# data[].attributes.body
Athena Serrano. (2022). Kane Brown Will Deliver A 'Grand' Performance At 2022 VMAs. 2022, Agosto 12, de MTV. Sitio web: https://www.mtv.com/news/qnmkbi/kane-brown-2022-vmas-performing

Agencia AP. (2022). Muere Olivia Newton-John, superestrella del cine y la música. 2022, de La Hora Sitio web: https://lahora.gt/farandula/agencia-ap/2022/08/08/muere-olivia-newton-john-superestrella-del-cine-y-la-musica/.

CAG. (2022). Referencias y citas. 2022, de CAG Sitio web: https://docs.google.com/presentation/d/1BybwJTbGKnKkV6QCH5qVhTfbNSgNrQZbJP4AXlDAvbg/edit#slide=id.p

Germán Garmendia. (2016). #CHUPAELPERRO. CDMX: Talleres de MBM Impresora S.A.

Guardian News and Media. (2004, March 19). The mysterious death of Elliott Smith. The Guardian. Retrieved August 12, 2022, from https://www.theguardian.com/music/2004/mar/19/popandrock.elliottsmith

IEXE, (4 de septiembre). ¿Para qué nos sirve entender las características de cada generación?

Recuperado de:

https://www.iexe.edu.mx/blog/para-que-nos-sirve-entender-las-caracteristicas-de-cada-generacion/

John Boyne . (2007). El niño con el pijama de rayas. España, Barcelona: Publicaciones y ediciones Salamandra, S.A..

Lambert, C. (2019, May 29). 'igor' explained: A guide to the story, themes, and devices of tyler the creator's 2019 album. Forbes. Retrieved August 12, 2022, from https://www.forbes.com/sites/chrislambert/2019/05/21/igor-explained-a-guide-to-the-story-themes-and-devices-of-tyler-the-creators-2019-album/?sh=3fd6baff5927

Lopez Chumbe, M (2020). Las referencias bibliográficas: APA. 2022, de Diario de un ortógrafo Sitio web: https://www.youtube.com/watch?v=vhoO4ZbpKyk

MurciaPlaza. (2022). El festival 'Cabo de Pop' vuelve a inundar de música y actividades la explanada del faro de Cabo de Palos. 2022, de MurciaPlaza Sitio web: https://murciaplaza.com/el-festival-cabo-de-pop-vuelve-a-inundar-de-musica-y-actividades-la-explanada-del-faro.

Osito Polita . (2022). Qué es en realidad la música indie y por qué lo está petando. 2022, Agosto 12, de Oso Polita . Sitio web: https://www.osopolita.com/es/blog/musica-indie/

Sistema de CITAS Y referencias bibliográficas según APA - UCU. (n.d.). Usado el 8 de agosto 2022, from https://ucu.edu.uy/sites/default/files/normas_APA.pdf

Suzanne Collins. (2009). Catching Fire. 557 Broadway, New York, NY 100112. Imprimido en EE.UU

Sima Bahous & Audrey Azoulay. (2022). En la mira: Día Internacional de las Mujeres y las Niñas en la Ciencia. 2022, agosto 8 , de ONU Mujeres . Sitio web: https://www.unwomen.org/es/noticias/en-la-mira/2022/02/en-la-mira-dia-internacional-de-las-mujeres-y-las-ninas-en-la-ciencia

UNAM. (2018). Guía de buenas prácticas para un México sustentable. 2022, de UNAM Sitio web: https://www.iifilologicas.unam.mx/uploads/carteles/guiabuenaspracticas.pdf

Vidal, M (Junio 2015 ). Jóvenes y generación 2020.  Un mundo automático , 7,

http://www.injuve.es/sites/default/files/2017/46/publicaciones/revista108_completa_0.pdf

# data[].attributes.headline
Kane Brown Will Deliver A 'Grand' Performance At 2022 VMAs He will also become the first male country artist to perform at the iconic show on August 28

# data[].attributes.subject
Kane Brown Will Deliver A 'Grand' Performance At 2022 VMAs He will also become the first male country artist to perform at the iconic show on August 28

# data[].attributes.body
En el Sitio web "MTV" (2022) nos cuentan de que el artista llamado Kane Brown de 28 años un artista de musica country va a tocar en el Grand performance de los VMAs. Es un nuevo record ya que el va ser el primer cantante masculino de musica country ejecutando el gran show en agosto 28. Después es de las noticas sobre la ejecución de Kane alguna gente va ser un viaje sobre toda la cuidad de Nueva York por el rio Hudson y atra vez de Nueva Jersey.

Web:
Athena Serrano . (2022). Kane Brown Will Deliver A 'Grand' Performance At 2022 VMAs. 2022, Agosto 12, de MTV. Sitio web: https://www.mtv.com/news/qnmkbi/kane-brown-2022-vmas-performing

# data[].attributes.body
Según sitio web Forbes(2019) el álbum Rap e Hip Hop de Tyler the Creator "Igor" tiene una historia de una un romance de 1 lado. El artículo redacta cada canción para ver su significado y que nos está tratando de comunicar Tyler. En general la historia se trata de Como Tyler ama a esta persona que está en una relacion. Esta Persona no le puede dar toda su atención a Tyler porque tiene novia y Tyler está muy frustrado por esto. A lo largo del álbum podemos ver como Tyler experiencia varias emociones por esta relación como el enojo, tristeza, felicidad, etc. Al final del álbum podemos observar como Tyler acepta la triste realidad y comienza su proceso de recuperarse  después de sufrir por mucho tiempo.
Sitio:
Lambert, C. (2019, May 29). 'igor' explained: A guide to the story, themes, and devices of tyler the creator's 2019 album. Forbes. Retrieved August 12, 2022, from https://www.forbes.com/sites/chrislambert/2019/05/21/igor-explained-a-guide-to-the-story-themes-and-devices-of-tyler-the-creators-2019-album/?sh=3fd6baff5927

# data[].attributes.attachment_link.readable_text
The overall story of Tyler, the Creator's newest album, IGOR, is something many have lived through. You fall for someone. They reciprocate but refuse to go all-in. So you exist in limbo, waiting on them to bring you heaven or send you to hell. Consumed by the lack of closure: you wallow, you hurt, you rage. But. Eventually. You come to your senses and move on.

Welcome to the giant explanation of IGOR. What follows are the vital details, studied, analyzed, deconstructed, dissected, unraveled, and presented for your enjoyment. I begin with a few macro topics before exploring each track individually.

Table of Contents:

Album Analysis

General structure

Structure analysis

Jerrod Carmichael

Who and what is Igor?

Song Analysis

Igor's Theme

Earfquake

I Think

Exactly What You Run From You End Up Chasing

Running Out Of Time

New Magic Wand

A Boy Is A Gun

Puppet

What's Good

Gone, Gone/Thank You

I Don't Love You Anymore

Are We Still Friends?

ALBUM ANALYSIS General structure
Igor's Theme

Part 1: In Love

Earfquake

I Think

Exactly What You Run From You End Up Chasing

Running Out of Time

New Magic Wand

A Boy Is A Gun

Part 2: Moving On

Puppet

What's Good

Gone, Gone/Thank You

I Don't Love You Anymore

Are We Still Friends?
Structure analysis:
Most of us are familiar with themes in narrative art-in movies, TV shows, books, albums. Themes are broader concepts created by repeated (and often contrasting) elements. For example, a theme in Disney's Aladdin is "how wealthy you are doesn't define how good of a person you are." A theme in Kanye West's My Beautiful Dark Twisted Fantasy is the excess of celebrity: that celebrity involves too much power, monstrous indulgence, and appalling materialism.

But theme has a more nuanced application when it comes to music theory, usually in combination with the concept of variations. Here's a description by Jeremy Denk, a famous pianist, in an interview with Classic FM: "It's an idea [theme] with a number of riffs on the idea [variation]-in all kinds of styles and moods...You take the theme, you take the original idea and you begin to alter it or add things to it."

The implication, then, of "Igor's Theme" is this serves as an establishment of musical and lyrical concepts that the rest of IGOR will alter, add to, and riff on. This helps explain why the lyrics here are fragmented and repetitious in a way that doesn't happen elsewhere. Rather than a song that's describing a specific emotion or event, it's a painter showing you the palette with all the smears of colors that'll be part of the painting.

Despite the overall chaos of "Igor's Theme," two main phrases emerge:

- Ridin' round town, they gon' feel this one

- Got my eyes open

The first is immediately relevant, as the following song, "Earfquake," has a chorus of: Cause you make my earth quake, oh, you make my earth quake/riding around, your love is shakin' me up and it's making my heart break.

Ridin' round town is used nearly verbatim. But the second part of the original idea, t hey gon' feel this one, is riffed upon. Instead of declaring someone will feel something, Tyler describes what he feels: a love is shaking him up, making his heart break.

The second phrase doesn't appear until the final line of the last verse of track 9, "What's Good." Tyler raps, And I got my eyes open, now I see the light. Contextually, this follows the previous track's decisive twist: Tyler has come to his senses, realizes the relationship is bad for him, and so decides he must move on.

The prominence and dominance of those two phrases (and their fragmentations) on "Igor's Theme" serves, then, as a microcosm of the album as a whole. Part 1 is an emotional journey that you feel. Part 2 is about awareness/seeing things for what they are/moving on.
Jerrod Carmichael
A major consideration for writers is how much they show versus how much they tell. Mark Twain could have simply said, "Tom Sawyer was a very bright kid, able to convince other kids to do anything, whether it was good for them or not." Instead, Mark Twain showed us by creating a whole scene where Tom Sawyer has to paint a fence as punishment but manipulates the other neighborhood kids to do the chore for him. And they actually pay him for the chance.

As with most things, a balance of showing and telling allows a work to have nuance but still be accessible. If it's all showing, you end up with deep-but-obtuse results that polarize audiences, like 2001: a Space Odyssey or The Sound and the Fury. If it's all telling, you run the risk of sounding like a children's book. Both have strengths and weaknesses.

An excellent example of balance comes from Kendrick Lamar's To Pimp a Butterfly. Over the course of TPAB, Kendrick reads out, at the end of certain songs, increasing amounts of a 24-line poem. Track 3 reveals only the first line. Track 5 increases the total to six lines. Track 7 adds two more. The surprise is that the poem (which you don't hear in-full until the final track) is a summary of To Pimp A Butterfly's narrative. So at the end of Track 5, the chunk of poem finishes with "Found myself screaming in a hotel room." The very next song ("u") just so happens to have Kendrick screaming in a hotel room.

Show-heavy works, like To Pimp a Butterfly, will often include specific moments of telling that help audiences understand what's happened and why. I call these moments .

On IGOR, Tyler uses quotes from Jerrod Carmichael, comedian and long-time collaborator, as in-roads similar to Kendrick's poem.

- Exactly what you run from, you end up chasing.... Giving it everything that you can. There's always an obstacle. (track 3)

- Sometimes you gotta close a door to open a window. (track 5)
-But at some point, you come to your senses. (track 8)
- I don't know what's harder, letting go or just being okay with it. (track 9)

- I hate wasted potential, that shit crushes your spirit. (track 10)

Each quote provides context for the songs that follow. Tyler is both fearful of and longing for his unnamed love interest. The "obstacle" is the girlfriend Tyler's guy won't kick to the curb. This love triangle plays out throughout Part 1, with the girl eventually becoming a door that Tyler would like to close. Part 2 contains the last three quotes, all of which deal with what happens when you start moving on.
Who and what is Igor?
For anyone who can't add up what's happening on IGOR through the lyrics alone, Carmichael's quotes tell you what you need to know-making it easier, hopefully, to decode the album (or at least a song or two).

The major in-road for Igor is on "What's Good." Specifically, the first and last lines of the opening verse: Turn my lights on...if the cop says my name, bitch, I'm Igor.

"What's Good" is the 9th track on IGOR. It might seem strange to not have the title-character make an appearance until 75% through the story, but it makes sense in terms of the story's progression.
I'ma leave us as friends 'Cause the irony is I don't wanna see you again Stay the fuck away from me
Leading up to Igor's arrival, Tyler's spent the album detailing this complicated love triangle where he's seeing this guy who's also seeing some girl. Tyler's frustrated because the guy won't commit either way. All the while, Tyler's a mess, caught between wanting to love and the fear of being unloved. We get the highs ("Earfquake") and the lows ("New Magic Wand"). It isn't until track 7 ("A Boy Is A Gun") that Tyler first starts breaking away.
You're number one, one on my list, to you I'm Santa
On the following track, "Puppet," a similar rejection happens after Tyler is, once again, giving all he can. And, once again, this guy can't focus on Tyler and is concerned about this other person (the girl, presented here as Rudolph).
Is this my free will or yours?

Where is Rudolph? You're parasitic

I do not have self-control

I am starting to wonder

"Puppet" ends with:

1. Kanye telling Tyler to Breathe on a song.

2. A pitched-up Tyler (or someone) saying Cut me loose.

3. Jerrod Carmichael stating, "But at some point, you come to your senses."

Tyler often uses the final moments of one song as a segue to the next. For example. At the end of "I Don't Love You Anymore" he starts to speculate: But this might just be better for us, you kn-. The line implies that maybe they can have a relationship that isn't romantic. In other words, friendship. The next track? "Are We Still Friends?"

A similar thing happens throughout his previous album, Flower Boy. "November" ends with a voicemail recording saying no one can take the call, to leave a message. The next song, "Glitter," an emotional outpouring, ends with the same voicemail system saying, We didn't get your message, either because you were not speaking or because of a bad connection. The attempted voicemail is a narrative device that ties two songs together. Otherwise, listeners might not view them as intercontextual.

Given Tyler's repeated use of connecting one song to the next, it becomes clear the end of "Puppet" is about the arrival of this Igor persona. This was actually foreshadowed on "Igor's Theme." There, we hear He's coming as the last line of the intro and bridge. And then a singular, semi-haunting Igor soon follows.

Cut me loose can be understood, then, as "Igor" talking to Tyler. That request gets restated as the opening line of "What's Good." Turn my lights on.

As Tyler comes to his senses, he's able to tap into the darker, less-romantic side of him that had defined his discography and public reputation to this point. It recalls the don't-give-any-fucks attitude of the skater punk who made Bastard, Goblin, and Wolf. All archetypes associated with unruly attitudes. It's fitting, then, that How the fuck you quiet with the mic on? is the rhetorical question that follows Turn my lights on. Igor has, indeed, arrived.

Tyler, having suffered in love, seeks to re-empower himself through a turned-up, loud-as-fuck display of ego and bravado. I think you can describe this kind of venting and forcefulness as "breathing on a song." By breathing, by cutting loose, Tyler, as Igor, can reset from the "flower boy" who was so in love. I got my eyes open, now I see the light.
Igor's Theme
Generically, "Igor" is considered an archetype in Gothic-inspired stories. A physically deformed lab assistant who works with scientists and monsters. The figure is most-often associated with Dr. Frankenstein. There are certainly discussions to have about how that archetype applies to Tyler. I don't want to get into them here, as, for the most part, I don't think they're necessary to explaining the core story and themes. The good news is there is one application that's crucial. The bad news: it doesn't come up until the final paragraph of this piece.
Earfquake
A fragmented introduction that establishes the main lyrical and musical themes Tyler will riff on for the rest of IGOR.

Sets the emotional foundation of the album. We understand how necessary this love interest is to Tyler. But that, up front, things between them are complicated. This isn't some honeymoon phase. There's as much heartbreak as there is affection. Tyler's fearful the love interest will leave him.
I Think
We get the first mention of the "obstacle." And she wicked/Like Woah Vicky. Tyler also introduces the lack of closure that will bother him, increasingly, throughout the album's front half. I just need some confirmation on how you feel.

"Earfquake" intros with several repetitions of For real, for real this time. Notice how "I Think" picks up the fragment and finishes the thought: I think I'm falling in love/This time I think it's for real. This kind of subtle progression happens a lot throughout the album and is why I talked about "theme" and "variation" up front. It's similar to how stories will have the main plot and subplots. "Igor's Theme" introduced us to the main themes, but there are subthemes that appear within a single track or between several.
One, Two, Three
You may also have noticed the end of "Earfquake" has Tyler count:

The first words we hear on "I Think" are four, four, four, four.

While "Earfquake" divulged the existence of complicated emotions, "I Think" shows just how intense they are.

We also get more of the stress and concern:
-You are such a distraction
- What the fuck is your motive?
Exactly What You Run From You End Up Chasing

-You drive me cuckoo

-How can I tell you?

-I need your attention

While those could be seen as innocently romantic, they also are the seeds of unhealthy dependence. One imparticular stands out: I'm your puppet, you are Jim Henson. That line isn't given much weight, here. But, soon enough, we'll have a whole song where Tyler uses the puppet metaphor to detail how messed up the relationship has been. Unfortunately, at this point on IGOR, he still hasn't opened his eyes and come to his senses. So while Tyler can recognize the puppet/master dynamic, he can't see how just how toxic it is.
Running Out of Time
The first big in-road Tyler gives us (see the Jerrod Carmichael section if you skipped to this point or need a refresher on in-roads).

This brief snippet from an interview with Jerrod Carmichael summarizes the front half of IGOR. Tyler's giving this guy he loves everything he can give (despite his fear and stress and hurt). Carmichael's quote ends with, "There's always an obstacle." Unfortunately for Tyler, there are several obstacles.

The track title and intro make it clear that time is one obstacle Tyler faces. Runnin' out of time to make you love me.
New Magic Wand
So far, we've gone from Tyler becoming aware of his feelings (track 2) to trying to figure out how to express his feelings (track 3). Now we're at the point where the depth of feeling is unrequited. I been runnin' out of spells/to make you love me.

On top of time, Tyler details two other obstacles: a "her" that's in the picture, and the love interest wearing a mask/costume and lying to everyone about who he is. The most likely interpretation (based on the context of the entire album) is the male love interest has hidden the true nature of his sexuality. Because he's living in pretend, he won't commit to Tyler, won't tell his friends about it, and keeps seeing this girl.

The idea of the wand is a variation on the previous track's line: I been runnin' out of spells/to make you love me. Tyler has some new magic up his sleeves, thanks to this wand.
You under oath, now pick a side and if you don't It's not a joke, murder she wrote
We open with Carmichael stating: "Sometimes you gotta close a door to open a window." As we'll see, "New Magic Wand" focuses on Tyler's jealousy and planning of how to get her out the picture. Her being the girl the love interest keeps dating. Initially, the magic wand may seem like a reference to the editing tool in Photoshop that helps select specific parts of an image for you to edit. She really fuckin' up my frame...I can make her leave...like magic...new magic wand.

But the wand takes on a more sinister context.

Tyler, sick of being in a love triangle, tells the guy to choose someone, either Tyler or the girl. But if the guy remains indecisive, Tyler will pick them both, implying murder. Which gives another way of viewing the repeated "run" that's part of the soundscape. Runnin', runnin, runnin, was also a fragment from "Igor's Theme." Tyler's riffed on it in consecutive tracks: 4, 5, and 6.
A Boy Is A Gun
The soundscape, overall, is far darker than anything on the album up to this point. Tyler's become more obsessive and desperate. Which comes through on the final verse, which has an alarm-like sound happening right before Tyler raps. The burst of ego in this section is reminiscent of "What's Good," so there could be an argument that this is Igor starting to breathe. Whether Igor or not, Tyler's not doing well. I wanna share last names, I wanna be your number one/not the other one, keep it on the low/I'm in my right mind. Someone saying they're in their right mind usually means they aren't.
How come you the best to me? I know you the worst for me
The final lines of the track imagine Tyler and his love interest robbing a store, and the concerned look on the face of the guy. We hear new magic wand one more time and then cut to the next song opening with, No, don't shoot me down. The wand completes its transition from digital editing tool to a gun.
My spidey sensies, got me on the fencies
The dangerous undertones of the relationship become apparent to Tyler.

Boy, you sweet as sugar, diabetic to the first degree

In short: you treat me well, but you'll potentially be the death of me.

The back and forth continues on the second verse, where Tyler describes a fight they have. Oh, you wanna go home? Cool, you better call you a cab/I ain't taking you home, yeah, I'm brushin' you off. But before the verse ends, Tyler reverses himself- Don't leave, stay right here, yeah, I want you right near. Except what happens? You invited me to breakfast, why the fuck your ex here? There's the girl Tyler just can't get rid of.

All of this leads to the breakthrough: You're a gun 'cause I like you on my side at all times/You keep me safe...Wait, wait, depending on, you know/You could be dangerous to me.
Puppet
Tyler's finally reached the point where he rejects the guy: I'ma leave us as friends...I don't wanna see you again/Stay the fuck away from me.

Tyler can be a gun, too.

At the end of Part 1, "A Boy Is A Gun," Tyler starts to regain perspective, becoming fully aware of the baneful relationship dynamics. With that in mind, we return to one of his first, seemingly innocent descriptions: I'm your puppet, you are Jim Henson. He's now aware of how that affair plays out. I do not have self control/I am startin' to wonder/is this my free will or yours?

The track begins with Tyler very much in puppet-mode, willing to do anything. But in the middle of his offerings, the song pivots. We saw a similar pivot happen on that second verse from "A Boy Is A Gun." Tyler and the guy fight, make up, then the girl's presence causes another fracture. All in seven lines. There was also the bridge where Tyler romantically portrays the guy as a gun, then realizes, "Wait...you could be dangerous."

Here, Tyler is all sweet- You're number one, one on my list, to you I'm Santa-then completely pissed off after the guy seemingly mentions the girl- Where's Rudolph? You're parasitic.
What's Good
The rest of the track is Tyler trying to reassert control of himself. My theory is that Kanye represents Tyler's "conscience," much in the way Jiminy Cricket did for Pinocchio. Which is why Kanye says, Did I wait too long? in the background of the chorus. Then talks to Tyler like a kind of mentor: You lost, son, and you've been tryna find your way to me. The song ending with Carmichael's "But at some point, you come to your senses" would seem to indicate Kanye is, if not Jiminy Cricket, some sort of grounded representation of Tyler.

A few of the background lines indicate the arrival of Igor on the next track. Yeah, we 'bout to scream/ Catch me 'bout to scream...Cut me loose....Cut me loose.

On the album Yeezus, Kanye tells the story of Yeezus, a character who uses extreme ego and bravado as a means of hiding the pain and longing and vulnerability he truly feels. The story is similar to Adam Sandler's Billy Madison, in that both characters start off as bad people, then, over time, grow into better people. Tracks 1-4, Yeezus is his most egotistical and rebellious and independent. But tracks 5-8 show he's actually been heartbroken and is longing for love and only acts tough to mask his pain. On the penultimate track, he rejects the Yeezusian lifestyle of clubs and woman, opting, instead, for a chance at love. A chance Kanye describes on the closing track, "Bound 2."

I bring up Yeezus because there are some direct and indirect connections on IGOR. "Bound 2" uses a sample called "Bound" by the Ponderosa Twins Plus One. Tyler employs that same sample on "A Boy Is A Gun." "Bound 2" also features Charlie Wilson, who Tyler included on "Earfquake."

The most explicit reference to Yeezus is the interpolation of lines from "New Slaves."
I'm 'bout to tear shit down
Kanye:
N****s turning it up, well, shit, I'm tearing it down Hard to believe in God when there ain't no mirrors around

Y'all 'bout to turn shit up

Tyler:

One of the iconic tracks from Yeezus is "I Am A God." Having just referenced one Yeezus song, is it wild to assume Tyler references a second?

I think Tyler's using the Igor character much in the way Kanye did Yeezus. They're the personas that help cope with heartache and pain. When you have, in Jerrod Carmichael's words, "[given] it everything that you can," what other option is there than to focus on yourself again?
Gone, Gone/Thank You
Too much ego for too long is a problem, but a little bit here and there can be just what someone needs to get back on their feet.

What we get on "What's Good" is that outpouring of ego, the full-blown Igor persona, that helps Tyler cleanse himself of the heartache and confusion that had consumed him. He re-establishes the free will he had lost.

Carmichael ends "What's Good" with the quote: "I don't know what's harder, letting go or just being okay with it." What we see on Gone, Gone/Thank You is Tyler reflecting on what happened between him, the guy, and the girl. Where the first part of the album was in the thick of the disastrous romance, this portion is beyond it. Up front, Tyler frames the relationship in the past tense: I know my temperature was set/You finally flew south.
I Don't Love You Anymore
Verse 2 reveals the girl won: I just hope to God she got the taste/to put you on some shit you never seen.

The song as a whole serves as a summary of the love triangle (through the metaphors of weather, construction, and tenancy), while showing Tyler's emotionally ready to get on with his life (though not quite ready for another relationship).

"I Don't Love You Anymore," is all about the next steps. I will speak up/And realize there's more fish in the sea, I'ma re-up...What now? Move it on, but how?
Are We Still Friends?
Can I have my heart back? is a surprising question after Tyler ended the previous track with But I will never want to fall in love again. It seems like he's bouncing back (as we all eventually do). I won't walk around with my head down like I got beat up.

A thought emerges from Tyler's willingness to move on. With the tumult of the romance over with, is there still a relationship to be had? Something more platonic? But this might just be better for us, you know? That burgeoning question gives rise to the final track.
'My name is Ozymandias, king of kings; Look on my works, ye Mighty, and despair!'
The sample of Al Green's song "Dream" washes over and through "Are We Still Friends?" Sometimes when a musician samples a song it's purely for the sonic qualities or the radio-appeal. Other times, musicians apply samples as an allusion. The purpose of allusion in music, cinema, literature, poetry, or fine art, is to add or contrast the context and meaning of the outside work to an artist's own.
Nothing beside remains. Round the decay
One of my favorite examples of allusion is one of the final episodes of the TV show Breaking Bad. The allusion is in the episode title. "Ozymandias." The name alludes to the poem of the same title, by Percy Bysshe Shelley. The poem's speaker tells of encountering a traveler who shares having found an immense but shattered statue in the desert, engraved with the lines:
The lone and level sands stretch far away.
The speaker then describes what's left of those works:

Of that colossal wreck, boundless and bare

Ozymandias thought he was more powerful than he was. The main character of Breaking Bad, Walter White, has had a similarly poor journey with hubris. Given what we know of the poem, you can probably guess what happens to Walter in an episode called "Ozymandias." That's allusion and the power of allusion.

When you look at the lyrics of "Dream," they're all about a dream coming true and lasting forever. The application to "Are We Still Friends?" is pretty straightforward. Tyler hopes this dream of being friends with his ex can not only come true but also last. A guy can dream, right?

To that end, the second verse details how Tyler can make the friendship work: Don't get green skin, keep contact/Don't say, "Goodbye, smell you later." In other words: be kind, don't be petty.

This urge to stay friends has roots in Jerrod Carmichael's quote from "Gone, Gone/Thank You." There, Carmichael says, "I hate wasted potential. That shit crushes your spirit. It really does. It crushes your soul." Tyler can feel the potential he and this guy have ( could be your favorite if you make it your friend). Because of that, he'd rather end up as friends than as nothing at all. The wasted potential would be far more upsetting than any other outcome.

You too cool for me, Tyler admits on "I Don't Love You Anymore." With that in mind, remember that the generic concept of "Igor" is an assistant to a scientist. Second fiddle to a more dominant personality. To fulfill the role of a loyal friend and a comical sidekick, who better than Igor?

# data[].attributes.attachment_link.title
‘Igor’ Explained: A Guide To The Story, Themes, And Devices Of Tyler The Creator’s 2019 Album

# data[].attributes.attachment_link.description
Perhaps the most thorough explanation of Tyler, the Creator’s album “IGOR.”

# data[].attributes.body
Segun Oso Polita (2021), La musica indie se ha vuelto muy popular durante este verano, pero hay gente que se ah asustado sobre su gusto piensan que es un movimiento hippie. Los artistas de cuyo genero de musica normalmente eran independientes pero ya que era un gran exito estar en una discográfica

Osito Polita . (2022). Qué es en realidad la música indie y por qué lo está petando. 2022, Agosto 12, de Oso Polita . Sitio web: https://www.osopolita.com/es/blog/musica-indie/

# data[].attributes.body
En el artículo "The mysterious death of Mr Misery" de "The Guardian" (2004), se explica que la muerte de cantante y escritor, Elliot Smith, es un misterio hoy en día. Smith conocido por sus canciones del género folk e Indie, cayó muerto el octubre 21 de 2003. El artículo habla sobre como Smith tenía problemas con el abuso de sustancias y que sufro de depresión por mucho tiempo. El día de su muerte, Smith y su novia, Chiba, se habían tenido una grande pelea e incluso que Smith amenazo que iba a matarse al mismo.

Presuntamente, Chiba lo ignoro y se encerró en el baño y luego escucho un grito y cuando salió se encontró con el cuerpo de Smith. Luego Smith fue transportado al hospital donde se murió 20 minutos después de llegar, Smith se murió a los 34. Muchas personas creen que Elliot no se murió, pero qué envés fue asesinado por su novia.
Sitio de:
Guardian News and Media. (2004, March 19). The mysterious death of Elliott Smith. The Guardian. Retrieved August 12, 2022, from https://www.theguardian.com/music/2004/mar/19/popandrock.elliottsmith

# data[].attributes.attachment_link.description
No one was too surprised when Elliott Smith - a boozy, druggy Oscar-nominated folk singer who had talked openly about killing himself - was found dead. But then the coroner’s report raised a chilling new possibility: murder. By Alexis Petridis.

# data[].attributes.headline
El festival 'Cabo de Pop' vuelve a inundar de música y actividades la explanada del faro de Cabo de Palos

# data[].attributes.subject
El festival 'Cabo de Pop' vuelve a inundar de música y actividades la explanada del faro de Cabo de Palos

# data[].attributes.body
Según sitio web MurciaPlaza (2022), el festival Cabo de Pop desembarco ahorita en agosto y el plato fuerte de esta quinta edición serán los grupos de música que tocarán los días 19 y 20 de agosto. En el festival, habran tands de artesanía local y food trucks para servir en el festival. Los festivaleros podrán inscribirse hasta el 15 de agosto en sus deportes favoritos como  kayak, vela, buceo, snorkel o el nuevo skatesurf que es  surfear en asfalto sobre ruedas

MurciaPlaza. (2022). El festival 'Cabo de Pop' vuelve a inundar de música y actividades la explanada del faro de Cabo de Palos. 2022, de MurciaPlaza Sitio web: https://murciaplaza.com/el-festival-cabo-de-pop-vuelve-a-inundar-de-musica-y-actividades-la-explanada-del-faro.

# data[].attributes.body
Segun noticiero La Hora (2022), la estrella de musica Pop y actríz Olivia Newton-John murio a los 73 años el 8 de agosto. Es más conocida por su pelicula mas famosa Grease la residente australiana durante muchos años sus ventas superaron los 100 millones de discos. Olivia ha sido un símbolo de triunfos y esperanza durante más de 30 años.

Agencia AP. (2022). Muere Olivia Newton-John, superestrella del cine y la música. 2022, de La Hora Sitio web: https://lahora.gt/farandula/agencia-ap/2022/08/08/muere-olivia-newton-john-superestrella-del-cine-y-la-musica/.

# data[].attributes.body
Según la guía de buenas prácticas para un México sustentable elaborada por la "UNAM" (2018),  Un mal ambiente afecta su salud bien estar y  futuro. Para que usted sea parte del cambio en la guia de buenas practicas para un México sustentable elabroado por la UNAM, verá que hay algunas actividades que pueda hacer desde su casa, trabajo, o escuela. Así podemos contribuir a resorlver los temas ambientales mas urgentes. ¡Nunca es tarde para empezar!

UNAM. (2018). Guía de buenas prácticas para un México sustentable. 2022, de UNAM Sitio web: https://www.iifilologicas.unam.mx/uploads/carteles/guiabuenaspracticas.pdf

# data[].attributes.body
1) Un mal ambiente afecta tu salud bien estar y futuro.
2) Para que tu seas parte de la solución, en la guia de buenas practicas para un mexico sustentable; hay algunas acciones que puedes llevar al cabo desde tu hogar.

# data[].attributes.body
IEXE, (4 de septiembre). ¿Para qué nos sirve entender las características de cada generación?

Recuperado de:

https://www.iexe.edu.mx/blog/para-que-nos-sirve-entender-las-caracteristicas-de-cada-generacion/

# data[].attributes.attachment_link.readable_text
Especialista en el área de Ciencia de Datos e Inteligencia Aritificial. Actualmente se desempeña como analista y estratega en actividades de desarrollo e innovación y marketing con datos en IEXE Universidad.

Muchas veces hemos visto en redes sociales memes referentes a los cambios o características particulares que tiene cada generación; es irónico que se hable constantemente sobre las generaciones sin profundizarse en ello, provocando confusiones (y memes mal logrados).

La convivencia multigeneracional ha generado la necesidad de crear puentes que permiten el desarrollo de estrategias precisas para poder enviar el mensaje adecuado y así, conectar con la audiencia. En este sentido es importante tener en cuenta sus principales diferencias y algunas similitudes entre una generación y otra.

Lo primero que se debe plantear es cómo se define: una generación es un grupo de individuos que comparten una edad o etapas comparables al vivir hitos histórico s: movimientos sociales, políticos, desarrollo tecnológico, entre otros; todo en un periodo de tiempo particular (McCrindle & Wolfinger, 2009).

Los años correspondientes a cada generación varían según el autor, sin embargo, todos coinciden en que hay cuatro generaciones conviviendo actualmente: Baby boomers, X, Y y Z. Cada una se diferencia por conductas, percepciones y motivaciones a través de las condiciones históricas y culturales que les ha tocado vivir.

Fuente: elaboración propia con base en McCrindle & Wolfinger, 2009.

Cada generación tiene su momento de brillar y posteriormente viene su decadencia, pero ¿cuál es la relevancia de saber sobre este tema? El contexto que define una generación marca la perspectiva que tiene de la vida; estilo, percepciones y motivaciones son algunos aspectos que cambian entre un grupo y otro.

Baby boomers

La generación de los abuelos, se les llama baby boomers por la explosión de natalidad ocurrida poco después de la segunda guerra mundial. Ésta vivió acontecimientos históricos a nivel mundial, como la llegada del hombre a la luna, la guerra en Vietnam y toda la Guerra Fría; personas que crecieron acostumbradas los conflictos políticos sociales dentro y fuera de su nación.

Lo interesante de los boomers es que son una generación acostumbrada a la independencia económica y a la toma de decisiones, pero siempre apegados a los valores. Actualmente están enfocados en temas entorno a programas de retiro y jubilación, prefieren un ritmo de vida más tranquilo y suelen invertir su tiempo en estar con la familia, aunque continúan manteniendo esa alma independiente.

Generación X

Este término fue dado por el fotógrafo y periodista Robert Capa y popularizado por el canadiense Douglas Couplan. Esta generación creció en medio de muchos contrastes: el fin de la guerra fría, el empoderamiento en la mujer e incluso, el nacimiento de nuevas tecnologías y el internet; aunque también experimentaron cambios como la ausencia de sus padres, pues comenzaban una dinámica en donde ambos trabajan; el aumento en la tasa de divorcios y, por otro lado, problemas de salud, fueron los primeros en saber al respecto del Sida (VIH) y sus consecuencias.

Durante su juventud vivieron la búsqueda de identidad, solían crear o adherirse a ciertos movimientos. Hoy en día son padres y madres de jóvenes, muchos con la oportunidad de ser líderes dentro de sus empresas; cabe destacar que la mayoría de las personas en esta generación están conformes con su trabajo.

Generación Y o Millennials

Básicamente el término Millennials fue definido por la época de nacimiento que experimentó la generación. Este grupo de personas desde mi punto de vista, se podría clasificar en dos: las que crecieron adaptándose a la tecnología y las que nacieron con la tecnología; ambas se caracterizan por estar inmersas en la tecnología, la globalización y el acceso a la información de forma fácil y certera.

Al inicio de esta generación se vivieron los primeros años de imaginarios de democracias y libertades posibles, así como de la expansión de la prensa y otros procesos de participación y reivindicación de luchas sociales; sin embargo, también el surgimiento de varias crisis económicas así como atentados.

Sus principales características son: la adaptación a la tecnología y su interés por conocer todo lo que los rodea, por esta razón están más inmersos en la autorrealización, el viajar, el no estar fijos a un trabajo pero sí teniendo un mayor crecimiento profesional.

Generación Z

El término es simplemente siguiendo el orden con base en las generaciones anteriores (generación X, Y y Z), nuevamente han experimentado crisis económicas como la del 2008 que, incluso en la actualidad, se siguen viendo las consecuencias.

Es la generación más numerosa viviendo tiempos económicos inciertos a la par de estar conectados con las marcas y la tecnología. A diferencia de los millennials, no podrían concebir su realidad sin la tecnología, principalmente sin smartphones y redes sociales; están acostumbrados a la rapidez en la información, poder navegar y recabar información en un solo clic.

Suelen ser menos sociables y le dan más valor a su vida privada, aman la libertad, el individualismo, así como la tecnología y la velocidad. Mientras que en el mundo laboral se están viviendo los últimos años de los boomers, en el caso de la generación Z, no hace mucho comenzaron a insertarse, demostrando la capacidad de generar varias actividades de forma simultánea y la eficiencia en el uso de herramientas tecnológicas, pero con cierta dificultad al momento de trabajar en equipo.

Cómo pueden observar, los memes nos han engañado todo este tiempo, la generación millennial no es ese estereotipo mal formado a partir del desconocimiento, es muy posible que hayas criticado fuertemente a esta generación sin analizar que posiblemente tú estés dentro de la misma.

Pero en un análisis más profundo, la verdadera importancia radica en la forma en cómo nos podemos comunicar:

Si tu servicio o producto está dirigido a los boomers, por ejemplo, puedes apelar a los valores, la tranquilidad y, por supuesto a la nostalgia, aunque este último podría extrapolarse a otras generaciones ya que, actualmente estamos pasando por un sentimiento de añoranza.

Si lo que quieres es conquistar a la generación X, lo más importante será encontrar el equilibro en la relación costo-beneficio; es posible que puedas apelar a la familia y a los servicios integrales en donde sólo tenga que evaluar el costo; por otro lado, podrías atacar su lado aventurero cuando de servicios y productos dirigidos al cuidado de su salud, bienestar físico y espiritual.

Por otro lado, a los millenialls es más fácil conquistarlos a través de la aventura y el vínculo con su grupo social. Ellos buscan experiencias únicas a diferencia de sus antecesores, no les es relevante la comodidad que ofrecen algunas marcas como por ejemplo, hoteles de prestigio, por esta razón empresas como Airbnb han crecido de forma exponencial.

La generación Z suele ser autodidacta, valora mucho las opiniones sobre el producto o servicio, les agrada tener un abanico de opciones y, como era de esperarse, les gusta la atención personalizada y fácil sin tanto "pastoreo"; así mismo los esfuerzos deben ser encaminados al uso de la tecnología en alguna fase del proceso de compra.

# data[].attributes.attachment_link.title
¿Para qué nos sirve entender las características de cada generación? - IEXE Universidad

# data[].attributes.attachment_link.description
Especialista en el área de Ciencia de Datos e Inteligencia Aritificial. Actualmente se desempeña como analista y estratega en actividades de desarrollo e innovación y marketing con datos en IEXE Universidad. Muchas veces hemos visto en redes sociales memes referentes a los cambios o características particulares que tiene cada generación; es irónico que se hable constantemente sobre las generaciones sin profundizarse en ello, provocando confusiones (y memes mal logrados).

# data[].attributes.body
Suzanne Collins. (2009). Catching Fire. 557 Broadway, New York, NY 100112. Imprimido en EE.UU

# data[].attributes.body
Sima Bahous & Audrey Azoulay. (2022). En la mira: Día Internacional de las Mujeres y las Niñas en la Ciencia. 2022, agosto 8 , de ONU Mujeres . Sitio web: https://www.unwomen.org/es/noticias/en-la-mira/2022/02/en-la-mira-dia-internacional-de-las-mujeres-y-las-ninas-en-la-ciencia

# data[].attributes.body
Vidal, M (Junio 2015 ). Jóvenes y generación 2020.  Un mundo automático , 7,

http://www.injuve.es/sites/default/files/2017/46/publicaciones/revista108_completa_0.pdf

# data[].attributes.body
Germán Garmendia. (2016). #CHUPAELPERRO. CDMX: Talleres de MBM Impresora S.A.

# data[].attributes.attachment_link.readable_text
Si tú también crees que un buen libro te puede ayudar a ponerle una mejor cara a la vida, acompáñame en estas páginas. Y si sólo lo estás hojeando, pero no lo vas a comprar, ¡chupa el perro!

El primer libro de Germán Garmendia, conocido como Hola Soy Germán en YouTube, con más de 27 millones de seguidores.

Primero que todo, tomémonos un tiempo para apreciar el hecho de que escribí un libro: ¡YUJUUUU! Me duele el trasero de tanto escribir pero aquí está, al fin en tus manos.

¿Que para qué lo escribí? Puede que estés pasando por un momento difícil, que hayas cometido un error del que te arrepientas, o simplemente te preocupe el futuro. Mi intención es echarte una mano con alguno que otro Germansejo. No me considero un gurú ni un sabio, pero aquí te hablo de las cosas en las que he tenido experiencia en

Este sitio web utiliza cookies, tanto propias como de terceros, para mejorar su experiencia de navegación. Si continúa navegando, consideramos que acepta su uso. Más información

# data[].attributes.attachment_link.description
Si tú también crees que un buen libro te puede ayudar a ponerle una mejor cara a la vida, acompáñame en estas páginas. Y si sólo lo estás hojeando, pero no lo vas a comprar, ¡chupa el perro! El primer libro de Germán Garmendia, conocido como Hola Soy Germán en YouTube, con más de 27 millones de seguidores.

# data[].attributes.headline
Jamie Min (E.) ¿Cómo se puede evitar el plagio?

# data[].attributes.subject
Jamie Min (E.) ¿Cómo se puede evitar el plagio?

# data[].attributes.body
1. Siempre citar las fuentes de donde uno saco la información.
Muchas veces se nos olvida organizar una bibliografía bien hecha. Es importante que se cite los sitios usados en formato APA o el que se requiere.

2. Siempre darle crédito al autor original en la manera correcta.
Muchos estudiantes creen que citarón al autor correctamente, pero en realidad a veces se les olvida o no saben el formato correcto. Unos de los requisitos es, siempre poner comillas, poner en paréntesis el autor y la página, y por último poner las citas en una bibliografía.

# data[].attributes.body
(C.) ¿Qué es el sistema de referencia APA?

Este sistema se usa para poder identificar los sitios usados para los textos. "después de una cita, se colocan entre paréntesis el apellido del autor, el año de edición de la obra citada y las páginas de donde se tomó la cita. Estos datos se reúnen en una lista de referencias que se ubica al final del trabajo" (Ucu.edu.uy, p. 2)

# data[].attributes.body
B.¿Cuáles son los estilos de referencia más comúnmente empleamos?
López Chumbe en su canal en linea  "Diario de un Ortógrafo" (2020), comparte los formatos más utilizado para citas en linea:
Formato APA (American Psychology Asociation)
Vancouver
Humanístico
Funcional ( 0:10).

Lopez Chumbe, M (2020). Las referencias bibliográficas: APA. 2022, de Diario de un ortógrafo Sitio web: https://www.youtube.com/watch?v=vhoO4ZbpKyk

d. ¿Cuándo se comete plagio?

El plagio se comete cuando uno pone información de otro sitio y no lo cita correctamente, o no lo cita en general.

# data[].attributes.body
John Boyne . (2007). El niño con el pijama de rayas. España, Barcelona: Publicaciones y ediciones Salamandra, S.A..

# data[].attributes.body
A). ¿Qué es una referencia bibliográfica?
Las referencias bibliográficas sirven para que un lector pueda identificar y localizar los recursos que se han citado en su trabajo. Las mismas se colocan en la lista de referencias incluida de ultimo en un trabajo.

F). ¿Cuál es la diferencia  entre cita y  paráfrasis?

La cita textual tiene las palabras literales del autor, siempre están entre comillas. Ahora paráfrasis es otra manera de citar siempre manteniendo la idea original solo que en las palabras del lector.

# data[].attributes.headline
COLUMNA 6:  Referencias en formato APA de videos o sitios empleados para realizar esta guía de aprendizaje.

# data[].attributes.subject
COLUMNA 6:  Referencias en formato APA de videos o sitios empleados para realizar esta guía de aprendizaje.

# data[].attributes.headline
COLUMNA 5:  Título: ¿Cuál es tu género musical favorito? 

# data[].attributes.subject
COLUMNA 5:  Título: ¿Cuál es tu género musical favorito? 

# data[].attributes.headline
COLUMNA 3. Título: Referencia de una revista, blog y sitio web en formato APA. 

# data[].attributes.subject
COLUMNA 3. Título: Referencia de una revista, blog y sitio web en formato APA. 

# data[].attributes.headline
COLUMNA 2. Título: Referencias de un libro, en formato APA.

# data[].attributes.subject
COLUMNA 2. Título: Referencias de un libro, en formato APA.

# data[].attributes.headline
COLUMNA 1. Título: Sistema de referencias APA. 

# data[].attributes.subject
COLUMNA 1. Título: Sistema de referencias APA. 