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But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
     The strong-neck'd steed, being tied unto a tree,
     Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
     The iron bit he crushes 'tween his teeth
     Controlling what he was controlled with.

His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
     His eye, which scornfully glisters like fire,
     Shows his hot courage and his high desire.

Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
     And this I do to captivate the eye
     Of the fair breeder that is standing by.'

What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
     He sees his love, and nothing else he sees,
     Nor nothing else with his proud sight agrees.

Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
     So did this horse excel a common one,
     In shape, in courage, colour, pace and bone

Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
     Look, what a horse should have he did not lack,
     Save a proud rider on so proud a back.

Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
     For through his mane and tail the high wind sings,
     Fanning the hairs, who wave like feather'd wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
     Spurns at his love and scorns the heat he feels,
     Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
     His love, perceiving how he is enrag'd,
     Grew kinder, and his fury was assuag'd.

His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
     As they were mad, unto the wood they hie them,
     Out-stripping crows that strive to over-fly them.

     I prophesy they death, my living sorrow,
     If thou encounter with the boar to-morrow.

"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
     Pursue these fearful creatures o'er the downs,
     And on they well-breath'd horse keep with they hounds.

"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
     The many musits through the which he goes
     Are like a labyrinth to amaze his foes.

"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
     And sometime sorteth with a herd of deer;
     Danger deviseth shifts; wit waits on fear:

"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
     Then do they spend their mouths: Echo replies,
     As if another chase were in the skies.

"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
     And now his grief may be compared well
     To one sore sick that hears the passing-bell.

"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
     For misery is trodden on by many,
     And being low never reliev'd by any.

"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
     Applying this to that, and so to so;
     For love can comment upon every woe."

Come unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
      Bow, wow,
   The watch-dogs bark:
      Bow, wow.
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow!

                         --fromThe Tempest

Tell me where is Fancy bred, Or in the heart or in the head? How begot, how nourishèd? Reply, reply. It is engender'd in the eyes; With gazing fed; and Fancy dies In the cradle where it lies. Let us all ring Fancy's knell: I'll begin it,--Ding, dong, bell! All. Ding, dong, bell! --from The Merchant of Venice Where the bee sucks, there suck I: In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily: Merrily, merrily, shall I live now, Under the blossom that hangs on the bough. -from The Tempest

Lord Amiens, a musician, sings before Duke Senior's company
  Blow, blow, thou winter wind,
  Thou art not so unkind
      As man's ingratitude;
  Thy tooth is not so keen,
  Because thou art not seen,
      Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
  Then, heigh-ho, the holly!
      This life is most jolly.

  Freeze, freeze, thou bitter sky,
  That does not bite so nigh
      As benefits forgot:
  Though thou the waters warp,
  Thy sting is not so sharp
      As friend remembered not.
Heigh-ho! sing . . .

Marcellus to Horatio and Bernardo, after seeing the Ghost,

Some say that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
This bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad,
The nights are wholesome, then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow'd and so gracious is the time.

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Hamlet, Act III, Scene I [To be, or not to be]

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But, lo! from forth a copse that neighbours by, A breeding jennet, lusty, young, and proud, Adonis' trampling courser doth espy, And forth she rushes, snorts and neighs aloud; The strong-neck'd steed, being tied unto a tree, Breaketh his rein, and to her straight goes he.

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http://learnenglish.britishcouncil.org/en/shakespeare/hamlet-2-bad-death#sthash.X1KUSl3O.gbpl&st_refDomain=www.facebook.com&st_refQuery=/

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Essere o non essere, questo è il problema: se sia più nobile d'animo sopportare gli oltraggi, i sassi e i dardi dell'iniqua fortuna, o prender l'armi contro un mare di triboli e combattendo...

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A short summary of William Shakespeare's Hamlet. This free synopsis covers all the crucial plot points of Hamlet.

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video: Hamlet's summary

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powerpoint

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hamlet

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to be or not to be

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To be or not to be - Kenneth Branagh  HD  (HAMLET)

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Wikipedia: to be or not to be

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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take Arms against a Sea of troubles, And by opposing end them: to die, to sleep No more; and by a sleep, to say we end the heart-ache, and the thousand natural shocks that Flesh is heir to?