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Nataya is usually performed by a grouo or in some cases by a solo dancer who maintains certain body movements for certain characters of the play which is communicated through dance-acting.

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In Nritya, the dancer communicates a story, spiritual themes, message or feelings through expressive gestures and slower body movements harmonized with musical notes.

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Nritta is a technical performance where the dancer presents pure Bharata Natyam movements emphasizing on speed, form, pattern, range, and rhythmic aspects without any form of enactment or interpretive aspects.

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Moves are executed in the stance with knees bent and turned outward. Every part of the body is used including the eyes.

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Dynamic
Energetic
Precise
Balanced

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Started in the late 17th century with women performing, but the government thought it was too disruptive to society so they banned women from performing. Then young boys would dress up as women to perform, but because of moral concerns that was banned also. Finally older men took over the rolls and this form of all male entertainment has lived on into the present.

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The stage is equipped with gadgets; revolving stages and trap doors that actors can appear and disappear.

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Dramatic plays that are about historical events and conflicts in relationships and matters of the heart. They are a blend of music, dance, mime with spectacular staging and costumes.

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The Legong dance is a type of Balinese dance that is refined and feminine. It is typically performed by young girls who use intricately choreographed movements, manipulating their bodies, fingers and faces to accompany the music.

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The Sanghyang Jaran dance is a type of Balinese dance where the dancers go into a trance like state and perform amazing feats such as walking on hot coals and stabbing themselves with daggers, emerging unhurt.

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The Barong Dance is a type of Balinese dance that involves a story of possession by demons, mythical creatures and the struggle between goof and evil.

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The Kecak dance is a type of Balinese dance that involves a chorus of seated men who create sounds with their mouths while swaying their outstretched arms to accompany the dance.