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Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

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Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.

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“Everyone wanted to believe that endless love was possible. She’d believed in it once, too, back when she was eighteen.”

In the spring of 1984, high school students Amanda Collier and Dawson Cole fell deeply, irrevocably in love. Though they were from opposite sides of the tracks, their love for one another seemed to defy the realities of life in the small town of Oriental, North Carolina. But as the summer of their senior year came to a close, unforeseen events would tear the young couple apart, setting them on radically divergent paths.

Now, twenty-five years later, Amanda and Dawson are summoned back to Oriental for the funeral of Tuck Hostetler, the mentor who once gave shelter to their high school romance. Neither has lived the life they imagined . . . and neither can forget the passionate first love that forever changed their lives. As Amanda and Dawson carry out the instructions Tuck left behind for them, they realize that everything they thought they knew—about Tuck, about themselves, and about the dreams they held dear—was not as it seemed. Forced to confront painful memories, the two former lovers will discover undeniable truths about the choices they have made. And in the course of a single, searing weekend, they will ask of the living, and the dead: Can love truly rewrite the past?

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New York "Sex and the City" columnist Carrie Bradshaw and her three best girlfriends - PR maven Samantha Jones, lawyer Miranda Hobbes and art gallery curator Charlotte York - have long mastered one of the two "L"s to which she believes all women arriving in New York aspire: labels. As such, the foursome, three years after John Preston AKA Mr. Big professed his love to Carrie and three books by Carrie on their life later, focus on the other "L": love. Charlotte believes she has the perfect love life with husband Harry Goldenblatt and their adopted two year old daughter Lily. She is hyper-vigilant in ensuring that that life remains perfect especially in light of some unexpected news on the home front. Extremely self-confident Samantha, now living in Los Angeles with her younger client/boyfriend, actor Smith Jerrod, is in love with him, but feels that she is losing her sense of identity to Smith's rising star. This revelation is even more troubling to her with a handsome new neighbor moving in next door, he who always seems to be having sex with a different woman every night. Miranda and her bartender husband Steve Brady are facing problems maintaining a healthy sex life as Miranda focuses her attentions on caring for their five year old son, Brady Hobbes. This and a subsequent action by Steve places a strain on their love life and marriage. And Carrie and Big make the decision to buy an apartment together. The lavish apartment they choose and the subsequent financial arrangement they embark upon lead to Carrie and Big deciding to get married. Combined with a request by Vogue editor Enid Frick to Carrie, Carrie and Big come to individual views as to the emotional toll on each other of their decision, which is complicated by a statement by Miranda. A result is that Carrie, for the first time, hires a personal assistant, a young woman named Louise from St. Louis who unwittingly helps Carrie come to grips with her personal problems. Through the trials and tribulations of the four in dealing with their respective love lives, they, as always, lend their emotional support to the other three.

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The Notebook is an achingly tender story about the enduring power of love, a story of miracles that will stay with you forever.

The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to find her, yet unwilling to forget the summer they spent together, Noah is content to live with only memories. . . until she unexpectedly returns to his town to see him once again. Allie Nelson, twenty-nine, is now engaged to another man, but realizes that the original passion she felt for Noah has not dimmed with the passage of time. Still, the obstacles that once ended their previous relationship remain, and the gulf between their worlds is too vast to ignore. With her impending marriage only weeks away, Allie is forced to confront her hopes and dreams for the future, a future that only she can shape. Like a puzzle within a puzzle, the story of Noah and Allie is just beginning. As it unfolds, their tale miraculously becomes something different, with much higher stakes.