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Cameron Russell article

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Dozens of models are banding together to share anonymous accounts of sexual harassment as the controversy over Harvey Weinstein expands to other industries.

Model and activist Cameron Russell, 30, began sharing stories on her Instagram feed last week, explaining that she wanted to shine a light on abuse of young, often inexperienced models by seasoned professionals in the business.

"Hearing about #harveyweinstein this week has sparked conversations about how widespread and how familiar his behavior is," Russell wrote on her Instagram feed and has encouraged correspondents contributing their stories to publicly use the hashtag #MyJobShouldNotIncludeAbuse "so the industry can see the size and scope of this problem".

Among dozens of entries, many writers have described how, as young women often with little experience, they were left unguarded and vulnerable to predators, many of them photographers, agents, clients and bookers. One described how she was assaulted by an unnamed photographer when she was 15 years old for the sake of "making the pic look more sensual".

As the feed has gathered stories, it has received hundreds of "likes", including some from well-known models. But Russell wrote that the Instagram accounts should not be seen as an exposé "because nothing in these stories should be a revelation for those working in our industry".

Russell's call for the fashion industry to reform have been joined by supermodel Christy Turlington Burns. She told WWD that she felt fortunate that she had not been abused, but added: "I can say that harassment and mistreatment have always been widely known and tolerated in the industry."

Turlington, who is married to the actor and documentary maker Edward Burns, continued: "The industry is surrounded by predators who thrive on the constant rejection and loneliness so many of us have experienced at some point in our careers."

The model, who now runs a not-for-profit organization that trains midwives in Guatemala, said that there were many times early in her career when she had flown abroad for an assignment to find herself entrusted to the care of "some creepy playboy type".

"In hindsight, I fear I may have played the 'honeypot' that has been described in the stories about these predators who make other women feel protected. Unknowingly, but still an accomplice of sorts."

The Weinstein scandal is now placing the fashion industry in the crosshairs.

Weinstein is married to a fashion designer, Georgina Chapman, and was frequently seen in the front row at his wife's catwalk shows with senior industry executives. The couple have now separated, Chapman has announced.

"Fashion is far from a feminist nirvana, but it has, historically, been an industry with great career opportunities for women," wrote New York magazine fashion writer Amy Larocca. "But if you zoom out of the offices, fashion has a whole world of problems."

Larocca drew attention to the close parallels between becoming a famous, award-winning actor in a Weinstein-produced film and debuting as a fashion magazine cover star.

"It shouldn't come as a surprise to anyone that Harvey Weinstein loved fashion, but what is surprising is just how much fashion loved Harvey Weinstein back. Shouldn't everything about this leering, groping, heavy-breathing man have set off all the alarms of this female-dominated industry?"

It's a question that's now reverberating through the business. Last week, the Vogue editor, Anna Wintour, added her voice, denouncing Weinstein's behavior as "disgraceful and unacceptable".

In her Instagram feed, Russell said she believed the Weinstein scandal would be "the beginning of a power shift" for young women in the fashion business. "We are speaking to each other, we are speaking up, we are speaking to lawyers, and we are speaking to well resourced reporters."

On her own experience, Russell wrote: "On many occasions I've been called a feminist for reporting unwanted groping, spanking, pinching, pressure for dates, phone calls and texts of a sexual nature, lack of appropriate changing areas, etc."

More than 40 women have accused Weinstein of sexual assault and harassment following the publication of investigations by the New York Times and the New Yorker. Following the revelations, Weinstein was sacked by the board of his company.

Weinstein has "unequivocally denied" all allegations of non-consensual sex. "With respect to any women who have made allegations on the record, Mr Weinstein believes that all of these relationships were consensual," a spokesperson for the producer said.

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Model Cameron Russell calls out the fashion industry on sexual harassment

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Dozens of models are banding together to share anonymous accounts of sexual harassment as the controversy over Harvey Weinstein expands to other industries. Model and activist Cameron Russell, 30, began sharing stories on her Instagram feed last week, explaining that she wanted to shine a light on abuse of young, often inexperienced models by seasoned professionals in the business.

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Caryn Franklin article

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Numerous allegations describe international photographer Terry Richardson routinely asking women to strip for his photo shoots and then reportedly getting naked himself and attempting to initiate a sexual act. This tactic sends the same message used with impunity by all self-important fully supported predators - 'If you want this break, you must comply with my sexual demands.'

But why should someone who publishes images of himself in the public domain as naked and masturbating, naked and copulating in numerous positions, naked with erection proudly displayed or engaging in cunnilingus and biting a tampon string - even being fellated by a young woman with the word SLUT written on her forehead - ever be allowed to work with young models? In an interview as far back as 2007 with Hint magazine, Richardson happily confirmed his role of honest pervert: "Like I've always said, it's not who you know, it's who you blow. I don't have a hole in my jeans for nothing."

Now fashion's best-known models will take no more. Christy Turlington has spoken out on how widespread sexual abuse and harassment is in the fashion industry, highlighting the way fashion and of course other freelance creative set-ups can insulate and disempower the individual. "The industry is surrounded by predators who thrive on the constant rejection and loneliness so many of us have experienced at some point in our careers," she told WWD.

As model and activist Cameron Russell calls for other models to share their stories under the hashtag #MyJobShouldNotIncludeAbuse, she recounts her own experiences:

Overstepping those boundaries, as Edie Campbell - one of the UK's best-known faces - points out, is murky territory in the minds of predators. "When we go on set, we enter into an unspoken contract: for that day we give our bodies and our faces over to the photographer, stylist, hairdresser, makeup artist. We give up ownership for that day. The power imbalance is huge, and the duty of care to that model is even greater as a result."

When presented with images of unclothed bodies in studies, participants associated both male and female models with diminished mental states and reduced personhood. In other words, we form patterns of thought that influence our perceptions of others. Objectification effects depersonalisation in both genders but as image-making features greater numbers of objectified women (a confirmation of who is behind the lens, perhaps), we have access to new protocol.

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The Fashion Industry's Complicity With Sexual Abuse Sucks

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Numerous allegations describe international photographer Terry Richardson routinely asking women to strip for his photo shoots and then reportedly getting naked himself and attempting to initiate a sexual act. This tactic sends the same message used with impunity by all self-important fully supported predators - 'If you want this break, you must comply with my sexual demands.'

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Radio Times criticised for gender stereotyping

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Bake Off fever is sweeping the nation again as, with just over a week to go until the new series, a fresh new batch of contestants has been unveiled.

People are predictably excited - so much so in fact, that both #GBBO and The Great British Bake Off have been trending on Twitter this morning. And yet, as fans scan this year's bakers in search of the new Tamal, Nadiya or Norman, not all the comments are positive.

Claims of outdated thinking are being levelled at the show after people spotted that the publicity shots of the new contestants picture the women with pink icing and the men with blue.

Some are excited about Bake Off but disappointed with the decision...

Don't get me wrong, I'm so excited for The Great British Bake Off, but I'm pretty disappointed with this old fashioned pink/blue thing #GBBO

- Sara Steel (@DrSteelsberg) August 16, 2016

Excited for new #GBBO, a national treasure. But can't believe only pink and blue food colouring in those cupboards! https://t.co/wjbdJLzuG7

- Let Toys Be Toys (@LetToysBeToys) August 16, 2016

I am so ridiculously excited for new #GBBO but is gendered blue/pink icing in promo pics realllly necessary??? 🙄🙄🙄

- Ellie Mae (@LittleEllieMae) August 16, 2016

Some are labelling it "gender stereotyping"...

Hey #GBBO what's with the gender stereotype icing colour poses? Pink for girls, blue for boys? Stupid. https://t.co/qq3GuaWhLY #DarkAges

- Marc Godfrey (@AnimatorMarc) August 16, 2016

I'm a huge fan of #GBBO but this gender stereotyping is so disappointing. pic.twitter.com/jUKScz80eB

- colin macfarlane (@Cmacf76) August 16, 2016

...while others are calling it simply "sexism"...

Arghhh 'pink for girls, blue for boys' #everydaysexism #GBBO @BritishBakeOff https://t.co/GOlWoAsidE

- Cathryn Newbery (@c_newbery) August 16, 2016

Oh FGS #GBBO Why have the contestants got pink or blue icing depending on their reproductive organs? #EverydaySexism #LetIcingBeIcing

- IncognitoEmu (@IncognitoLinda) August 16, 2016

What do you think? Post your thoughts in the comments section below.

RadioTimes.com has contacted the BBC for comment but is yet to receive a response.

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Bake Off accused of "gender stereotyping" and "sexism" over new contestant photos

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Bake Off fever is sweeping the nation again as, with just over a week to go until the new series, a fresh new batch of contestants has been unveiled. People are predictably excited - so much so in fact, that both #GBBO and The Great British Bake Off have been trending on Twitter this morning.

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Beckys inspiration board

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Handout for research into inspirations and influences

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Quinn, Bradley. (2009) Textile designers - At the cutting edge. Laurence King Publishing.

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Daisy's Choice

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BBC Documentary Series

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The Secret World of Haute Couture. - BBC Documentary

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The Secret World Of Haute Couture. Thanks to BBC.

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New edition of Valerie Steele's book

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This beautifully illustrated new edition of Paris Fashion examines the history and culture of style in the fashion capital from the 14th century through to the present day.Paris has been the international capital of fashion for more than 300 years.

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Exhibition at Barbican

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Exhibition hire bie

The first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988)

Discover the work of Jean-Michel Basquiat, the pioneering prodigy of the 1980s downtown New York art scene. This unprecedented exhibition brought together an outstanding selection of more than 100 works from international museums and private collections. Visitors could engage in the explosive creativity of Basquiat who worked with Andy Warhol, Keith Haring and Blondie, among others.

Featuring rare film, photography and archive material, the show captured the spirit of this self-taught artist, poet, DJ and musician whose influence, since his death at 27 in 1988, has been enormous.
Large Print Exhibition Guide Exhibition Interview Transcript

'An exhilarating glimpse behind the myth'

Listen: On Basquiat's Playlist

Music was integral to Basquiat's creative process, seeping into the canvas itself as more than just something to listen to in the studio.

From Prince to David Byrne, Donna Summer to Bach, listen to the music that might have been on his playlist.

With thanks

Public programme support

Location
The Art Gallery is located on Level 3 and can be accessed by stairs and lifts from Level G or via the Sculpture Court if coming from outside.

Address
Barbican Centre
Silk Street, London
EC2Y 8DS

Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ' Your Visit' or book your car parking space in advance.

We've plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus

Access
Doors normally in open position during exhibition hours. Ticket desk 98cm with a drop section of 76cm. Step-free access on each floor of the Art Gallery.

Mobility
The Art Gallery has two levels, linked by a flight of 24 stairs with an intermediate landing. A passengeroperated lift (76 x 110cm) connects the two floors. If you need assistance, staff will be happy to help.

Assistance dogs
Assistance dogs are welcome. If you prefer, you may leave your dog with a member of the gallery staff during your visit.

Large-print exhibition information
To request a large print copy, please call the Art Gallery on 020 7382 2382 before your visit.

For more access information, please visit our Accessibility section.

Enhanced security measures are currently in place at the Barbican.

As part of these measures only one reasonably-sized bag (no larger than 32cm L x 18cm W x 22cm H) per person may be taken inside our venues and all bags may be searched by a member of our team.

We ask that, where possible, visitors avoid bringing large bags to the Centre. If you do need to check bags into our free cloakrooms, we suggest arriving early. All bags deposited will be subject to search and random bag searches are also in operation.

Please also remember that belongings should not be left unattended at any time.

Thank you for your understanding - we look forward to welcoming you to the Barbican.

Listen: On Basquiat's Playlist

Music was integral to Basquiat's creative process, seeping into the canvas itself as more than just something to listen to in the studio.

From Prince to David Byrne, Donna Summer to Bach, listen to the music that might have been on his playlist.

Location
The Art Gallery is located on Level 3 and can be accessed by stairs and lifts from Level G or via the Sculpture Court if coming from outside.

Address
Barbican Centre
Silk Street, London
EC2Y 8DS

Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ' Your Visit' or book your car parking space in advance.

We've plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus

Access
Doors normally in open position during exhibition hours. Ticket desk 98cm with a drop section of 76cm. Step-free access on each floor of the Art Gallery.

Mobility
The Art Gallery has two levels, linked by a flight of 24 stairs with an intermediate landing. A passengeroperated lift (76 x 110cm) connects the two floors. If you need assistance, staff will be happy to help.

Assistance dogs
Assistance dogs are welcome. If you prefer, you may leave your dog with a member of the gallery staff during your visit.

Large-print exhibition information
To request a large print copy, please call the Art Gallery on 020 7382 2382 before your visit.

For more access information, please visit our Accessibility section.

Enhanced security measures are currently in place at the Barbican.

As part of these measures only one reasonably-sized bag (no larger than 32cm L x 18cm W x 22cm H) per person may be taken inside our venues and all bags may be searched by a member of our team.

We ask that, where possible, visitors avoid bringing large bags to the Centre. If you do need to check bags into our free cloakrooms, we suggest arriving early. All bags deposited will be subject to search and random bag searches are also in operation.

Please also remember that belongings should not be left unattended at any time.

Thank you for your understanding - we look forward to welcoming you to the Barbican.

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Exhibition hire bie The first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988) Discover the work of Jean-Michel Basquiat, the pioneering prodigy of the 1980s downtown New York art scene. This unprecedented exhibition brought together an outstanding selection of more than 100 works from international museums and private collections.

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'Shooting Star' Documentary for C 4

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17 U.S. Code § 107 - Limitations on exclusive rights: Fair use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.

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The V&A staff and London College of Fashion students investigate iconic garments by Balenciaga

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Learning from 'The Master': Balenciaga Deconstructed

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Known as 'The Master' of haute couture, Cristóbal Balenciaga produced some of the most influential designs in the history of modern fashion. We invited students from the London College of Fashion to investigate iconic garments by Balenciaga, deconstructing his processes and revealing secrets of their making and construction using digital pattern-cutting technology.

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Bonnie Rakhit, founder of The Style Traveller visits the show and talks to curator Cassie Davies-Strodder

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As the house of Balenciaga celebrates 100 years since the opening of the first fashion house in San Sebastian and 80 years since its Parisian Salon debuted, the Victoria & Albert Museum opens a retrospective exhibition of one of the 20th centuries most avant garde and pioneering designers.

The exhibition is the first of its kind in the UK, displaying over 100 of his garments and 20 of his exclusive hat designs.

70% of the exhibition is owned by the V&A, the rest is on loan from international collectors.

Famed for his innovative silhouettes and garment construction, Balenciaga is known for dressing some of fashions most iconic women from Ava Gardner, Mona Von Bismark to Jackie Kennedy.

Balenciaga - Shaping Fashion review: A look at cutting edge master

Revered by his contemporaries including Coco Chanel and Christian Dior who said 'He is the conductor to the Haute Couture Orchestra', his style has inspired some of the world's most well know designers such as his own protege Hubert de Givenchy, students such as Oscar de la Renta and Andres Courrege through to modern day designers Gareth Pugh and Simone Rocha.

Demna Gvasalia - the fashion world's current darling - has recently taken over the helm at Balenciaga.

Balenciaga SS17 at Paris Fashion Week

The show focuses predominantly on the work of the designer from the 1950's to the 1970's when his most seminal pieces were created.

The exhibits include his original baby doll dress, envelope dress and cocoon coat silhouettes. A master of architectural design, minimalism as well as voluminous construction, special x-rays show the viewer the inner workings of his incredible creations.

Balenciaga: Shaping Fashion at V&A - In pictures

Balenciaga - Shaping Fashion Exhibition runs from 27 May 17 till 18 February 17 and is housed at the V&A Museum, Cromwell Road, London.

Balenciaga: Shaping Fashion at The V&A

Bonnie Rakhit is founder of award winning fashion and travel blog The Style Traveller. Formerly the fashion editor at British Elle Magazine her blog is a fashion editor's guide to the world's most stylish places. She was recently voted in the Evening Standard's top 25 lifestyle influencers. Follow Bonnie on Instagram @bonnierakhit and on the blog thestyletraveller.com

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A first look at the Balenciaga: Shaping Fashion exhibition at the V&A Museum

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As the house of Balenciaga celebrates 100 years since the opening of the first fashion house in San Sebastian and 80 years since its Parisian Salon debuted, the Victoria & Albert Museum opens a retrospective exhibition of one of the 20th centuries most avant garde and pioneering designers.

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Handout on Book Reviews