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while they sing the chorus "I'm working on a building" both of men sound close harmonic. both singers sound well suited when they sing the chorus and the guitar fits to the background of the chorus. its letting the listener imagine a building. also, its a great example of closeness.

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we translate sounds into visuals, and we apply our own rulers and meters. - Ben Ratliff (pg 161)

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"like a cycle completing itself- Ben Ratliff (pg166)

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in this padlet we are talking about closeness. here i will have arguments over Ben Ratliff and my discussion. also, examples of the book will be given and my example of closeness is given as well.

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Bill Monroe

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I'm Working On A Building - 1954 Version

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I'm Working On A Building - 1954 Version

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I agree on what Ben Ratliff stated about closeness. yes music and who play together usually understand each other. That is why you hear the music smooth. all musicians make eye contact to each other because they relate to the music they are making.

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live

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One Down, One Up - Live At The Half Note

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One Down, One Up - Live At The Half Note

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Ben Ratliff states how rhythm together can immediate music sounding into art or a visual. He also explains how every musician who plays together understand each other and have a deep connection.

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sax: John Coltrane
Drummer: Elvin Jones
pianist: McCoy Tyner
bassist: Jimmy Garrison
song: one down, one up - 1965
pg 165

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CLOSENESS: (def)  two or more musicians, or musician elements, acting in the purest coordination - lends to escape us because we c'ant see it. - pg 161

IT IS: developed overtime and value to the ear is absolute.