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For this painting, it caught my eye as I see it as two doctors arguing with hoe to treat a patient. One wants to stab him with a large needle, the other is pulling what seems to be his intestines out of his body. Two perhaps orderlies are trying to stop the fighting and death is by the door, waiting.

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For this painting, it caught my eye as I see it as two doctors arguing with hoe to treat a patient. One wants to stab him with a large needle, the other is pulling what seems to be his intestines out of his body. Two perhaps orderlies are trying to stop the fighting and death is by the door, waiting.

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This piece is my favorite out of the display, the coloring, the placement of the hands invading their space. It speaks volumes on what it can be like for some people to be vulnerable about their habits, life, and medical history with perhaps a nurse, physicians assistant, or doctor. And how truly scary and invading that can be. It makes you not feel like yourself on the inside, hence the blue alien like organ protruding from the stomach.

# data[].attributes.subject
This piece is my favorite out of the display, the coloring, the placement of the hands invading their space. It speaks volumes on what it can be like for some people to be vulnerable about their habits, life, and medical history with perhaps a nurse, physicians assistant, or doctor. And how truly scary and invading that can be. It makes you not feel like yourself on the inside, hence the blue alien like organ protruding from the stomach.

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Shiraga Kazuo. Golden Wings Brushing the Clouds Incarnated from Earthly Wide Star 1960

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This middle of the room space peace really spoke to me.  The fetal position being held, the grotesque use of wax and almost dewy look to the figure, the look of being left unattended to for a long period of time. The slight tilt of the head, almost as if to say, "I've already given up." "engages viewers in issues of individual and collective health and disease, heroization and victimization, and life and death (particularly because of the dual potential of human blood in the era of AIDS)." (artic.edu)

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This middle of the room space peace really spoke to me.  The fetal position being held, the grotesque use of wax and almost dewy look to the figure, the look of being left unattended to for a long period of time. The slight tilt of the head, almost as if to say, "I've already given up." "engages viewers in issues of individual and collective health and disease, heroization and victimization, and life and death (particularly because of the dual potential of human blood in the era of AIDS)." (artic.edu)

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I picked this painting because of stereotypes and hypocrisy. The doctor smoking while about to inject the cigarette, the priest holding a head, and the skeleton getting a blood transfusion. "Colescott has addressed social issues, particularly racial stereotypes, through narrative figuration. " (moMa.org) This painting gives a good peak into the ugly side of the hospital waiting room. 

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I picked this painting because of stereotypes and hypocrisy. The doctor smoking while about to inject the cigarette, the priest holding a head, and the skeleton getting a blood transfusion. "Colescott has addressed social issues, particularly racial stereotypes, through narrative figuration. " (moMa.org) This painting gives a good peak into the ugly side of the hospital waiting room. 

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This gallery is meant to be a lens-eye view for those who have felt oppressed by the medical system. When you move through this gallery I hope that you move through a story. All our stories are different but we have things in common that I am trying to express in this museum/my display.
We start in the waiting room, busy, crowded, and chaotic. Then we move to the actual stay or hospital visit, the feeling of loneliness, the distrust of doctors in masks, the feeling of longing to go home. Then coping with the fact afterward that you weren't listened too, overlooked, not important enough of a case that they brushed you off. Finally, coping with the trauma you've been through, baring your issues to someone just to be turned away. "Your scans look normal."

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Short Coming: Patients Running Out of Patience

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Short Coming: Patients Running Out of Patience

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Hospital
1973

Artist:

Daniel Quintero
Spanish, born 1949

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Free Clinic

Date:

1937

Artist:

Jacob Lawrence
American, 1917-2000

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The Bad Doctors

Date:

1895

Artist:

James Ensor
Belgian, 1860-1949

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Surgeon
n.d.

Artist:

Dean Jackson Meeker
American, 1920-2002

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Woman Who Died in her Sleep
1972

Artist:

Jeffrey Silverthorne
American, born 1946

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Fig. 204–Gastro-duodenostomy (Kocher)

1969

Jess (Jess Collins)
American, 1923–2004

OBJECT LINKS:

1.) https://www.artic.edu/artworks/36726/fig-204-gastro-duodenostomy-kocher

2.) https://www.artic.edu/artworks/10142/surgeon

3.)https://www.artic.edu/artworks/122231/blood-pool

4.)https://www.artic.edu/artworks/111814/free-clinic

5.)https://www.artic.edu/artworks/158728/woman-who-died-in-her-sleep

6.)https://www.artic.edu/artworks/14977/lady-in-red

7.)https://www.artic.edu/artworks/150001/hospital

8.)https://www.artic.edu/artworks/55220/the-bad-doctors

9.) https://www.moma.org/collection/works/78674?classifications=any&date_begin=Pre-1850&date_end=2022&q=doctors&utf8=%E2%9C%93&with_images=1

10.)https://fineartamerica.com/featured/hear-my-cry-ruth-mabee.html

11.)

12.)

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Lady in Red

Date:

n.d.

Artist:

Eugene Larkin
American, 1921-2010

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Blood Pool Date:1992 Artist: Kiki Smith American, born Germany

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(placed in the middle of the room space)