# data[].attributes.body
Atonement by Ian McEwan is a story filled with love, guilt, and amends. Starting in the year 1935, the story begins in England on the estate of the Tallis family. Briony, a bright 13-year old with wild imagination, mistakes an encounter between her older sister Cecilia and Robbie - the son of a servant - later making an accusation against him for a crime which he did not commit, the crime of rapping her cousin. The lie had torn them apart.

Robbie is sent to jail and then to the army in World War II. Cecilia disowns her family and lives with him. As Briony gets older and serves as a nurse during the war, she fully realizes her awful mistake and seeks some kind of forgiveness. Then, as the story goes, this novel was written by Briony as atonement. It is a powerful story of consequences and the struggle to seek redemption.

# data[].attributes.body
I find this source interesting because it does a good job of describing the themes of the novel, covering the setting of pre-World War II England and how it affected the characters. The novel is set at a time when social classes mattered, and LitCharts takes a closer look at how such class difference impelled the interaction between diverse characters, such as Cecilia and Robbie. It also explores, through one of its main characters – Briony – the position of women in that changing world, whose actions are partly driven by what society expects from her as a young girl at the beginning of the 20th century.

What interests me the most in this source is that it focuses on how the novel explores the interconnection of personal and social histories. Briony's attempt to rewrite her past through storytelling is set within the greater social setting of post-war Britain, in which the after-effects of war still deeply reverberate in the lives of people and families. It was interesting to think about how McEwan might work both with and against such a backdrop in developing the dynamics of storytelling.

# data[].attributes.attachment_link.description
Atonement Study Guide | Literature Guide | LitCharts

# data[].attributes.body
Robbie Turner is my favorite character in Atonement; he is a man of strength and love. Although he is from the lower class, Robbie falls deeply in love with Cecilia Tallis despite all the many class levels in society that keep them apart. He suffers incredible hardship after an accusation against him; yet, his love for Cecilia never falters. He voluntarily goes to fight in World War II, even after being wrongly imprisoned; a proof of bravery and nobility. His affair with Cecilia is filled with passion and longing, underlining this unfair class system that denies them their chance of a life together. Robbie, given the fact that he remained steadfast after all that happened to him, turns out tragic but heroic.

# data[].attributes.body
https://as.akwam.tube/ar/video/watch-atonement-2007-translated-online-akoam-29358/

# data[].attributes.body
“Do you think I assaulted your cousin?” “No.” “Did you think it then?” She fumbled her words. “Yes, yes and no. I wasn’t certain.” “And what’s made you so certain now?” She hesitated, conscious that in answering she would be offering a form of defense, a rationale, and that it might enrage him further. “Growing up.” He stared at her, lips slightly parted. He really had changed in five years. The hardness in his gaze was new, and the eyes were smaller and narrower, and in the corners were the firm prints of crow’s feet. His face was thinner than she remembered, the cheeks were sunken, like an Indian brave’s. He had grown a little toothbrush mustache in the military style. He was startlingly handsome, and there came back to her from years ago, when she was ten or eleven, the memory of a passion she’d had for him, a real crush that had lasted days. Then she confessed it to him one morning in the garden and immediately forgot about it. She had been right to be wary. He was gripped by the kind of anger that passes itself off as wonderment. “Growing up,” he echoed. When he raised his voice she jumped. “Goddamnit! You’re eighteen. How much growing up do you need to do? There are soldiers dying in the field at eighteen. Old enough to be left to die on the roads. Did you know that?” “Yes.”

Analysis:

This excerpt is moving for its emotional intensity and the awaited confrontation of the characters. Their openness to each other appears vulnerable: one opens up his anger and pain of injustice, while the other reveals guilt and recognition of one's own mistakes. Here, the sentence "Growing up" is most telling: a painful process of cognizance and assumption of responsibility for the actions taken.

These vivid physical descriptions heighten the tension, placing a contrast between how different the protagonist has changed and lingering memories of a childhood crush. A mix of the innocence of the past against conflict in the present creates a powerful, relatable scene. The anger, the regret in this moment, feels so human, and the emotional complexity behind it makes it unforgettable, which is why it stands out as a favorite.

# data[].attributes.headline
Main Issues and Works Inspired by The Novel

# data[].attributes.subject
Main Issues and Works Inspired by The Novel