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Kc, Keegan, Omar and Sadeem

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Lauren M, Nikko J, Osama R, Camilo J.

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Nine Behind is an example of Iceberg storytelling because of how little the viewer is actually hearing/watching. We are assuming every word of dialogue that isn't coming from the main protagonist. We see the emotional affect this dialogue is having on her and we hear her response but we cannot hear what is being said because of this we are assuming how the conversation is going and we are assuming their emotional reaction as well. That is why this is a perfect example of iceberg storytelling, we are only hearing half the story.

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Steven, Tae, Sofia A., Akshay

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In this short film, the protagonist reaches out to her grandfather in Hungary, to whom she has not spoken to in many years.

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Nicky Stepan (reader), Crystal Ler (note taker), Jamie Bailey, Anna Malygon

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She talks with her grandpa recounting and telling him about her life, going deeply into their relation.

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it's iceberg storytelling because it makes you read in between the lines and think about what is happening instead of everything being spoon fed to you. This short scene reveals so much about the characters, their emotional burdens, how the girl is trying to get closure/revenge, how the killer regrets his actions, how it had affected them both so much over the 13 years, without saying a lot. its a very short dialogue, they dont have to talk that much for the audience to understand they are both very emotionally complex and have been through a lot. the author used silence really well to create that tension between the 2 characters, and the audience can fill in the blanks for themselves.

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Ishmael Ali, Robert Cameron, Caitlin Orsava, Amber Boswell
Using the Iceberg approach an idea could be that the short film shows Peter Parker sitting on his couch watching the news. In the background you can see the Spider-man suit in his trash bin. The news is going on about crime thats been happening recently in NYC and peter looks over to the suit briefly but then turns back to the tv. His phone starts ringing and he answers and finds out the news about his loved one Mary Jane, that she has been captured. After he hangs up, he immediately turns toward his costume and picks it up and the scene ends with it looking like he's going to put it back on.

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Film also jumps into the dialogue with no explanation or context. Right from the get go you're trying to get a better understanding of the layers within the relationship, how they talk to eachother etc. We have no pre existing idea to who these people are.

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The girl
Her Hungarian grandpa

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A young, patient, and calm woman in her early twenties (employed at a dry cleaner) builds a relationship with an imprisoned murderer. The convict seems to be in his mid-forties, looking at the young woman with impatience and reluctance; after convincing the convict that he is the young woman's biological father, It's revealed that he was responsible for her fathers death.

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Tessa, Gabriella, Alexa, Michael

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We chose American psycho for our short film. Our plot is one that follows Patrick Bateman throughout his classic morning routine scene, as he speaks about his image and how precise and perfect everything he does is, we start to see subtle slues around his apartment that indicate his murderous tendencies; Stained clothes on the floor, an extra knife in the sink, and a drawer of womens jewelry are all shown throughout the short to indicate to the viewer that something is amiss but not explicitly stating what.

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Patrick Bateman is a wealthy, well put together business man. He is a Wall Street investment banker who leads a double life as a serial killer. He is materialistic and obsessed with his appearance.

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Peter Parker aka Spider-man is a superhero who looks out for the city, but in this scene he has given up as the superhero gig distracts him from living a normal life. He is ignoring his responsibility given to him by receiving the powers he has.