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An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or
abstract.

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An element of art that is two-dimensional, flat, or limited to height and width.

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An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.

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The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.

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An element of art by which positive and negative areas are
defined or a sense of depth achieved in a work of art .

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r An element of art made up of three properties: hue, value,
and intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value
changes when white or black is added)
• Intensity: quality of brightness and purity (high
intensity= color is strong and bright; low intensity=
color is faint and dull)

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An element of art that refers to the way things feel, or look
as if they might feel if touched.

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distribution of the visual weight of objects, colors, texture, and space.

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the use of several elements of design to hold the viewer’s attention and
to guide the viewer’s eye through and around the work of art.

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the repeating of an object or symbol all over the work of art. works with pattern to make the work of art seem active

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the feeling of unity created when all parts (sizes, amounts, or number)
relate well with each other

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the path the viewer’s eye takes through the work of art, often to focal
areas. created when one or more elements of design are used repeatedly to
create a feeling of organized movement.

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the feeling of harmony between all parts of the work of art, which creates
a sense of completeness.

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the part of the design that catches the viewer’s attention.

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A photo is symmetrical when split in half.

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same on both sides

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no matter how you split it, both of the sides won't be the same.

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two things close together with contrasting effect.

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general rules do not apply

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two colors or things blending into each other.

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Purple, blue, green, gives a feeling of cold

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red, yellow, oranges, gives feeling of warmth

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blacks, grey, beige, simple colors

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opposte each other on the color wheel: yellow, purple. blue orange. redgreen.

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same color throughout

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shape and style of a photo

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used in filmmaking, most common and most used

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camera with two lenses in it and each are used differently

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darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole.

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monochrome imaging process based on the light sensitivity of silver halides

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a keeper or custodian of a museum or other collection.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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a room or building for the display or sale of works of art.

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a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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often a business owned and represented by one or more photographers

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Providing constructive feedback

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taking someone else's ideas and claiming its yours

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relating to moral principles or the branch of knowledge dealing with these.

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Subjective:

Based on or influenced by personal feelings, tastes, or opinions.
Objective:

(of a person or their judgement) not influenced by personal feelings or opinions in considering and representing facts.

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Copyright protects original work, whereas a trademark protects items that distinguish or identify a particular business from another. Copyright is generated automatically upon the creation of original work, whereas a trademark is established through common use of a mark in the course of business.

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The rule of thirds is a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open.

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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The golden ratio is a ratio of approximately 1.618 to 1. Artists have used this ratio for centuries to create works of art from paintings to architecture.

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the space around and between the subject of an image. Ne

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the subject or areas of interest in an artwork, such as a person's face or figure in a portrait, the objects in a still life painting, or the trees in a landscape painting.

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a lamp that emits long-wave (UV-A) ultraviolet light and very little visible light.

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Diffused light is non-directional light, where the intensity of light is even.

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can be defined as any form of light that you didn't add to your photo. ... Natural ambient light can include things like sunlight, moonlight or fireflies. On the other hand, examples of artificial ambient light include: fireplaces, candles, string lights or lamps.

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an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.

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is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.

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A diptych is any object with two flat plates which form a pair, often attached by hinge.

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A triptych is a work of art that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open.

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In digital imaging, a pixel, pel, or picture element is the smallest addressable element in a raster image, or the smallest addressable element in an all points addressable display device; so it is the smallest controllable element of a picture represented on the screen.

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Orthographic views are two-dimensional views of three-dimensional objects.

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Barrel distortion describes a type of distortion wherein lines that are straight in real life appear to curve inwards (like the walls of a barrel).

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In geometric optics, distortion is a deviation from rectilinear projection; a projection in which straight lines in a scene remain straight in an image.