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I enjoyed this process until the last one where I struggled to get it to the shape in the exercise. This was my first time working with terracotta which I enjoyed and think with it's smoothness and plasticity compared to stoneware clay was a good one to use for this exercise.

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These are Jomon style coil pots I made, two were copies and the third on the bottom right was inspired as i wanted to try something else. These are not bisque fired yet.

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Warren Mackenzie is an American potter and teacher who studied under Bernard Leach. Most of his work is wheel thrown and functional and was influenced by the Japanese Mingei style. I love his simple forms and glazes, there is a harmony in his work with both the forms and glazes, there is a groundedness in it's beauty and functionality for me.

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Lisa Hammond is from the UK and I enjoy her directional approach and her apparent confidence in her processes. She is experiential with her glazes and design and is a wood firer.

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What caught my attention with Jeff's work is it felt very purposeful, I love his lines and angles, his shapes and edges. I also enjoy the glazes he uses which are both German and Japanese influenced. His work is primarily functional and he apprenticed under Bernard Leach and Warren Mackenzie.

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I discover Phil Rogers through the Goldmark Gallery and his apprentice Anne Mette Hjortshøj. I love his forms and the glazes he works with, his Korean influence and his desire to use local clays and ingredients.

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These are my pinch and coil pieces after firing at 1160 C. I used engobe, iron oxide, cobalt, copper black, copper oxide, manganese and yellow oxide.I was playing around with the colours and colour mixing. On the insides I used Abbott's clear and Majorlica white glazes. This was my first time with oxides and glazes so I felt not knowing how they would turn out so lacked vision on the desired outcome but it is a beginning and now I have these processes to reflect on. It felt like the colour of the clay played a big part on the colour outcomes of the oxides and want to explore further how the oxides responded to the clear glaze.

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Pinch pots not yet bisque fired made with stoneware clay, experimenting with textures. Bottom ones 2 pinch pots joined together.