# data[].attributes.body
When choreographing ‘Mantra’ we took inspiration from Zacc Milne as personally I liked his musically and the decisions he made with the different layers of music.

Take Flight Intensive. (2017). Zacc Milne | Troyboi - Mantra | Take Flight Easter Intensive 2017. [online] Available at: https://youtu.be/KoHNok8jflw [Accessed 19 Nov. 2018].

# data[].attributes.attachment_link.title
Zacc Milne | Troyboi - Mantra | Take Flight Easter Intensive 2017

# data[].attributes.body
As a group we were experimenting different shapes which symbolized the movements used in the Egyptian period.

# data[].attributes.body
Continuing from the shapes we then choreographed our first section when we had planned to be our beginning (Kyah missing).

# data[].attributes.body
Experimenting with softer arm movements

# data[].attributes.body
We all agreed that this dress fits the role perfectly.

# data[].attributes.body
The first time we performanced the ‘finished product. (Part 1)

# data[].attributes.body
(Part 2)

# data[].attributes.body
Last alterations to adapt to the theme better

# data[].attributes.body
We agreed on ‘sandy’ colours as we thought this represented Egypt the best.

To complete the outfit we agreed on a beige/sand coloured top.
(Boohoo.com, 2018) Available at:
https://www.boohoo.com/3%2F4-midi-length- [acribbed-cycling-shorts/DZZ24737.html?gclid=CjwKCAiA0O7fBRASEiwAYI9QApYqi-bAMEDv0Govu-dSdM2KimVudGWNgw3cnUVC-JjzfGw4P_YEZRoCn2kQAvD_BwE&gclsrc=aw.ds[accessed 19/11/18]

# data[].attributes.body
The ideal women was a ‘model wife and mother who did not go out to work or take part in public life in accident Egypt’  (Robins, 1993). Women were restricted which portray within our choreography.

Robins. G. 1993. Women in Ancient Egypt. Harvard Univerisy Press.

# data[].attributes.body
Initially we wanted all of us to wear a headpiece however we decided that Harleigh should should wear one as it represents a goddess better.

Ebay. 2018. Available at: https://www.ebay.co.uk/itm/DIAMANTE-GRECIAN-MATHA-PATTI-HEAD-CHAIN-HEADPIECE-HEAD-TIKKA-HEAD-JEWELLERY-/143002136757 [assessed 20/11/18]

# data[].attributes.body
This website gave us a greater insight of Isis, who she is and what she did.

Crystalinks.com. (2018). Isis - Crystalinks. [online] Available at: http://www.crystalinks.com/isis.html [Accessed 20 Nov. 2018].

# data[].attributes.attachment_link.description
At a comparatively early period in Egyptian history Isis had absorbed the attributes of all the great primitive goddesses, and of all the local goddesses such as Nekhebet, Uatchet, Net, Bast, Hathor, etc., and she was even identified as the female counterpart of the primeval abyss of water from which sprang all life.

# data[].attributes.body
The wings appear in a lot of pictures of Isis, if we had more funds for the piece we wanted Harleigh to wear wings with her costume.

Princess trust store. 2018. Available at: https://www.princestrust-store.co.uk/melissarobsondesigns/products/egyptian-goddess-isis-screen-print/goddess-print
[accessed 20/11/18]

# data[].attributes.body
Student ID: 1504496

# data[].attributes.body
For the first piece of choreography (source A), we took inspiration from the shapes being used within this piece of choreography. We also took inspiration for the choreographed arms within a line (source G).

Tanzolymp. (2012). Anna Verde Dance, Russia. Egyptian Dance. [online] Available at: https://youtu.be/02AGElx9pqE [Accessed 19 Nov. 2018].

# data[].attributes.attachment_link.title
Anna Verde Dance, Russia. Egyptian Dance