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this research is featured on slide 3 and shows the site context of Queen Street.

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laminated glass: its strong and can be manipulated into custom shapes.

Honed Concrete: strong platform and will allow for a stable space.

Retractable Vinyl Awnings: allows for personalisation between each artist. Will also protect the audience from any rain and will also block sun.

The Colour palette is based off the materials listed.

featured on board 5

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featured on board 4

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featured on board 4, close ups are featured to show elevation

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featured on board 4, as well as close ups to amplify the details

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The visual impact of the insertion evokes to the audience to stop and visually take in the site, or to stay and listen to the music being performed. It emphasises the fragility of art through its structural make, as it resembles delicate and unstable build.

It also creates a sense of uneasiness as it  draws audience away from shopping centre. Furthermore, the site utilises that space as a space rather than a place of transport. It emphasises Brisbane’s love for local artists by providing a platform to perform with. Almost like busking but more professional.  It also creates something to look at on the site. At the moment the site is boring and simply has old buildings that most people have seen before. This installation allows for a new spectacle to be added to queen street. Many people work in the city and consider queen street as a mundane part of their day where they walk past the designer shops and consider it nothing more than a convenient way to get from one end of the city to the other, However, with this installation, this changes the user experience to orient the working class to have a slight change in their routine. This will be used as a point of difference for them. Some may interpret the use as annoying, in the way, and too contemporary, alternatively, some will think that it is a fantastic use of the space to change the colourless street into a place to be.

The material of the insertion is mainly glass. The glass makes up the 2 walls and the floor. This allows the audience to embrace the music more, and also evokes a sense of uneasiness as the structure does not look stable. The pattern made by the two walls is inspired by tree roots. They twist and wind in a way that holds the tree up with no extra support. I wanted to replicate this in my site. This displays to the audience the fragility of art and evokes them to stay and watch.

Featured on board 3

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Collage emoting the design and atmosphere created by the Insertion 

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Collage emoting the design and atmosphere created by the Insertion 

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this collage features symbols of music instruments, CD's records to show how the space will be used mainly for music. It also has an empty waterbottle, as most concert areas do not allow water to be taken in, I included this to relate this concert area to other concert area. Furthermore, the waterbottle graphic is used to grab the attention of a younger audience, as it has been a universal experience of young people trying to bring water to concerts.

On the top their are pictures of water and glass, which resemble the walls holding up the structure.

Finally, in the middle is a perspective sketch that shows what the area will look like.

Featured on board 3

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Copy of ABBI02 De Dign 2_ Sight And Context-15

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Wind

Queen street lies in the Tropical Cyclone Risk Area, meaning the buildings and infrastructure is built accordingly.

RESPONSE TO THIS CONTEXT

To withstand the wind tunnels that are created in Queen Street during the Spring season, the insertion will be made out of concrete and glass, and will be secured between the 2 building either side. The glass will have holes in it to allow wind to pass through the structure, but also minimise the wind tunnel, and further allowing Queen Street to be more comfortable to walk and stand.

Featured on board 2

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sun path traffic flooding wind tunnels_Page_3

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RESPONSE TO THIS CONTEXT

To allow for continuous foot traffic, the insertion will be above ground, allowing for Queen Street to continue to provide a path from one end of the city to the other.

When the insertion is being used to perform, it will cause a block in foot traffic. This is good as it allows the audience to stop and look at what is happening.

Featured on board 2

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sun path traffic flooding wind tunnels_Page_4

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Thunderstorms commonly occur between November and March.

Brisbane is subject to the ENSO cycle (El Nino or La Nina). During the La Nina season,  Brisbane is subject to heavy rainfall during January, making it prone to flooding, especially queen street as it is relatively flat. This entails that all materials are water-impermeable.

The dry season occurs during the winter.

RESPONSE TO THIS CONTEXT

Ensure insertion is above ground, allowing flooding to not effect the structural make.

Featured on board 2

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sun path traffic flooding wind tunnels_Page_5

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Temperatures

Experiences a minimum of 17 °C and a maximum of 37 °C during the summer

Brisbane CBD is Australia’s second hottest city after Darwin.

Humidity

Because of the heavy rainfall during the summer season, Queen Street is subject to experiencing extreme humidity during Summer.

In spring the extreme humidity is combat with breezes.

UV Index

Queen street experiences extreme UV rates in January, February and December, but levels out during May to August

RESPONSE TO THIS CONTEXT

In order to cope with the extreme heat and sunlight, the insertion will also provide shade for the users, as it is set above ground. Furthermore, for those watching the performances, the roof will be made from a UV  coated glass, which ensures the sunlight is reduces when looking at it.

Featured on board 2

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sun path traffic flooding wind tunnels_Page_1

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Queen Street how it was seen in its Establishment. 

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The original traditional owners of the land where Brisbane City and hence Queen Street now stand are the Turrbal and Yuggura Peoples who inhabited the land for 60,000 years. They referred to the land as Meanjin, meaning a place shaped as a spike, which references the shape of the Brisbane River. They were fishing people, and the river supported this as well as other spiritual and recreational activities. The Turrbal and Yuggura people were the custodians to all parts of the nation, including the land, flora and fauna. Their survival was reliant on their experience and intimate knowledge of the country.

Queen street, the city’s main street, is filled with luxury shops and attracts tourists and locals for its many events held on the street and was one of Brisbane city’s first streets, as it opened just as the free settlement in 1842 was initiated. Surveyor Dixon had undertaken a survey of the streets of the town in early 1840, which essentially comprised a grid pattern of square blocks, with one of these streets being Queen Street. However, Govener Gipps criticised Dixon’s layout and commented that it was ‘simply and ordinary provincial Settlement’. This lead to Gipps widening half of the streets, and created a demand for essential shopping and market locations to be held on one street.

This is all conveyed on the board which features this illustration plus other symbols of the 19th century.

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Queen Street drawing of how it looks today. 

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Queen Street drawing of how it looks today. 

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Queen Street now has luxury shops and is a busy thoroughfare. It is now a place people walk through to get from A to B, however, with my insertion, I aim to transform it into a place to visit rather than just a place of transport.

this drawing is featured in board 1 and has other modern symbols surrounding it to convey and contrast the difference between now and when it was first established. This also conveys how the street is used today.

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I drew a 1:500 version of queen street outlining the details and stand-out features. I then scanned that drawing and digitally drew in some options. I used moth webs as the main inspiration for the shape and design of the 2 walls holding up the structure.

This exercise was used as a method to get every idea I had on paper and compare them to see which was best. In the end, I used a mix of all drawings.

These drawings do not feature on the posters, however, they were entirely helpful in allowing me to understand my own idea, and how it would be executed best.

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This is a drawing of the famous queen street sign. It welcomes visitors to queen street and is a stand out feature of Brisbane CBD.

This drawing is featured on board 1.

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Queen Street has some of the best sound quality in Brisbane CBD. The layout allows for excellent sound quality and audience engagement. This is due to the semi- enclosed space that allows for sound amplification. The natural acousists of the tall buildings on queen street create an environment that amplifies sound. The architectural feature allows music to fill the space and sound louder which increases audience engagement.

Queen streets layout also allows for flexibility with the set up of music equipment. With speakers, amplifiers and monitors that can optimise noise quality. Furthermore, the semi-enclosed environment allows for many kinds of music to be adapted to the space. This further allows for audience engagement. The vibrant nature of Queen Street and the fact that it only allows for pedestrians (no vehicles), makes Queen Street have a lively atmosphere that is perfect for pop and rock concerts.

The audience can access the stage by looking up towards the concert area, this allows for excitement amongst the audience and optimal noise quality.

Queen Street’s urban design, combined with professional sound engineering, can create an excellent environment for concert sound quality. The reflective surfaces of tall buildings, semi-enclosed acoustics, and the lively atmosphere all contribute to a rich and immersive auditory experience, making it a great location for concerts. With proper planning, the area could easily transform into a dynamic concert venue, delivering high-quality sound for both performers and audiences.

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Queen street at night

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week 2

After speaking to the priest of St Stephan’s Church, he explained the reasoning behind the symmetry of churches

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The format for the boards was completed, as well as research about the context of the site.

The original traditional owners of the land where Brisbane City and hence Queen Street now stand are the Turrbal and Yuggura Peoples who inhabited the land for 60,000 years. They referred to the land as Meanjin, meaning place shaped as a spike, which references the shape of the Brisbane River. They were fishing people, and the river supported this as well as other spiritual and recreational activities. The Turrbal and Yuggura people were the custodians to all parts of the nation, including the land, flora and fauna. Their survival was reliant on their experience and intimate knowledge of the country.

Queen street, the city’s main street, is filled with luxury shops and attracts tourists and locals for its many events held on the street and was one of Brisbane city’s first streets, as it opened just as the free settlement in 1842 was initiated. Surveyor Dixon had undertaken a survey of the streets of the town in early 1840, which essentially comprised a grid pattern of square blocks, with one of these streets being Queen Street. However, Govener Gipps criticised Dixon’s layout and commented that it was ‘simply and ordinary provincial Settlement’. This lead to Gipps widening half of the streets, and created a demand for essential shopping and market locations to be held on one street.

Furthermore, the site conditions were analysed for the second board.

-          Although there are awnings that provide shade, Brisbane is very humid, this area gets very hot.

-          The area also gets slippery due to the heavy rain poor during summer.

-          Queen street is located where it is because it is central to the city.

-          There are waratah trees lining the walking area.

-          Queen street, although very hot, does not get sunny due to its placement.

-          There is flash flooding, meaning most surfaces are made of water impermeable substances.

-          Wind tunnels form regularly during the spring season.

-          Queen street is also used as a circulation point. It shortens the travel time for foot traffic in Brisbane CBD.

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After looking through 'Design 20th Century' by TASCHEN, I was inspired by Ron Arad's Little Heavy Chair, Junichi Arai's Mentled Off, and Charles Ashbee's Silver Mounted Decanter. I then searched these items on Pinterest to provide further inspiration that looks similar but not the same. I gathered all imaged I felt fit and put them together on a mood board.

From the image above, it can be seen that glass, fluid stretchy shapes, shiny, objects/ materials will be used in the final piece.

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Choosing what the space looks like/ is used for. 

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Choosing what the space looks like/ is used for. 

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Considering the site implications, in that, it is busy, has lots of foot traffic, is not extremely sunny but very humid, and that it attracts tourists as well as locals, I needed the purpose for the site to accommodate all needs of the site. Furthermore, it the actual room needed to be in a location that is accessible, seen by all, and provides the audience will a sense of awe in the grand room. This is where I landed in a concert area.

Inspired by Time Square, an outdoor performance area, wherein local artists can show their musical talent and bring together the people of Brisbane.

Queen Street is usually bustling with busy people. It's not the destination of many, but rather the path to get there. I want it to turn into the destination where people deliberately have to stop and look. Furthermore, I want it to draw people's attention in the city.

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Red area outlining the 100m2 used for the project. 

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All sites on the trail were considered. I needed to find a site that was big and empty enough to convey any ideas that I could come up with. King George Square, Queen street, and the Board walk were considered. Queen street was chosen as the final site due to its broad space and adaptability to an infrastructure.

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I then used information from everyones site and slides and created a newspaper infographic. The paper is featured in the video in the first scene.

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I then wrote a script for both sites that I was going to go into detail in. I then recorded each 3 times and edited the audio files to end up with a smooth final audio.

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I gathered all research, drawings and photos from my work and placed them on a slide.

St Stephans grass is usually shady and cold. Wind tunnels are formed regularly. the site embodies a classic architectural style and was designed by Benjamin Backhouse, who was an architect and politician in Australia. He was a Member of the New South Wales Legislative Council. The church was designed by famous designer Augustus Pugin, who was an English architect, designer, artist and critic with French and Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture. It was built in 1850 and quickly gained popularity, as Brisbane's catholic population was ever-increasing.

The outside grass area is a sacred area, where people leaving the church gather after a ceremony and discuss. The area attracts residents of Brisbane, as they attend the services regularly. Furthermore it attracts people from out of town when it hosts weddings or funerals.

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I gathered all research, drawings and photos from my work and placed them on a slide.

Customs house duties were managing imported products to Queensland. This was important to Queensland as the manufacturing sector was slow to develop in the early stages, due to the struggle for ships to float down the Brisbane river. However, after much struggle, Brisbane was declared a port city in 1846 and the building was acquired by the federal government.

The success of customs house was not high in the initial opening, after the federal government took control, the building was used effectively.

Nowdays, all shipping is handled externally from the building, making the building a historical site, rather than functional.

Customs house duties were managing imported products to Queensland. This was important to Queensland as the manufacturing sector was slow to develop in the early stages, due to the struggle for ships to float down the Brisbane river. However, after much struggle, Brisbane was declared a port city in 1846 and the building was acquired by the federal government.

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Louis Vuitton Slide including drawings and Photos. 

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I gathered all research, drawings and photos from my work and placed them on a slide.

Louis Vuitton Brisbane City. It was established in 2005 and features sandstone, taking the rues from the classical architectural design first featured in the house's PLAS VINDOOUM in Paris. Louis Vuitton brought in Australian artist Otis Hope Carey to create a mural that spans the basement to the ground floor.  The mural attracts tourists as well as locals. The building – now heritage listed, was originally the Australia bank building.

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After confirming my sites, I researched history, architect, and interior designer of each site.

week 1

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Taking parts from each persons design, this was the final draft of the map.

Week 2

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This was the design I created. I simply drew circles linking the sites close to each other, and then linking those circles together. This allows the audience to see sites a few times and loop around. I think tourists value this, especially if they are staying in Brisbane for a few days.

week 2

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everyones site was recorded and marked on the map provided to us. The group was then asked to come up with creative ways to link all the sites , and to avoid linking them locationally.

week 2

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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drawn digitally after taking photos

week 1

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week 1

The interior of Louis Vuitton Brisbane is Neoclassical Revival, it was chosen to reflect the luxury and excellence of the products that Louis Vuitton produces. It is made of luxury materials such as marble, polished wood, and leather. Furthermore, a lot of the furniture and display cases are custom-designed to match the fit-out and interior layout of the store. The store exhibits a neutral colour palette to emote the existence of luxury and elegance. Lighting is used to elevate the products and draw the attention of people without overwhelming the space as too bright.

Louis Vuitton Brisbane City also displays local artists' art to increase context and culture. The installations are done by Indigenous artists. Louis Vuitton does this as an attempt to emphasise the artist to tourists and popularise them globally.

This style of Neoclassical revival also embodies the notion of minimalism. This style is used throughout the video in assignment 1, in that the newspaper effects and stylistic details are minimal and have a light and almost colourless colour pallette.

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week 1

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week 2

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week 1

Customs House in Brisbane exhibits a Victorian Free Classical Style. It references Greek and Roman excellence through its columns and pilasters and uses this symbolic nature to evoke the same excellence in Brisbane. Customs House was the centre of trade in Brisbane in the 19th century, meaning that exterior visual impact was of high importance. Evoking Greek and Roman excellence was extremely important, as it displayed to outsiders the importance and elegance Brisbane held. Furthermore, the symmetry behind Customs House also has symbolic importance. It references the efficient and balanced nature of the trade Brisbane intended to do.

Other features of the Victorian Free classical style that is embodied in Customs house are the dome shape as the roof and drain structure, ornamental detailing such as ornate stonework and arched windows and doorways.

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week 1

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week 1

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week 1

The interior of Customs House exhibits a Victorian Classical Revival Style. This style is reflective of the 19th century in all public event spaces that were made at the time.

Features such as grand detailing, such as cornices and ceiling roses, high ceilings, marble and polished wood, browns, beiges and grand staircases are styled inside Customs House. These features were symbols of wealth and prestige in the 19th century, as they were a sign of wealth. They would have been chosen specifically to convey that the building, and more widely, Brisbane, was a place of new wealth and prestige.

Victorian classical Revival design, with its grand scale, formal elegance, and use of high-quality materials, gives Customs House a refined, timeless interior that complements its role as a historic and civic building.

Features of Customs House are exhibited in the Project 1 video, as the video starts by featuring someone opening a newspaper and reading about Brisbane, furthermore, the whole video is reminiscent of reading a newspaper.

Public buildings like Customs House, designed in the Victorian Classical Revival style, were symbols of governmental or civic authority. Newspapers function similarly, acting as authoritative voices in society. Just as these grand buildings symbolized stability and progress, newspapers conveyed the importance of information and the power of communication.

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week 1

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week 1

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week 1

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week 1

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week 1

The church's exterior exhibits the same design style as the interior: Gothic Revival.

The exterior also exhibits buttresses, tall spirals and pinnacles, and stone facades, which are also key features of the gothic revival style.

The trees on the exterior of the church are also featured in the poster of Project 1, as depicted on the top left and bottom right corner.

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week 1

Being a church, the interior exhibits a Gothic revival style. This style was popularised in the 19th century and reflects the architectural trends of Christianity during this time. Notable elements featured in the interior of St Stephan Cathedral that align with Gothic Revival are the pointed arches, ribbed vaults, stone columns, wooden beams, nave and chancel layout -which directs the light and attention toward the altar, and carved wooden pews.

Themes of Gothic Revival style are conveyed in the poster of Project 1 where the background features a similar colour scheme, of light beiges, hints of red, and gold accents, featured throughout the poster.