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Deep carved drapery

defining colors

missing hands (would have held baby Jesus)

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Cathedral, Chartres, France, rebuilt c. 1145-1220

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Cathedral, Chartres, France, rebuilt c. 1145-1220

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Cathedral, Chartres, France, rebuilt c. 1145-1220

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Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Jamb figures, Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Central tympanum, Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Right tympanum, Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Left tympanum, Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Royal Portals, Cathedral, Chartres, France, c. 1145-70

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Abbey Church of St. Denis, near Paris, 1140-44
Suger, On the Abbey Church of St. Denis (Excerpt readings)

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Abbey Church of St. Denis, near Paris, 1140-44
Suger, On the Abbey Church of St. Denis (Excerpt readings)

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Abbey Church of St. Denis, near Paris, 1140-44
Suger, On the Abbey Church of St. Denis (Excerpt readings)

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Abbey Church of St. Denis, near Paris, 1140-44
Suger, On the Abbey Church of St. Denis (Excerpt readings)

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mandorla

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L: Abbey Church of St. Denis, near Paris, 1140-44; R: Depiction of Abbot Suger depicted in the Tree of Jesse window, east bay of St. Denis
Suger, On the Abbey Church of St. Denis (Excerpt readings)

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pointed arch

roman arch

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Eadwine (?), Eadwine the Scribe, from the Canterbury Psalter, c. 1150

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self-portrait?

monk

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Crucifixion, Church of the Dormition, Daphne, Greece, 11th c. Adam and Eve, Psalter, England, East Anglia or London, ca. 1300-1310

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skull of adam

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Adam and Eve, Psalter, England, East Anglia or London, ca. 1300-1310

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Adam and Eve, Psalter, England, East Anglia or London, ca. 1300-1310

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Master Hugo, Moses expounding the Law, from the Bury Bible, early 12th century

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horn on moses

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Vision of St. Hildegard of Bingen, Liber Scivias, c. 1050-1079

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illuminated manuscript

female artist

convent

flame - revelation

dark outline bright colors

colors are shown emphasis

nonrealistic proportions

Yellow in the back could signify something of a higher meaning.

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St. George and the Dragon, from the Moralia in Job, Citeaux, early 12th century

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illuminated manuscript

historiated initial

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Entombment of Christ, Sant’Angelo in Formix, c. 1085

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none sacred art

linen with wool

female artists

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baptismal font

John the baptism

baptism of Christ, Cornelius, etc.

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Portal, West Façade, St. Trophime, Arles, c. 1150

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4 evangelists

christ in majesty

right damned right saved

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Tympanum, La Madeleine, Vézelay, France, 1120-32

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christ in majesty

hierarchy of scale

Peter holds keys

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Giselbertus, Tympanum, St. Lazare, Autun, France, c. 1130

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weighing souls

arch angle Michael on left

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Giselbertus, Tympanum, St. Lazare, Autun, France, c. 1130

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last judgment

tympanum

right damned left saved souls

in majesty - mandorla

Hierarchy of scale?

Figures grow as they go up the image

hands outstretched

small details seen throughout

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Tympanum and Trumeau, St. Pierre, Moissaic, France, c. 1115-1135

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Tympanum and Trumeau, St. Pierre, Moissaic, France, c. 1115-1135

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apostles

24 elders

not hierarchy of scale just filling space

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Tympanum and Trumeau, St. Pierre, Moissaic, France, c. 1115-1135

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doorway portal

tipinum

christ in center - christ in majesty

4 evangelists

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Wiligelmus, Façade Sculpture, Cathedral, Modena, Italy, c. 1110

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arranged like a sarcophagus

continues narrative

Christ in mandorla

creation of Adam and Eve

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Bernardus Gelduinus, Christ in Majesty, St. Sernin, Toulouse, France, 1096

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halo

holy trinity

4 evangelist

Christ majesty - Christ in a mandorla

details in the stone

wings on the boy?

soft facial features

soft differences in color

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San Miniato al Monte, Florence, Italy 1062

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basilica

mosaic representing Christ

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San Miniato al Monte, Florence, Italy 1062

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Cathedral Complex, Pisa, Italy, 1053-1272

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nave

transept

arches

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Cathedral Complex, Pisa, Italy, 1053-1272

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font and 4 smaller fonts around it

holy splicer imitation

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Cathedral Complex, Pisa, Italy, 1053-1272

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cathedral - the seat of a bishop

basilica form

baptistry upfront circle

soil from the holy land

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divine order

ribbed vaulting

flying buttresses

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bishop William

place of worship and now holds remains

reaching towards heaven

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royalty

built by William the Conqueror

Latin cross church

harmonic facade - trinity

six part-time vaulting

detail inside the structure

more windows

elongated frame

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arch

basilica format

nave and side isle

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west work

aps on both ends

barrel vault crossed with another vault - cross vault

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St. Sernin, Toulouse, France, c. 1080-1120
The Pilgrim’s Guide to Santiago (Excerpt Reading)

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double side isle

nave

barrel vault - helps with acoustics and fire control

not much light

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St. Sernin, Toulouse, France, c. 1080-1120
The Pilgrim’s Guide to Santiago (Excerpt Reading)

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basilica like

,west work was intended, but ran out of money

alters to hold relicts

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L: Provinces Bringing Tribute; R: Otto III, Gospel Book of Otto III, 997-1000

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Women are personifications of places

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11 Migration through Ottonian (Early Medieval) (24)

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Otto III, Gospel Book of Otto III, 997-1000

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vesicatory page

ruler portrait page

orb - Roman power

cross

Christian

hierarchy of scale

clergy and generals

bright colors

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11 Migration through Ottonian (Early Medieval) (23)

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Annunciation to the Shepherds, Lectionary of Henry II, 1002-1014

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angle announcing chorists birth to the shepherds

hierarchy of scale

cartoonish style

halo around angels head

unrealistic proportions

Lambs eating at the bottom?

heads looking heavenward toward angel

defining colors

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11 Migration through Ottonian (Early Medieval) (22)

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bread and wine actually becoming the blood and body

function the reliquary of the savior's relic

slouched over body

head bowed down

nails in hands and feet

halo circles around the head

almost smooth like image

tattered clothing

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11 Migration through Ottonian (Early Medieval) (21)

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Bronze Doors of St Michael, Hildesheim, Germany, 1015

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eve pointing to monster-devil

god judging man

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11 Migration through Ottonian (Early Medieval) (20)

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Bronze Doors of St Michael, Hildesheim, Germany, 1015

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11 Migration through Ottonian (Early Medieval) (19)

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Bernward, St. Michael, Hildesheim, Germany, 1001-1031

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11 Migration through Ottonian (Early Medieval) (18)

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Bernward, St. Michael, Hildesheim, Germany, 1001-1031

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plainness on the outside - roman

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11 Migration through Ottonian (Early Medieval) (17)

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11 Migration through Ottonian (Early Medieval) (16)

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11 Migration through Ottonian (Early Medieval) (15)

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Plan of St. Gall, c. 819
St. Benedict of Nursia, The Rule (Excerpts Readings)

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11 Migration through Ottonian (Early Medieval) (14)

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Plan of St. Gall, c. 819
St. Benedict of Nursia, The Rule (Excerpts Readings

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left is plan of ideal monetary

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11 Migration through Ottonian (Early Medieval) (13)

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11 Migration through Ottonian (Early Medieval) (12)

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Odo of Metz, Palatine Chapel, Aachen, 792-805

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11 Migration through Ottonian (Early Medieval) (11)

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Odo of Metz, Palatine Chapel, Aachen, 792-805

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11 Migration through Ottonian (Early Medieval) (10)

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Odo of Metz, Palatine Chapel, Aachen, 792-805

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11 Migration through Ottonian (Early Medieval) (9)

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Crucifixion, Lindau Gospels Cover, c. 870

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personification of sun and moon

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11 Migration through Ottonian (Early Medieval) (8)

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proportions are off

long skinny fingers

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11 Migration through Ottonian (Early Medieval) (7)

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St. Matthew, Coronation Gospels (Gospel Book of Charlemagne), c. 800-10

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crowns himself emperor

He is trying to emulate emperors of the past

promotes education

head not in the center

naturalistic

frame similar to window frame

coronation gospel

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11 Migration through Ottonian (Early Medieval) (6)

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Chi-rho(-iota) Page, Book of Kells, c. 800

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Signifies Christ

ribbon interlace

animal interlace

velum

Gold color

attention to small detail

small symbols

writing near the bottom

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11 Migration through Ottonian (Early Medieval) (5)

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Scribe Ezra, Codex Amiatinus, early 8th century

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11 Migration through Ottonian (Early Medieval) (4)

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St. Matthew, Lindisfarne Gospels, late 7th century

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Vibrant colors

drapery - just lines

1 point perspective - not accurate

angle behind him - muse

all have halos

writing in the middle

man behind the curtain has no feet showing

emblems in all four corners?

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11 Migration through Ottonian (Early Medieval) (3)

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Carpet Page (fol. 26v), Lindisfarne Gospels, late 7th century

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carpet page - introductory page in book

ornamental

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11 Migration through Ottonian (Early Medieval) (2)

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Image of a Man (Symbol of St. Matthew), Book of Durrow, c. 660-680

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ribbon interlace - decorative

part of a gospel book

Matthew - man with wings

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11 Migration through Ottonian (Early Medieval) (1)

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Purse Cover, Sutton Hoo Ship Burial, 625-33

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Purse cover to close leather bag

held coins

cloisonne

millefiori - blue and black glass

animal interlace

attention to detail

color has meaning?

small in size?

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11 Migration through Ottonian (Early Medieval)

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Andrei Rublev, Old Testament Trinity (Three Angels at Mambre), c. 1410 (Russian)

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Anastasis (Harrowing of Hell), Kariye Camii, Istanbul, c. 1310-20

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Portrait statue of the priest Shunjobo Chogen, Todaiji, Nara, Japan, early 13th century 

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Genji Visits Murasaki, from the Minori chapter, Tale of Genji, first half of 12th century

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Phoenix Hall, Byodoin, Uji, Kyoto Prefecture, Japan, 1053

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Phoenix Hall, Byodoin, Uji, Kyoto Prefecture, Japan, 1053

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Amida Triad, wall painting formerly in the Kondo (Golden Hall), Horyuji, Nara Prefecture, Japan, ca. 710

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Detail of Tori Busshi, Shaka triad, in kondo, Horyuji, Nara Prefecture, Japan, 623

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David the Psalmist, Paris Psalter, c. 960

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Pantokrator, Cathedral, Monreale, Sicily, c. 1180