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Full, detailed painterly image on right- good for Demetrius viewing Helena scene

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Square format panelling on left

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Overlapping squares to zoom in on items

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Loose panelling, no boxes- may work well for AMSND, dreamy, fourth wall breaking

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Colours and composition- don’t need to tone down details

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Interesting perspectives, slows down time

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Interesting box for dialogue- problem solving for space

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Spirals = disconcerting

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- Uses gaps in box outline for some frames

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- Line direction
- Limited colour palette
- Undetailed backgrounds

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- close ups

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Search Results | V&A Explore the Collections

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Wilhelm  Costume Designs

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Search Results | V&A Explore the Collections

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Costume design for ‘Dick Whittington’

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Costume design for ‘Dick Whittington’

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Costume design for ‘Dick Whittington’

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Fairy costume designs for ‘A Midsummer Night’s Dream’

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Costume design for Puck

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Costume design for Oberon
- I like the more soft feminine
- Fairies are in a matriarchal, femininity should be a sign of power, in contrast to Athens which is a strong matriarchy
- fairies design should value femininity and Athens masculinity
- the female nobles wear clothes with more masculine shapes to fit in

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Costume design for Bottom

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Wilhelm costume design for Titania

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- Written for 1595-96 Season
- Written during an extremely wet and stormy winter, reflected in work (storm in the opening scene between Oberon and Titania) Reflects the time period, very dependent on weather due to farming seasons, pre industrial revolution
- Titania = based on Queen Elizabeth I (relationship between Titania and Indian Child = Elizabeth and her country)

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ATHENS
- Athens represents rigid law and order
- Strict Patriarchal society, woman are property
- Wide gap between peasants and aristocrats, as seen through Philostrate
- Represents Christian Values
- Wordplay and witty remarks used to impress Theseus and show status

FOREST
- Represents Chaos
-  Pagan
- Hermia's christian values lead to a misunderstanding from Puck, believing the lovers aren't together as they are lying apart
- Over turning of 'social rules' (Matriarchy, magic, women pursuing men)
- Social standing can be reversed, Bottom is elevated by Titania love to become a noble
- Not necessarily evil, but dark 'but we are spirits of another sort'
- Shakespeare uses trochaic tetrameter to differentiate supernatural creatures

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-Doubling (the couples are interchangeable), reflected by rhyming couplets
- Pastoral Imagery for nobility
- The Moon
- Eyes (the flower juice enters through the eyes, eyes are the window to the soul, uses them to fall in love = reflects quickness of attraction)
-Fairies frequently referred to as shadows

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- Lower Class (as seen by use of malapropisms and oxymorons )
- Basic poetry and alliteration, rhythmic and easy to memorise, with half rhymes
- physical comedy (could be done well visually)
- Comedy from contrast between the everyday- undermines the romance
- Uses an alternate rhyming scheme, common on medieval miracle plays
- Slapstick
- Fourth wall breaks ‘you shall see it will fall pat as I told you’

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- Shakespeares own thoughts reflected in Theseus ‘the forms of things unknown,' the poet’s pen turns them into shapes, gives airy nothing a local habitation and a name’

Theseus ‘I will hear that play; for never anything can be amiss when simple ness and duty tender it’ it’s the effort put into the play that matters, Shakespeare shows how to treat the lower classes
- Theseus ‘the best in this kind are but shadows; and the worst are no worse, if imagination amend them’ actors- it’s up to the audience up imagine they’re real

- ‘If we shadows have offended, think but this and all is mended’ puck- talking about the play
-‘The lunatic, the lover, and the pier are all of imagination all compact’ see delusions

-Theseus shows that in art how good it is doesn’t matter as long as the motivation is love ‘love, therefore, and tongue tied simplicity in least speak most, to my capacity

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- Women are seen as lesser
- Puck restores patriarchal order 'Jack shall have Jill, Nought shall go ill' and refers to women as animals
- The forest/fairies represent chaos and reversal of the rules of the world, hence why Titania is ruling by matriarchy due to her fight with Oberon (outdated view that women in power are abnormal or chaotic)
- The female friendship between Hermia and Helena is destroyed by a male, and the friendship between Titania and the mother of the Changeling

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- Love associated with madness (moon imagery, occurs mostly within the forest which represents chaos)
- Shakespeare suggests that Theseus' Marriage makes him softer
- Associated with dreams (occurs within forest)
- Madness, causes reversal of gender roles (the woman becomes the pursuer with Helena)
- Causes Violence, Demetrius and Lysander fighting, Oberon's revenge of Titania out of jealousy
- Black and white imagery for good and bad (who will not change a raven for a dove'
- Fickle  (Flower is called 'Love-In-Idleness')
- Love is blind (' mine ear is much enamour'd of thy note; mine eye enthralled to thy shape' Titania to Bottom)
- Love overtakes life

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- Moon goddess of fertility and chastity ('the moon, methinks,looks with a watery eye, and when she weeps, weeps every little flower (dew), lamenting some enforced chastity)
- Frequently personified ('When Phoebe sigh behold her silver visage in the watery eye' )
- Also represents lunacy

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- Athens portrayed as a dictatorship with Nazi imagery
- Sinister tone to Athens and Theseus
- Contrasts diverse cast of the forest

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Titania is portrayed as a warrior, her costume is practical and tough, instead of the usual depiction.

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The Hay Literary Festival is taking place in the town of Hay-on Wye on the edge of the Brecon Beacons.

It brings together writers from around the world to debate and share stories.

Screenwriter Russell T Davies spoke to the BBC's Rebecca Jones at the event about his reworking of A Midsummer Night's Dream.
A Midsummer Night's Dream will be screened on BBC One on Monday 30 May at 20:30 BST and will be available in the UK on iPlayer after broadcast.

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The Hay Literary Festival is taking place in the town of Hay-on Wye on the edge of the Brecon Beacons. It brings together writers from around the world to debate and share stories. Screenwriter Russell T Davies spoke to the BBC's Rebecca Jones at the event about his reworking of A Midsummer Night's Dream.

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An example of building tension and the desire to turn the page in Uzumaki by Junji Ito

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Visual Research- Mood and atmosphere, mark making

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Visual Research- Mood and atmosphere, mark making

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How Media Scares Us: The Work of Junji Ito - VidoEmo - Emotional Video Unity

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How Media Scares Us: The Work of Junji Ito Upload, share, download and embed your videos. Watch premium and official videos free online. Download Millions Of Videos Online. The latest music videos, short movies, tv shows, funny and extreme videos. Discover our featured content.

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Visual Research- Mood and atmosphere, mark making

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Visual Research- Mood and atmosphere, mark making

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Simon Pemberton

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Commissioned by Webb and Webb Design for the Royal Mail. A series of stamps based on classic science fiction titles - John Wyndham's Day of The Triffids, H.G Wells' The Time Machine and Arthur C. Clarke's Childhood's End. Project took 6 months in the planning before I even knew I'd had my work selected then [...]

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Mark making, settings and perspectives

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Visual Research- Mood and atmosphere, mark making

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Mark making, settings and perspectives

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Mark making, settings and perspectives

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Mark making, settings and perspectives

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Mark making, settings and perspectives

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Mark making, settings and perspectives

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Child Of Galaxies - Charlotte Ager Illustration

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Charlotte Ager

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Child Of Galaxies - Charlotte Ager Illustration

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Mark making, settings and perspectives

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Mark making, settings and perspectives