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Words to consider when describing what you hear

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Words to consider when describing what you hear

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🎻 Tone / Sound Quality

Warm

Resonant

Rich

Focused

Centered

Clear

Full-bodied

Balanced

Projected

Controlled

Muffled (for critique)

Thin / Pinched (for critique)

Expressive

🎶 Intonation

Centered

Accurate

Secure

Consistent

Stable

Precise

True pitch

Solid finger placement

In tune / Out of tune

Drifts sharp/flat

Reliable/accurate shifts

⏱️ Rhythm / Pulse

Steady

Consistent

Controlled

Secure

Rhythmic precision

Hesitant

Uneven

Rushed / Dragging

🖐️ Technique / Mechanics

Efficient

Relaxed

Controlled

Coordinated

Balanced posture

Proper left-hand frame

Solid shifting technique

Consistent vibrato

Dexterity

Tension-free

Developing finger independence

Overly tense (for critique)

Needs smoother transitions

🪶 Articulation / Bowing

Crisp

Defined

Connected / Legato

Detached / Staccato

Controlled

Even

Clear bow changes

Smooth string crossings

Dynamic contrast

Consistent articulation

Inconsistent spiccato / unclear bow strokes

🌟 Musicality / Expression

Expressive

Stylistically appropriate

Dynamic contrast

Emotional depth

Phrasing awareness

Interpretive sensitivity

Engaged performance

Convincing musical intent

Nuanced shaping

Mature interpretation

Mechanical / Lacking expressivity (for critique)

Next Steps / Goals:

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Experience the magic of motion design animation with this adorable and captivating GIF. Watch as the illustration comes to life, showcasing the beauty of growing flowers. Get lost in the mesmerizing world of animation.

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What Valuable Feedback Looks Like Check if you did this ✅

Specific I mentioned exact parts of the performance (ex: “great bow control in the middle section”). ☐

Constructive I gave helpful next steps or suggestions for improvement. ☐

Respectful My feedback is kind, supportive, and professional. ☐

Reflective (for self-feedback) I clearly said what went well and what I want to improve next time. ☐

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I need to add dynamics and really zone in on expressing the piece. I would also like to exaggerate my crescendos and decrescendos after I nail down the trills

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Solo diary no.2 Henry Chen, Mendelssohn violin concerto mvt.2

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Solo diary no.2 Henry Chen, Mendelssohn violin concerto mvt.2

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It’s alright, soul g needs work, shifts on the A string run needs to be more precise, that’s right

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My intonation sounded really good here other than some few note but my string crossing still needs a little work.

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David - Franck Sonata first half 2nd page

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David - Franck Sonata first half 2nd page

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Glows: My intonation is decent for the time being, my amount of vibrato makes certain notes pop out, and I like my own articulation of slowing down in certain parts.

Grows: I need to work on the two runs with a metronome, and with different rhythms to fully enhance all the notes. I want my bow changed to be smoother (less squeaking, percussion of strings). Lastly, I want to listen to the song more to gain a better interpretation.

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Sonata in g major, Martin Berteau, tallulah 

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Sonata in g major, Martin Berteau, tallulah 

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Measures 87-110

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I know that you guys saw me crashing out, this was a good take. Had some stutter moments but I thought my slurs were good for the most part

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Florence He- Somata in E minor Op. 14, No.5 by Antonio Vivaldi 

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Florence He- Somata in E minor Op. 14, No.5 by Antonio Vivaldi 

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prokofiev concerto no 1 in d major movement 1

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prokofiev concerto no 1 in d major movement 1

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Need to work on my articulation as well as keeping steady tempo using metronome.

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I need to work on my dynamics so there is a good balance between fortissimo and piano.

I think I did a fair job with bow distribution towards the end with notes I’m more confident playing.

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For some reason the video doesn’t show. I think my dynamics are played well but I could shape the piece in the parts there aren’t dynamics. I should also watch my shifting the second time I shift to A because I tend to forget. When I am playing descaling notes I should hold all of my fingers down so I don’t have to worry about putting them down by the next note, this will help for faster tempos.

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My intonation is great, especially between shifts in the beginning. I need to get better at reading rhythms and working with a metronome. I find myself very lost when playing the rhythms of this piece. I will make sure to look at the rhythms closely in the future (speaking them out loud) and working with a metronome when I practice.

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I need to be more musical and enjoy it more.

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I feel like I’m not playing with enough confidence, and I need to work on my fingering and slurring my bow since most of the notes in the beginning are slured.

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I need to practice my shifting on the g string, and loosen my fingers during fast passages. I used full bow and tried accenting necessary notes.

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Link : https://drive.google.com/file/d/16F_-mLfljRaE0VMo9t8iwy63urqM62_x/view?usp=drivesdk

(Sorry for anyone watching my video)

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need to work on string crossings and transitions on the sextuplets

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I think my tone was good but I need to work on stronger dynamics and more articulation.

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Something I need to work on is my shifts coming back down to the third position. There are also some intonation spots that I need to work on by using a drone, especially right before the harmonics.

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This is Beethoven Sonata in C minor. Apologies for the long start of the video, I forgot to cut it and couldn't go back. My arm was cold... 

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Glow: I was pretty in tune and had a consistent tone. There were a few little hiccups, but nothing too major in terms of intonation. My articulation at the start was fine.

Grow: I really need to play my dynamics in this section, which I DIDN'T do. So I should really focus on that. Also, I notice I keep inching up towards the tip of my bow, and I want to avoid that. The way I could fix that is just by distributing my bow more efficiently. Also, I want to make the overall section more clean. I also want to really make my grace notes more articulated.