the ecology through the gap, we can hopefully change the ecological order and help create new communities and new experiences for humans.

In the "Entangled Reality", I used real-life landscape images and events to create scenarios and performance. The purpose is to explore the changeable substances created in the ecological and electronic latent space from the real places where artificial, synthetic and natural are combined, and to use events to create bridges between human behavior and environment and substances. I hope that through this bridge, my audience can rethink what it means to be human in ecology. To build a decentralized, democratic ecosystem.

# data[].attributes.attachment_link.title
Greece wildfires spread, causing mass evacuations

# data[].attributes.attachment_link.description
Thousands of people are evacuated north of the capital, Athens, as fires continue to rage.

# data[].attributes.body
Events are given meaning by the behavior of residents in the context of the scene

# data[].attributes.body
"Entangled Reality" uses real-life landscape images and events to create scenarios that take place on an island amid the climate crisis. The purpose is to explore the changeable substances created in the ecological and electronic latent space from the real places where artificial, synthetic and natural are combined, and to use events to create bridges between people and backgrounds and productions.

# data[].attributes.body
Residents and voids create a new ecological order as they rebuild their homes.

# data[].attributes.body
Some residents chose to stay

# data[].attributes.body
Andy Goldsworthy

Trench

Blond Contemporary

# data[].attributes.body
I wondered whether human activities or personal actions in the story could give new meaning to the frame without changing the frame of the story's beginning and end.

# data[].attributes.headline
The matter is born from the voids of ecological and electronic

# data[].attributes.subject
The matter is born from the voids of ecological and electronic

# data[].attributes.body
Ecology destroyed
by human urban expansion

# data[].attributes.headline
The true archives of industrialization in Taiwan

# data[].attributes.subject
The true archives of industrialization in Taiwan

# data[].attributes.attachment_link.title
#六輕【穿梭島嶼20年】汙染篇｜海上石化王國 6th Naphtha, Petrochemical Kingdom of the Sea (我們的島 第988集  2019-01-14)

# data[].attributes.body
1. The priority of making a profit forces people to exploit others and nature all over the world.

2. Individual behavior

# data[].attributes.headline
The voice by young activists - fighting for their future

# data[].attributes.subject
The voice by young activists - fighting for their future

# data[].attributes.body
Conjecture about the ecological context of 2022 in the film

# data[].attributes.body
Soylent Green
In 2022, the world's population is soaring, with the population of New York City alone reaching 40 million, that most houses are overcrowded and in disrepair. Natural foods such as vegetables and fruits are becoming very expensive luxuries. Most people rely on artificial foods made by a world-renowned company called Soylent, soylent red and soylent yellow, cookie-like foods advertised as "high energy fruit and vegetable extracts". Soylent green, made from "high-energy plankton", is often in short supply and even causes a riot of buyers.

# data[].attributes.attachment_link.readable_text
Yeni güne,

Sıcağa Soğuğa,

İçimizi ısıtan çaya,

Yağmaya niyet eden yağmura,

İyiliğe niyet eden güzel insanlara,

Gülümsemeyi sadaka sayanlara,

Ve her güzelliğe...

G☕️naydın☀️🍃🕊

Güzel bir gün geçirmeniz dileğiyle🌳🕊🦋🐞

# data[].attributes.attachment_link.description
Yeni güne, Sıcağa Soğuğa, İçimizi ısıtan çaya, Yağmaya niyet eden yağmura, İyiliğe niyet eden güzel insanlara, Gülümsemeyi sadaka sayanlara, Ve her güzelliğe... G☕️naydın☀️🍃🕊 Güzel bir gün geçirmeniz dileğiyle🌳🕊🦋🐞