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"Combining sports facilities with children’s playgrounds and abundant seating, it’s zoned into colour-coded areas – shocking pink, red and orange squares – denoting different activities"

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Wide open spaces - squares, gardens, plazas and parks - have always been appealing oases in bustling cities. They are places to socialise, or to indulge in solitary reading and sunbathing. Now more than ever they are synonymous with freedom, providing a sense of release and respite from domestic confinement. And with social distancing a reality for many of us, spending time in large outdoor spaces is good for our health in more ways than one. We suggest several spectacular outdoor projects created by architects and landscaping experts that will satisfy our hankering for space - and shed light on new developments in urban design.

Superkelin is a 1-km-long urban park created by Danish architects BIG and landscape architects Superflex (Credit: Iwan Baan)

Superkilen, Copenhagen
Conventional street furniture has no place in Superkilen, an extraoardinary 1km-long paved space billed as an 'urban park' in Nørrebro, a neighbourhood populated by communities from more than 60 countries, north of Copenhagen's city centre. Combining sports facilities with children's playgrounds and abundant seating, it's zoned into colour-coded areas - shocking pink, red and orange squares - denoting different activities. Adjacent buildings are partially painted the same shades, creating the illusion that the space is bigger than it is.

The project was initiated by the city of Copenhagen and Realdania, a private Danish association that funds architecture projects, and was designed by high-profile Danish architects Bjarke Ingels Group (BIG) in collaboration with landscape architects Topotek1 and artists' collective Superflex.

Unusually, an extensive consultation with local communities resulted in the inclusion of objects they particularly cherish, from a Moroccan fountain and workout machines like those on Venice Beach, Los Angeles, to neon signs from Qatar and Russia. A metal plate embedded in the ground beside each object names it and explains its origin.

Marsa Plaza, Oman
The recent expansion of Muscat, the capital of Oman, along the coastline has seen the creation of a new port, marina and its multipurpose Marsa Plaza. London-based architects Acme won an international competition to create the latter - a 5,000-sq-m space, completed in 2018. The plaza is bounded on two sides by medium and low-rise buildings, and overlooks the marina and sea. It features fountains and an amphitheatre used for concerts and movie nights, and hosts food markets and art exhibitions. "The new buildings' footprint was restricted to maximise the outdoor area," says Duarte Lobo Antunes, one of the project's architects.

"Oman has a very laid-back culture and is a popular holiday destination in the Middle East," continues Lobo Antunes. "In Muscat people usually socialise in the evenings, particularly from May to September when, during the day, they avoid places without shade."

The square's buildings feature latticework and projecting canopies made of a stone called desert rose in neutral tones, from cream to brown, that provide varying degrees of shade as well as glimpses of the sea. Steps lead towards the marina, adding to a feeling of limitless space. The square's graphic lines nod to patterns traditionally found on floors in Oman. "The square reflects the informality of Muscat. It's a place where people can meander and gather in different spots," adds Lobo Antunes.

A grassy area landscaped by Dan Pearson offers a relaxing oasis in the city (Credit: John Sturrock)

Gasholder Park, London
Gasholder Park in King's Cross, London, fuses a vestige of 19th-Century industrial architecture - a disused Victorian gasholder - with a new pavilion, designed by Bell Phillips Architects, and pastoral landscaping by Dan Pearson. The project involved dismantling the gasholder's 250m-tall, circular guide frame with a 40m inner diameter from its former location (now public space Pancras Square) and moving it to a spot overlooking Regent's Canal.

This union of old and new doesn't jar, thanks to Bell Phillips' addition of a circular, polished-steel colonnade with a canopy that runs round the guide frame's inner perimeter. These concentric circles enclose a large, lush, grassy area planted with cheerful yellow and white flowers. Light reflected from the mirrored surfaces has the effect of softening, even dematerialising them. Every evening, cool white lighting inspired by a solar eclipse, created by lighting designers Speirs and Major, illuminates the structure in 20-minute cycles, interspersed with dramatic, two-minute periods of darkness.

"Some parts of the park feel secluded, some more active, with joggers and children playing near their parents - there's a school nearby," says Hari Phillips, co-director at Bell Phillips. "The lockdown has made us realise how precious open spaces are, particularly in high-density cities."

StoDistante, Italy
Completed last May, StoDistante ('I'm keeping my distance' in Italian) is an installation in Vicchio, near Florence. Many famous Italian artists were born near this 13th-Century town, including Giotto who gives his name to Piazza Giotto, one of its squares. Now this new installation, created by local architects Caret Studio, is bringing the square firmly into the 21st Century by addressing Tuscany's current social-distancing regulations.

The painted grid pattern blends with the picturesque setting of the square (Credit: Giulio Margheri)

Caret Studio's understated intervention offers an elegant solution to social distancing without detracting from the picturesque setting of the square: it has painted a grid pattern of white squares directly on to the cobbled ground using white removable paint. "The squares creates a grid to guide people's movement around the square safely," explains Giulio Margheri, who co-founded Caret Studio in 2014 with Matteo Chelazzi and Federico Cheloni, two of whom were born in Vicchio. "People know that when standing in each white square they are 1.8m away from the centre of the next one." The hope is that the space will be used as an open-air cinema and gym as restrictions on public gatherings are eased in the near future.

"The municipality of Vicchio supported the project from the start," recalls Margheri. "We see StoDistante as a design strategy that could be deployed in public areas in other towns and cities, allowing citizens to reactivate open spaces post-lockdown."

The High Line, New York
When Ricardo Scofidio, a partner of New York architecture practice Diller Scofidio + Renfro, first became involved in the High Line project in 2003, he had a vision of preserving the untouched qualities of this elevated structure that fell out of use in 1980. This disused viaduct section of the New York Central Railroad line, known as the West Side Line, had evolved over the years from a post-industrial relic to a fertile habitat for plants thriving in different microclimates.

Scofidio, who repurposed the line into a park in collaboration with James Corner Field Operations and planting designer Piet Oudolf, didn't want to suppress nature: "We didn't want the plants to be imprisoned by hard-edged kerbs but blur the line between plants and hardscape," he recalls. "We encouraged the plants to overtake the structure, to grow through the cracks."

Now this major New York attraction with views across the Hudson River boasts benches made of stretches of track, 120 plant species and birch trees providing shade.

The last section of the line to open, the Spur, which extends along 30th Street, was designed by the same team, and opened last year. However, here culture has taken the upper hand over nature: at this juncture, the line swells into a large plaza where monumental art pieces take centre stage; the inaugural piece is Simone Leigh's Brick House, a sculpture of a black woman whose torso morphs into a clay house. The Spur is also a music venue. The plaza also features stylised elements, including gigantic tilted planters. As James Corner puts it: "This dramatic space is flanked by generous seating and overlooks and immerses you in the massive scale of the city, opening up new vistas".

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Wide open spaces - squares, gardens, plazas and parks - have always been appealing oases in bustling cities. They are places to socialise, or to indulge in solitary reading and sunbathing. Now more than ever they are synonymous with freedom, providing a sense of release and respite from domestic confinement.

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Find out about incredible vehicles and modes of transport from the past including Hanse Cogs, Zeppelin Airships, local Stage Coach companies, pilgrim routes, early cars and planes and.... speedway!

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Find out what remarkable things happened in the past in King's Lynn.

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The introduction from Rob Hopkins book 'From What Is to What If' to inspire the creative writing Diary of the Future task on Page 19.

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Find out why King's Lynn was so important to the merchants of the medieval German Hanse.

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Have a watch of this to get inspiration for your future intergalactic vehicle design! Think about shapes and forms..

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◄ FICTIONAL STARSHIPS Size COMPARISON ► 3D 🛸

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What will fashion be like 20 years from now? 

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What will fashion be like 20 years from now? 

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A BBC/designed article including some great future fashion images to scroll through - from Black Panther to Fortnite avatars.

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By Bel Jacobs Features correspondent

From virtual collections to limitless creativity, in the first of a new series on future culture, Bel Jacobs explores what style will look like in two decades' time.

Watch any recent science-fiction movie and you'll be struck by divergent visions of the future, as seen through the eyes of Hollywood costume departments. Follow the sartorial route of Ryan Coogler's Black Panther, for example, and we can expect to sheath our fortunately pneumatic bodies in reinforced scuba suits. Turn instead to the post-apocalyptic worlds of Blade Runner 2049 and the TV series The Expanse, and the offer is bastardised street wear, scavenged from the wardrobes of the past.

More like this:

- Is it the end for the suit?

- What does luxury mean now?

- The rise of guilt-free gems

Anything, apparently, is better than what we have now. From questions over modern slavery to the planet-levelling effects of over-consumption, fashion is under fire - and brands are having to adapt. According to a recent report shared at the Camera Nazionale della Moda Italiana's third international roundtable on sustainability in Milan, buyers at stores like Barneys and Saks in the US and Printemps in France expect to nearly double their total spending on sustainable products in the next five years, from 23% to 40%.

The costume design for the futuristic film Black Panther was widely acclaimed, and won the 2019 Oscar (Credit: Alamy)

What looks set to remain constant, however, is the urge to consume, hard-wired into human nature. As Dr Mark Summer from Leeds University School of Design wrote, in Fixing Fashion, this year's report by the Environmental Audit Committee: "fashion satisfies consumers' psychogenic needs... and any solution has to recognise - and maintain - these benefits.

Accordingly, innovators are exploring future solutions that offer all the hit of the new buy without stripping the earth - and the answers, increasingly, appear to lie in the digital world. "We're finally seeing the digital industry revolutionise age-old practice and evolving over the next 20 years," says Rachel Stott of The Future Laboratory. "Immaterial and digital fashion offers opportunities for brands to exert creativity, and connect with consumers through a different medium."

In TV series The Expanse the post-apocalyptic look is scavenged street wear (Credit: Alamy)

A hairstyle made from water, a dress that alters its shape according to sound: these are all possible &ndash; Rachel Stott

And in one manifestation, the clothes won't exist at all. When Norwegian retailer Carlings launched a digital collection last year, the fashion - futuristic streetwear, bought online and e-fitted to users' photos - was created to counter the 'wear once, take a selfie, chuck it away' philosophy of today's frantic online influencer. "We've opened up a world of taking chances with styling, without leaving a negative footprint on the world," Morten Grubak of Virtue Nordic, told iD's Jake Hall, at the time.

For the virtual generation, the digital collection is just a logical step forward. Fervent players of games like Fortnite, The Sims and Sansar already spend billions on things that aren't actually there - including clothes. "Increasingly, we will see digital collections and garments free from physical and creative restrictions become part of the fashion landscape," says Stott.

Norwegian retailer Carlings launched a digital collection in 2018, paving the way ahead (Credit: Carlings)

"There is a clear trend to blending the physical world with online content," agrees Matthew Drinkwater, of the London College of Fashion's Fashion Innovation Agency. His vision posits a future in which, using augmented-reality glasses that overlayg digital imagery onto the real world, we 'share' the clothes we want to be seen wearing into the AR glasses of others who are participating.

Pie-in-the-sky? Not quite. Working with Lucasfilm's immersive entertainment division ILMxLAB, Drinkwater introduced the project at designer Steven Tai's London Fashion Week 2018 presentation.

Games such as Fortnite offer players different identities for their avatars, a sign of things to come in fashion (Credit: Epic Games)

"The project hints at a future where we will be able to download content to our clothing, viewable through AR glasses, and present ourselves differently to everyone around us," says Drinkwater. "Our identities are constantly evolving and becoming more fluid by straddling both the digital and physical realms," adds Stott. "Digital fashion allows people to fully experiment with how they would like to be perceived - and push limitless creative boundaries. A hairstyle made from water, a dress that alters its shape according to sound: these are all possible."

Brave new world

But, if the thought of operating so completely online makes you jumpy, there are more concrete applications for the tech. According to the Ellen MacArthur Foundation, $500 billion is lost every year in clothing under-use and waste costs; 87% of all fashion made goes to landfill. So what would happen if we only made clothes people really wanted? This is the concept behind NY-based digital agency Neuro Studio's latest work, Solventus 2019, a collection for which human models were 3D-scanned to obtain precise measurements before the garments were designed directly onto digital avatars.

Virtual-reality technology will play a key role in future fashion (Credit: Carlings)

The intention, eventually, is to only make the clothes - capes, body harnesses and leggings built with body-supporting weaves and cold weather fabrics; very post-apocalyptic - when someone orders them.

And there is, of course, more: Neuro Studio's collection encompasses 3D-printing, the tech that allows designers to tailor-make pieces digitally for individual customers. Sportswear companies such as Nike, which already allows shoppers to design their own trainers, posit a future where consumers will be able to 3D print their own shoes at home. Shoppers could become designers - when streetwear label Hype couldn't decide which design to go for, they let their customers choose via an Instagram post.

Fashion e-fitted to users' photos has already been created by Carlings, and is set to be more widespread in years to come (Credit: Carlings)

We are, says Stott, moving ever closer to consumer-designed clothing. "Fashion - the industry it once was - no longer holds the cultural imagination or kudos it once did," she says. "The hegemony of fashion influencers has shifted in recent years, from designers, creative directors and magazine editors to the people. The consumer wants creative input and hyper-personalised products, and technology is empowering them to do so."

Clothes will function as a new interface &ndash; Mano ten Napel

At the same time, the technology that goes into clothes themselves is galloping ahead. Smart fabric companies are developing materials that can gather data such as, in the case of the Nike Adapt BB basketball shoe, whether a wearer needs to alter their strike in order to avoid injury. "In the future, with the roll out of 5G, clothes will function as a new interface, impacting on the way we communicate with the connected world and with each other," says Mano ten Napel, founder of digital magazine FashNerd.

In the future clothing will become increasingly hi-tech (Credit: Carlings)

Whether or not these technologies will available to all, as in the case of fast fashion , is another matter. "I look at social behaviours," reflects fashion forecaster Geraldine Wharry. "And I think supply scarcity - in terms of water and fabric shortages and costs going up, for example - is going to be a big one. When those things happen, people shift their budgets for what they really need to survive." And fast fashion? "It's an outdated model," says Wharry. "I just cannot see how it can continue. Brands without some kind of sustainability strategy are in trouble."

Smartphones already play a major role in the fashion industry (Credit: Getty)

So where will the ordinary person turn for their fashion fix? As future tech evolves, parallel movements are showing a return to the hand made and the tactile. "There's a lot of interest in craft," says Wharry. "It's a different way of connecting with the clothes." Secondhand markets are exploding; according to fashion resale site ThredUP, sites like itself are growing 24 times faster than the retail industry as a whole. Meanwhile, the rental economy is gaining traction. "In fashion, rental can provide newness without the environmental cost," says Sara Arnold of Higher Studio.

Fashion will retain its identity as a form of escapism and expression

"Humans still need to be clothed so we will see a shift in the way in which we access clothing in the future," says Stott. "Ownership is no longer the end goal. We outsource our music and film choices to digital subscription services, and we will see a similar movement with clothing powered by AI. People will subscribe to central fashion services, and borrow clothes on a short-term basis according to their needs and lifestyle changes, reducing the masses of clothing sitting unused in a closet."

The character Luv is attired in white in the dystopian film Blade Runner 2049 (Credit: Alamy)

However we get our clothes, fashion will retain its identity as a form of escapism and expression, particularly as planetary conditions get more difficult. "If you look at the Great Depression, there was a lot of glitz and glamour," says Wharry. "And if you look at the trends right now, there's a lot of colour. Fashion is always a mirror of what is going on in society. There could be so much difference between the haves and the have-nots in the future that it could create very extravagant fashion."

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What will fashion be like 20 years from now?

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From virtual collections to limitless creativity, in the first of a new series on future culture, Bel Jacobs explores what style will look like in two decades' time.

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A trailer for the film 2040 which explores what the future could look like if we embrace the best solutions available to us to improve our planet. The film is described as a 'vision board' of how these solutions could regenerate the world for future generations.
To watch the film with your class or group will cost £3.49 (SD): https://youtu.be/VSHQ0mgHg48

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A look at some of the astonishing fabrics we could be wearing in the future..

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The astonishing fabrics we could be wearing in the future! | Fashion Conscious - BBC

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Encourage students to harness creativity and innovation, engaging with the world around them to develop positive, action driven solutions.

Topics covered link to the film:

marine permaculture

energy

agriculture

transport

and educating girls

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Cool Australia has partnered with 2040 to develop a set of 31 lessons to guide teachers and students through this innovative Australian documentary from Director Damon Gameau (That Sugar Film).

The film covers topics such as:

Our units follow the narrative of the film encouraging students to discover information, identify and solve problems, students then make plans to take action.
All lessons contain exclusive clips from 2040 only available to teachers and students.
Some of the 2040 lessons have been adapted and included in our new Learn@Home series to support kids learning during this unique time. These free activities are designed for parents, caregivers and teachers to use with children in the home environment. Click here to access the Learn@Home lessons.

New Zealand Curriculum

.
The New Zealand teaching community can now
access 2040 lessons aligned specifically to the
New Zealand curriculum.

Want to see more lessons NZ aligned?

Email us and let us know which lessons you would
like our education team to align first.

Subject Specific Units of Work

Subject Specific Units of Work of work will challenge students to dig deep into the solutions presented in the film.

Social Action Lessons

Social Action Lessons will have students taking what they have learned in previous lessons and engaging others to join The Regeneration.

About the Film: Learn, advocate and contribute.

The 2040 journey began with award-winning director Damon Gameau ( That Sugar Film). Motivated by concerns about the planet his 4-year-old daughter would inherit, Damon embarked on a global journey to meet innovators leading the way to a better future. In 2040, Damon speaks to change-makers in the areas of economics, technology, civil society, agriculture, education and sustainability.

2040 is a story of hope that looks at the very real possibility that humanity could reverse global warming and improve the lives of every living thing in the process. It is a positive vision of what 'could be', that will give your students hope for the future.

Schools Edition DVD / Blu-Ray

Australia and New Zealand

Includes an educational license and optional 2040 handbook to accompany both the film and Cool Australia lessons.

Click here to order the Australian Schools DVD/Blu-Ray and here for the New Zealand DVD/Blu-Ray.

Teachers in Australia and New Zealand can now also organise a virtual screening of the film for your class.

Simply email schools@whatsyour2040.com to enquire about this option and our team will help you set this up.

Relevancy & Engagement

The 2040 team interviewed over 100 children aged 6-11 years old from 7 different locations around the world. These children shared their concerns, hopes and ideas for the future they want to inherit. These interviews guided Damon's journey to discover solutions that could help create that future.

Advocate & Contribute

2040 is sparking a global movement called THE REGENERATION asking students to make plans to take action. The Regeneration is encouraging learning, discovery, analysis and action. Cool Australia are proud to be the exclusive education partner of the film and bring a series of lessons for your classroom.

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2040 Film Curriculum Materials - Cool Australia

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Cool Australia has partnered with 2040 to develop a set of 31 lessons to guide teachers and students through this innovative Australian documentary from Director Damon Gameau (That Sugar Film). The film covers topics such as: Our units follow the narrative of the film encouraging students to discover information, identify and solve problems, students then make plans to take action.

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In The Year 2000: Fashion Predications from 1939

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In The Year 2000: Fashion Predications from 1939

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Including ideas for dresses made from aluminium and glass...

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In The Year 2000: Fashion Predications from 1939 | Vintage Fashions

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Join the super heores & download missions to engage children and parents on topics such as reducing single-use plastic, saving energy and water, fixing and reusing clothes, eating more vegetables, and sharing scientific facts.

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How will your future town be powered? This film made for the Young People's Trust for the Environment explains renewable energy.

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Young People's Trust For the Environment

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Find out about renewable energy, including wind turbines, tidal turbines, solar power (photovoltaics, solar heating and solar power stations) and wave energy in this short film. Renewable energy sources are important, because they don't emit the gases that cause climate change.

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Find out about renewable energy, including wind turbines, tidal turbines, solar power (photovoltaics, solar heating and solar power stations) and wave energy in this short film. Renewable energy sources are important, because they don't emit the gases that cause climate change.

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Watch to 2:12 for an insight into how fashion designers work.

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Fashion Design for Kids, Teachers and Parents

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Will houses of the future be 3D printed?
* google search '3D printed houses' for some interesting future housing designs and ideas, including ie the TECLA - made from clay that’s ejected from a state-of-the-art 3D printer called the Crane WASP!

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Mario Cucinella Architects

Italian design and architecture have influenced the rest of the world for centuries: see the Colosseum, the Trevi Fountain, and Guido Drocco and Franco Mello's avant-garde 1960s-era cactus coat rack. So it is today as ever. Italian architect Mario Cucinella has designed an incredible 3D-printed house called the TECLA that's being built as we speak just outside Bologna.

Made from clay that's ejected from a state-of-the-art 3D printer called the Crane WASP, the structure is being hailed as the future of sustainable design. It also looks a whole lot like an igloo-shaped mud hut, with a skylight in the ceiling to allow light to penetrate the windowless space's interior not unlike the oculus in the Pantheon. But the spare look is by design: Cucinella created the podlike dwellings as a response to the increasingly pressing issues of overpopulation, shortages of affordable housing, and degradation of the natural environment-hence the use of clay, a reusable, biodegradable material with minimal environmental impact.

Mario Cucinella Architects

When the TECLA is complete-ideally in early 2020-it will be the first house to be built entirely from 3D-printed clay. It's possible it will serve as a model for sustainable construction that aims to improve the health and wellbeing of local communities, as well as provide the framework for an adaptable, eco-friendly building method that can be universally accepted. Cucinella is, after all, the founder of the School of Sustainability, and his work on the TECLA stems from research done in conjunction with students at London's Architectural Association. Going green never looked so good.

This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io

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Is This 3D-Printed House in Italy the Future of Design?

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Mario Cucinella Architects Italian design and architecture have influenced the rest of the world for centuries: see the Colosseum, the Trevi Fountain, and Guido Drocco and Franco Mello's avant-garde 1960s-era cactus coat rack. So it is today as ever. Italian architect Mario Cucinella has designed an incredible 3D-printed house called the TECLA that's being built as we speak just outside Bologna.

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A  showreel of concept cars including autonomous vehicles, flying cars and other energy efficient 'cars' of the near future.
* google: 'future vehicles' for many more examples

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Top 10 Future Concept Cars 2020 YOU MUST SEE

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Featuring "streamlined marvels on wheels" - the automotive future from the perspective of 1948.

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Find out what children were wearing in the past: 1204 - 2021

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Find out what Elon Musk thinks the future will look like.
* Starts with Future Transport and then at 6:30 talks about Future Cities and day to day life in the future.

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Find out about King's Lynn's maritime heritgate and learn how ships changed over time (from 1204 - present). A Historic England resource.

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A pdf version of the DATA LOG for you to use as part of online activities, to mail out, add to class resources or embed into your website.

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This callout provides an introduction to the IHL Agents of Change project for schools and other groups taking part in the project.

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A Heyzine flipbook version of the Data Log.

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Data Log created for Collusion IHL Agents of Change project: King's Lynn 2021. PDF to flipbook converted using heyzine.com

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Information for teachers on how to use the DATA LOG and how to submit students work.

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Information for group leaders on how to use the DATA LOG and how to submit their group's work.

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For any extra ideas, next chapters, design details that the IHL may need!

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Sir David Attenborough explains how humans can take charge of our future and save our planet.