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In line 290, the man's bold voice should be expressed according to his role. The old lady is weak, and the gangster is domineering and domineering

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If I was acting as a mother, my voice would be very weak, my attitude would be deferential in front of the host, very cautious, and my movements would be smaller. He also looks away when talking to his host. He would check her in other respects, so that she would not err in the presence of her master.

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When I saw my mother apologize to the boss in a low voice, I couldn't understand it. In this scene, the boss kept pointing at me and yelling at me very loudly, and my mother lowered her head and did not dare to lift her head up, and responded nervously and scared to the boss's question. The boss was still angrily yelling at me and my mother, and my mother could only cringe and give in. , Mom's hands are very nervously clasped together. Seeing my mother like this, I could only bow my head and dare not speak.

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The first is the Indian businessman. Although his plot is different, I think this is the easiest to reflect the character's character, because there are many shops in this place that are very competitive. So he should be constantly hawking. And the tone should be strong and gentle.

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If I brought in the role of mom, in 395 I would have started to feel sorry, because the boss said no one was allowed in, and my daughter didn't know it at first, so I started to apologize all the time, and I kept repeating Apologize to the boss.

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Line 289～291,Man：Speak loudly and wave to stop the taxiAnd run in the direction of the forgotten taxi.
line 292~295,OLD LADY:Push the little girl's back with one hand and tell the little girl to hurry up in a worried tone, then point to the store with the other.
line 296~298,GANGSTER：Very disregarding the woman's mood, proposing to the woman, and carrying out violent actions.
Line 299~302,WOMAN：Responds in a very domineering tone and points at the thugs
Line 304~309,THEMBI：Very curious about everything that is happening around, and has been observing things around, and his eyes are constantly scanning different people around.
Line 310~313,INDIAN TRADER：Pointing at  own products and introducing the benefits of your own products, using a loud voice to attract customers, and beckoning THEMBI to the merchant's store.
Line 318~INDIAN MAN：Treat customers with a smile and start making this food

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In 289, I'll do a male in a rough, loud voice, and then a slow, old voice in the old lady part. For the dialogue between the bandit and the woman, the bandit at 297 should be rude voice, which is in line with his image, while the woman is shrill scream, to reflect his dissatisfaction with the bandit. After that, at 310, Indian businessmen will shout with Indian accents and wave their hands to attract us.

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At 380, when I saw someone come in, I would be surprised and follow up with an explanation that someone was there, although I can't say this, but I am still a child, so I will do it with dignity. Then in 404, WHEN I saw the whole process of my mother's apology, I would feel strange. It was mentioned in the line that I had never seen my mother apologize like this before, so the confusion and apology would appear on my face. Then 406 to 421 words describe my thoughts. In this section, the overall speed will be slowed down, because this section is full of sadness, and the slow pace of interpretation can highlight this mood.

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There's a document in line 110, and the document is about the house committee crooks looking at Zoya's apartment. And since Zoya's apartment is the main scene throughout the script, the prop is a link between the beginning and the end.

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The script begins with "Hall, Sitting Room, Bedroon," which is in Zoya's apartment. So we know that zoya's apartment has these rooms. There's also "though the Windows", and there's a "Musical Box". "Says Zoya," Steps into the wardrobe and branch the door shut behind her." Beltoff then went into Zoya's apartment, and Manyushka said, "What do you mean by barging into a lady's bedroom," This is in lines 16 and 17. Zoya's bedroom is definitely off the hall.

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I think WHAT I'm going to do is I'm going to go from a little bit of voice, a little bit of movement to a little bit of confidence and a little bit of self-righteousness. During the whole process, I will slowly change my movements and voice size as the lines advance. In "Thank God for these Miracles", I wanted my eyes to be very spiritual and my hands clasped in prayer. In the following "here I am", confidence comes from this, feeling very lucky and jumping. In 286 and 287 I'm going to show the eyes wandering, the madness, the need to satisfy the desire, the thirst for beer

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At the line of 110, zoya give beltoffa  a document , and it make the situation( the cloth ) more easier and It pushes the story forward， and at the line of 194, Ametistov puts down an extremely battered suitcase,on my view it help to build up his character more serious,although he is a poor guy but this extremely suit case helped him to be serious so he can sell his book for a beer

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At the line of 2, it tells the whole setting which in zoya’s apartment, it have a bedroom, a sitting room and a hall, the background music have been played by musical box, zoya and manyushka live inside, and the whole story is in the same setting. At the line of 145, the middle of the story and it is still in bedroom and manyushka enter. manyushka is the woman who used and control the stage. At the line of 360 we have a new set, behind the mirror, and it is used by the ametistov to hind trousers.

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At the beginning of line 177,MANYUSHKAshould be very respectful to Zoya's request, but she is also in a hurry. In the line "at once", she is very hurried and humble. She gathers a maid image to serve the master, but she is also very careless. In line 192, Amestinov is just introduced. In line 190, Amestinov  is actually heard before he is seen, so the voice that appears before he enters must be harsh and loud. And when he comes on, he's going to be pathetic and he's going to slowly come into the hall with the open doors, and his voice is going to go on singing the lyrics in a weak way, so I think he's going to be listless and more like a beggar, like a wandering soul. In lines 205 to 215, Amestinov is very warm and kind after meeting Manyushka. I think Amestinov's actions here should be exaggerated and his tone should be expanded several times on the basis of the previous one, but he is also very frightened when he is just discovered, just like a thief who is just discovered by the police and tries to make excuses. When Amestinov kisses Manyushka's hand, he tries to please her with the greatest gentlemanly act of his life.

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At line 143～154, in this section OBOLONSKY and zoya will be in zoya's bedroom, there should be curtains and a wardrobe in this room, because at the beginning of line 13～14 BELTOFF broke into zoya's house, zoya had to hide in the closet, so he had to furnish the closet In the room, curtains are also necessary, because OBOLONSKY will stand up and open the curtains in the bedroom during this section.

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At line 192~203,AMETISTOV he has a tattered suitcase, in this paragraph I think the box is tattered because it shows that he has traveled a lot of places, he is in military uniform but not very neat, it is all tattered and greasy.The suitcase plays a very important role. The suitcase has followed AETISTOV to many places and later AETISTOV talked about selling books with it to make money to buy beer.

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At line 280～287 in: "It's no joke" I will use a rhetorical tone to say this sentence, and take out the book 'Do Miracles Happen?' in the suitcase, then give it to zoya and let it open to zoya , and showed that I was smart and didn't lie to her.Then when it comes to "rouble apiece" I take it out of my pocket and flip a coin.I'll also raise my volume and show a proud tone to prove my cleverness.

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From 215 to 220, everyone entered the living room together. There should be a door in this living room. The door is to separate the living room from other scenes, and there should also be a sofa and a table, because the sofa and table are a good reflection in the living room. In the latter part, it was also written that everyone moved to the bedroom together, and there should be a bed in that room, so that it would be easier for everyone to understand the conversion process.

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In 215 to 220, there is a paragraph written that AMETISTOV brought suitcases and flowers, and then walked to the sitting room with everyone. I think this prop can reflect a lot of things in AETISTOV's hands. Without these two props, it would be completely different.

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When Zoya and Beltoff are quarreling, Zoya hands him a document, the content shown in this document is permission, which is the favorable evidence of zoya's dispute with him in this episode. It is because of the existence of this document that Zoya's tone is more firm, and it also infuriates Beltoff to some extent. Take this to the next level. So this file is essential to the plot.

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In the joint opening, Beltoff breaks into Zoya's house, zoya hides in the wardrobe, and we know that a room with a wardrobe needs to be arranged on the stage. In this section, it is mainly Zoya, Beltoff and Manyushka who use the stage. At the beginning, through Manyushka's lines, we know that Beltoff has arrived, and then beltoff has the camera. After beltoff leaves, Obolonsky will ask Zoya if he can come into the room, obolonsky will talk to Zoya, and ametistov will talk to Manyushka.

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I will indicate the items with my hands or eyes at the beginning of the card and book. Then, at "Thank God," put your hands together to evoke the feeling of gratitude. The tone became serious when I said it wasn't a joke, but relaxed again after the "fact," I would spread my hands out to show relief.I will indicate the items with my hands or eyes at the beginning of the card and book. Then, at "Thank God," put your hands together to evoke the feeling of gratitude. The tone became serious when I said it wasn't a joke, but relaxed again after the "fact," I would spread my hands out to show relief.

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At the line of 280 until the line of 287, ametistov is trying to sell a book to get beer, and if I'm playing the role, I will use a high pitch and voice, because i am doing a propaganda for my book, i want people to buy the book so i can buy beer, although i very crazy about the beer and a little drunk, my tone and emotion are serious, it is making the customer believe I am selling a product, a moderate pace will clear my words. i was standing and moving around the room, because I'm crazy about beer, i will shake my wine glass for look professional.

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OBOLONSKY need to shout at the beginning, then ZOYA will tell her servant to buy beer. MANYUSHKA need run out and leave the stage, Then they (OBOLONSKY and ZOYA) talk carefully, then they enter a room. In this room , it need a sound which is a song, they also have to prepare a paper (lyric）.A poor boy need to hug itself and shake his arms to show he is cold. After this story, AMETISTOV ask MANYUSHKA she want to meet ZOYA ,and they two need to sounds worry.

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AMETISTOV：Line 192～203,I think his movements should be tiptoe, because his clothes are tattered and the suitcase in his hand is tattered. But when he entered zoya's house he was finally at his destination and relaxed. But when he heard someone talking in the bedroom, he tiptoed his ear to the door. When he heard the sound, his eyes lit up and he began to eavesdrop in detail.
AMETISTOV：Line 198, because he likes to drink beer, so his voice should be low.He panicked when he was found out eavesdropping, at which point he folded his hands over his chest and explained his actions.
MANYUSHKA：She was very puzzled when he saw AMETISTOV, so her tone was that of seeing a stranger and asking coldly.

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Give five short answers for every character

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In the line of 192, Ametustov enter the stage, his voice I’ll think of depression sound and his pitch is normal  with a slow pacing.He enter the stage with sing some word in the songs, so I want his character move pompous like a drunk man, so it can make related to his costume  and his facial expression’s don’t have too much change but he enjoy with his feeling, his gestures  open his arms and his palms are facing up.

In the line of 204, manyushka come into the stage, her voice is loud, her pitch must be high and speak fast because she see a stranger in the house, she is holding two beer on her hand so she don’t have must gesture, except open her arms, her mood is  Flustered  and little mad, her face is frown and with a Sharp eyes. Because it is a stranger in the house so she is moving to Ametistov for trying to know the person.