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Rhythm = orange
Forces = red
Tonality = pink
Texture = purple
Structure = dark blue
Melody = light blue
Harmony = green

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Harmony - Features include:
1. Modal dominant (bar 21).
2. Ascending harmonic sequence (bars 27-34).
3. Descending harmonic sequence (bars 39-42).
3. Functional dominant chord beginning in bar 57.
4. Open 5ths chords at bar 73.
5. Final chord (bars 81-82) is an unstable tonic in second inversion.

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Harmony - Introduction consists of a dominant pedal, supporting first a single line, then 3rds from bar 9.

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Melody - Second theme appears for the first time at bar 35, adopts auxiliary note figure from bar 2 theme A. Motif is not heard in a minor mode.

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Tonality - Brief excursions to A minor (bars 27 and 51).

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Tonality - Cue is in G minor, reinforced by a dominant pedal, using both a 'modal' and functional dominant

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Melody - Both melodies rise from tonic to dominant, and share a distinctive two-quaver figure, with appoggiatura, at the highest point.

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Melody - First motif (bar 19) is a rising, conjunct line in G minor.

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Melody - Two main motifs, both similar to themes from the first cue.

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Melody - Introduction consists of a series of sustained sounds, each lasting two bars, moving up or down through a minor 2nd.

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Rhythm -  This introduction is characterised by:
1. Long sustained dominant pedal.
Ominous patterns on timpani.
Continuous quavers in the accompaniment (bars 43-67).

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Metre - 69 crotchets per minute, triple time.

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Tempo - The music is slow.

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Sonority - Instrumentation is gradually built up as the movement progresses.

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Texture - Key texture features:
1. Pedals.
2. Quaver rhythmic ostinato.

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Texture - Melody Dominated Homophony.

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Structure - Three separate themes laid end to end. No development.

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Tonality - Cue is in D mixolydian, there are no modulations.

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Harmony - Variety in this cue comes from:
1. Use of (non-cadential) second inversions (bars 8, 12-14).
2. Introduction of unprepared and resolved 7ths (bar 11).
3. Use of A7 over pedal D (bar 21).

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Harmony - Entire cue is built on an alternation of the 2 basic chords of D major (tonic) and A minor ('modal' dominant).

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Harmony - Harmony is functional with some perfect cadences (bars 41-43).

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Melody - Melodic features include:
1. Transposition up an octave of part of the first theme (bar 10).
2. Auxiliary notes (bars 2 and 35).
3. Frequent stepwise movement, leaps of 3rds, 4ths and 6ths.
4. Appoggiaturas (bar 18).
5. Stepwise descending and ascending line (bars 37-43).

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Rhythm - rhythmic features include:
1. Continuous quavers.
2. Syncopation (bar 1).
3. Long note lengths.
4. Occasional triplets (bar 22).

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Metre - In simple quadruple time.

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Tempo - Has a tempo of 116 crotchets per minute.