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The reader is enticed into the easy familiarity of routine on the ship with the immersion in food, camaraderie and an extended sense of family. 

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The reader is enticed into the easy familiarity of routine on the ship with the immersion in food, camaraderie and an extended sense of family. 

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A charming vignette (brief, evocative description/account) is offered through the combined process of memory and childish innocence and awe on a ship that is "cosy and comfortable and lived in and loved." This is in stark contrast to "navy ships" that were "grey and clean and organised." Note the use of polysyndeton.

# data[].attributes.subject
A charming vignette (brief, evocative description/account) is offered through the combined process of memory and childish innocence and awe on a ship that is "cosy and comfortable and lived in and loved." This is in stark contrast to "navy ships" that were "grey and clean and organised." Note the use of polysyndeton.

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We have a vivid description of Isla's next door neighbour mowing her lawn. We get to see Bo's childish side shine when his senses overcome him after the lawn is mowed.

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"I haven't smelt grass since I was a boy" gives the idea that Bo has been away from home for a while and can't actually remember when he last spent time out on the grass, he gives the feeling that he remembers his child hood as something as a good memory.

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What is the mood at the end of the chapter? 

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What is the mood at the end of the chapter? 

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At the end of the chapter there is a mood of reflection as Bo is remembering what it is like for him when he first joined the ship. He remembers the shock of the long days filled with hard work and no rest. He remembers that it is especially hard since you are very far away from home.
Unlike the beginning of this chapter, it ends on a melancholy note of homesickness, but more specifically depicts the loneliness of young sailors who are adjusting to working at sea, “so very far away from home”.

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The chapter is set early in the morning in the gallery on the Nella Dan. Bo is speaking about how it is lonely and quiet, while they all wait for breakfast. In this chapter we also meet Leo (baker), Erik, Jonas and Klaus.

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How does Parrett evoke a realistic setting?

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How does Parrett evoke a realistic setting?

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During chapter 12 Parrett evokes a realistic setting by providing very small details of the setting and the Galley. Parrett is attentive to small but specific details that create a vivid spatial image of the galley. For example, a plausible action “pastries coming out the oven” is coupled with an aroma “sweetness in the air”, creating a sense of place that also is inhabited by realistic characters, kitchen staff, who are depicted in a manner congruent with that occupation.

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The chapter is based on Isla, and  her family is visiting Bo on the Nella Dan. Bo made them lunch and they also meet Soren. Her brother gets to take home a box of chewing gum.  Which her and her brother shared

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Isla describes the Nella Dan as a ship that is "cosy and comfortable and lived in and loved." This is in contrast to how Isla describes the ships all lined up as "grey and clean and organised. Compartmentalised". The polysyndeton shows that Isla is excited to get on the Nella Dan.

As Isla goes inside the Nella Dan she uses polysyndeton again talking about the "many floors and cabins and corridors and outside decks..."

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 At the top of p. 36 we see “tiny people … fairies … giant[s]. How does the remainder of this chapter continue to develop characterisation and demonstration of relationships

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 At the top of p. 36 we see “tiny people … fairies … giant[s]. How does the remainder of this chapter continue to develop characterisation and demonstration of relationships

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The characterisation of “tiny people … fairies … giant[s].” reinforces facts/descriptions from the previous paragraph that the ship was massive, big and warm and cozy inside. this is also perhaps because the kids are tiny even in proportion to a normal adult so it increases the difference more.  They are "like tiny people, like fairies..." also shows the mood of the chapter is lifted a little, and Isla's brother is mentioned a few times. Her brother is happy after he meets Soren. His brother "really laughed" and Isla "saw his eyes, how big they were". At the end of the chapter it is shown that her brother is in a good mood as he said that he would "share the chewing gum".  A number of innocent, fun incidents again show the caring side of the 'giant' men and the lovely relationship between Isla and her brother

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How is Nella Dan characterised toward the bottom of p.35?

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How is Nella Dan characterised toward the bottom of p.35?

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Nella dan is characterised as something that is all bright and warm, and much larger than she appears inside the ship. Inside we see that it is full of stairs, floors cabins, and various other places to sit. We also see that it is a cozy place that is much better than where they are at the moment

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How does the characterisation of Bo continue in a similar vein to the previous chapter? 

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How does the characterisation of Bo continue in a similar vein to the previous chapter? 

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The chapter is written by Isla through her eyes more focused on Bo, It gives the idea Saturdays are quiet for them and a day off in a way, the chapter is more on Bo, He is caring for the kids helping them out and making them laugh like he is part of their family showing his child like side.

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In which part of the ship is the chapter set? 

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In which part of the ship is the chapter set? 

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This chapter is mainly set in the Galley as the captain is trying to make his way through the pack ice.