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- add more overlaying lines/noise
- change font for 'precognitives'

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Movie:

Minority Report
Backup: Saving Private Ryan

Director:

Steven Spielberg

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Timestamp:

2054

Synopsis:

Based on a story by famed science fiction writer Philip K. Dick, "Minority Report" is an action-detective thriller set in Washington D.C. in 2054, where police utilize a psychic technology to arrest and convict murderers before they commit their crime. Tom Cruise plays the head of this Precrime unit and is himself accused of the future murder of a man he hasn't even met.

Theme:

Main theme of Minority Report is the classic philosophical debate of free will versus determinism.

Other themes explored by the film include involuntary commitment, the nature of political and legal systems in a high technology-advanced society, the rights of privacy in a media-dominated world, and the nature of self-perception.

The film also continues to follow Spielberg's tradition of depicting broken families

Development:

Spielberg was attracted to the story because as both a mystery and a film set 50 years in the future, it allowed him to do "a blending of genres" which intrigued him.

Minority Report attempts to embody a more "realistic" depiction of the future.
The setting had to keep both elements of the present and ones which specialists expected would be forthcoming. Thus Washington, D.C., as depicted in the movie keeps well-known buildings such as the Capitol and the Washington Monument, as well as a section of modern buildings on the other side of the Potomac River. Production designer Alex McDowell was hired based on his work in Fight Club and his storyboards for a film version of Fahrenheit 451 which would have starred Mel Gibson. McDowell studied modern architecture, and his sets contain many curves, circular shapes, and reflective materials. Costume designer Deborah L. Scott decided to make the clothes worn by the characters as simple as possible, so as not to make the depiction of the future seem dated.

Technology:

The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we're part of the medium. The scary thing is, we'll lose our right to privacy. An ad will appear in the air around us, talking directly to us.

Style:

The picture was deliberately overlit, and the negative was bleach-bypassed during post-production

The color was reduced by "about 40%" to achieve the "washed-out" appearance.

Relied on colorless chrome and glass objects of curved and circular shapes in his set designs, which, aided by the "low-key contrastive lighting", populated the film with shadows, creating a "futuristic film noir atmosphere"

Music:

The score was composed by regular Spielberg collaborator John Williams, who was inspired by Bernard Herrmann's film music.

Instead of focusing on the science fiction elements, he made a score suitable for the film noir, including the use of female singer in the some sequences, and emotional themes, which Williams considered unusual for that genre

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- HD 1920 x 1080
- MP4
- 25-30 sec

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- Martin Scorsese
- Steven Spielberg
- Christopher Nolan
- Peter Jackson
- Wes Anderson

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https://www.google.com/url?q=https://www.artofthetitle.com&sa=D&source=editors&ust=1686749635270902&usg=AOvVaw2rdHSJ228E_gg937QpYn7z

https://www.google.com/url?q=https://www.filmograph.tv&sa=D&source=editors&ust=1686749635271266&usg=AOvVaw3R6oF5XbTqBxOLtPvJ3Z7n

https://www.google.com/url?q=https://prologue.com&sa=D&source=editors&ust=1686749635271549&usg=AOvVaw3bjESKDvyM7qgDPozhtQbT

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- at least 6 frames of story board
- 1 end title styleframe

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- add more technology stuff in the bg
- end title bg too plain
- research more on report

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Parallax Animation from Still Images | 2.5D Video | Before (Photo) & After (Video) of Parallax video

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Minority Report (2002) Official Trailer #1 - Tom Cruise Sci-Fi Action Movie

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Design Studio | Elastic
Creative Director | Patrick Clair
Designers | Jeff Han, Kevin Heo, Paul Kim
2D Animators | Yongsub Song, Sam Sparks, Sam Cividanis
3D Artists | Andrew Romatz, Joe Chiechi, Christian Sanchez
Associate Producer | Danny Hirsch
Producer | Carol Salek
Head of Production | Kim Christensen
Executive Producer | Jennifer Sofio Hall

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Credits
Design Studio: Picture Mill
Creative Director: William Lebeda
Art Director: David Clayton
Producer: Hilary Klarberg
Designers: Jose Ortiz, David Clayton
3D Animators: Jose Ortiz, Jon Block
2D Animators: Josh Novak

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10 Best Opening Title Sequences of All Time

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"A Steven Spielberg Film"

Characters:

John Anderson (Tom Cruise)
Agatha (Samantha Morton)
Danny Witwer (Collin Farrell)
Director Lamar (Max Von Sydow)

Objects:

Eye balls
Red/Brown wooden ball w names
Walking eye scanners
Precrime Logo
Huge Eye

Scenes from movie:

3 precogs in 'temple' (Ariel view)
John and Agatha next to each other
Place where they keep arrested people

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Frame 1

Precrime logo zooms out to center of frame
Spins vertically once
'A Steven Spielberg Film' text appears
Text disappears

1-2

logo fades
scene of 3 precogs in liquid surface in place of logo

Frame 2

Zoom into scene of 3 precogs in liquid

Frame 3

Frame 4

Balls drop/roll into frame, showing words on 1st wooden ball, Tom Cruise

4-5

Balls Rotate Anti Clockwise to reveal next ball

Frame 5

Shows ball with 'Samantha Morton'

5-6

Balls Rotate Anti Clockwise to reveal next ball

Frame 6

Shows ball with 'Colin Farrell'

6-7

Balls Rotate Anti Clockwise to reveal next ball

Frame 7

Shows ball with 'Max Von Sydow'

7-8

Balls Rotate Anti Clockwise to reveal next ball

Frame 8

Eyeballs spin in its spots
Some shrink, some enlarge

8-9

Center eye ball enlarges, filling screen
Other eye balls shrink, moving out of frame

Frame 9

Eye ball fades to eye
Scenes from movie flash on pupil
Eye blinks

9-10

Zoom into pupil

Frame 10

Title flies away from camera, to center of frame

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Iown Old Style

Sweet sans

It is the same font used into own movie's title sequence.

Used for the cast members' names engraved on the ball

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Mostly pictures cut out from movie, realism and some 3D
Desaturated with blue tones, bleach bypassing

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Get access to files anywhere through secure cloud storage and file backup for your photos, videos, files and more with Google Drive.

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Get access to files anywhere through secure cloud storage and file backup for your photos, videos, files and more with Google Drive.

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Frame 1: too clean, add bad tv noise

Frame 3: blur and add hard lights around

Frame 4: glow more

Frame 5: blur more and add the coding words. make less flat
Transition, try optical bending

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- smoothen out zooms + transition
- add glitches
- add a bit of warp
- frame 3 slower a bit
- frame 5-6, black can spread from center of eye to cover frame

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- Add some glitch effects opening scene
- The black in between frame 1&2 is too long. Can do some rotation to the second scene.
- Frame 3 : adjust more contrast to the eyes and blur the outer edge.
- 4th scene is quite flat add glow to parts of the 'brain'. The name 'Samantha' can dissolve out later.
- frame 5 add directional blur to the surrounding and darken them. Change the value of the blueness so that it looks flickering.
- The transition of the black sploosh to title is too stiff, made it more organic or use other transition
- Give it a more updated current feel. Can add effects like bad tv but only activate noise and venetian blinds. Add some glitch and flare.

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https://youtu.be/COqwroJ9Q6s- add more text glitch (kinetic effect)

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High Tech Text Animation in After Effects - After Effects Tutorial - No Plugins

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⚡ADVANCED Glitch Text Animation Techniques in After Effects