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A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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A darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography.

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35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge.

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A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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an even distribution of weight enabling someone or something to remain upright and steady.

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the quality or state of being different or diverse; the absence of uniformity, sameness, or monotony.

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When an image or object is repeated throughout a work of art, or a part of a work

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It describes the size of one object in relation to another

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Movement/Rhythm is the path the viewer's eye takes through a work of art.

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Unity/Harmony is an important principle of design that gives the artwork a sense of cohesion or coherence.

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The part of the design that catches the viewer's attention.

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A keeper or custodian of a museum or other collection.

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Museums of History NSW is changing the way our past is understood and our future will be experienced.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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A room or building for the display or sale of works of art.

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A building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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A workspace specifically designed and built for the purpose of taking photographs.

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A point that continues or implies motion.

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A shape is created when the ends of a line meet, forming an enclosed area.

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Photography that uses media capable of capturing and reproducing colors.

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The visual depiction of variations in the color, shape, and depth of an object's surface.

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Value defines how light or dark a given color or hue can be.

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When a shape takes on three dimensions.

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the direction the subject of the photograph is moving in, or even just looking in.

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symmetry around a central axis, as in a starfish or a tulip flower.

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the quality of being made up of exactly similar parts facing each other or around an axis.

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lack of equality or equivalence between parts or aspects of something; lack of symmetry.

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the fact of two things being seen or placed close together with contrasting effect.

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existing in thought or as an idea but not having a physical or concrete existence.

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any color that is calm or soothing in nature

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any color that is vivid or bold in nature

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muted shades that appear to lack color but often have underlying hues that change with different lighting

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a color that combined with a given color makes white or black.

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a color scheme that is comprised of variations of one color.

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a set of colors arranged in a linear order

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Constructive criticism is clear, direct, honest, and easy to implement. It provides specific examples and actionable suggestions for positive change.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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moral principles that govern a person's behavior or the conducting of an activity.

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a thing aimed at or sought; a goal.

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based on or influenced by personal feelings, tastes, or opinions.

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the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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a symbol, word, or words legally registered or established by use as representing a company or product.

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open.

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a compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image

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divided into two parts and the longer part (a) divided by the smaller part (b) is equal to the sum of (a) + (b) divided by (a)

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the background or the area that surrounds the subject of the work.

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the subject or areas of interest in an artwork

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any light source that comes from behind your subject.

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a soft light with neither the intensity nor the glare of direct light.

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A soft light that is reflected off the ceiling.

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the treatment of light and shade in drawing and painting.

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an image or design in a single hue and tone

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ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity.

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The ASA scale is an arbitrary rating of film speed; that is, the sensitivity of the film to light. If everything else is kept constant, the required exposure time is inversely proportional to the ASA rating.

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The image sensor of the camera is responsible for converting the light and color spectrum into electrical signals for the camera to convert into zeroes and ones.

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Film grain is a recording process that intentionally adds noise to the picture.

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Digital noise usually occurs when you take low light photos or you use very slow shutter speeds or very high sensitivity modes.

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a space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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how much light you allow to hit the sensor via the aperture opening.

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the aesthetic quality of the blur produced in out-of-focus parts of an image.

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how much of your image is in focus.

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Lens focal length tells us the angle of view—how much of the scene will be captured—and the magnification—how large individual elements will be.

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a set of two photos you can use to tell a story and emphasize contrast.

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a multi-panel work comprising of a form which is divided into three sections, or three carved panels which are hinged together and folded.

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an aerial photograph or satellite imagery geometrically corrected ("orthorectified") such that the scale is uniform: the photo or image follows a given map projection.

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a type of distortion wherein lines that are straight in real life appear to curve inwards.

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where straight lines bend or “pinch” inward from the center of the image.

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when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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marked by 'P' on your camera's mode dial and is one of the Creative Zone modes, though one with the least control over your exposure settings.

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a full manual control of Aperture and Shutter Speed.

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allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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the photographer selects a specific aperture value and the camera autoselects the proper shutter speed based on how much light it detects.

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the speed at which the shutter of the camera closes.

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allows the photographer to take a picture for as long as the shutter is depressed

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a long exposure photography technique that lets you convey the feeling of movement or action in a still image.

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accessories designed to support a camera

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a term used to define the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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Long-exposure, time-exposure, or slow-shutter photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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a cinematography method in which a photographer takes a series of still pictures of the same frame at regular intervals over some time, then plays the whole sequence back in fast succession.

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Light painting, painting with light, light drawing, or light art performance photography are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph

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Panning photography freezes objects in motion in a still frame.

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Burst mode, also called continuous shooting mode, sports mode, continuous mode, or burst shot, is a shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline.

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject.

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using Evaluative metering with a centre AF point.

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It ensures that the camera will automatically adjust to the right exposure setting even when the ambient lighting shows greater contrast.

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the mid-point between black and white on a logarithmic or exponential curve.