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Alfonso Grosso.The communion.(Trancs y Petancas)

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Alfonso Grosso.The communion.(Trancs y Petancas)

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The communion ("El Monaguillo"in spanish) is a famous picture done by Alfonso Grosso in 1920.

In this picture,we can see a kid who is probably making his communion,because we can see that the kid is really happy and because is dressed with clothes of the Church.

The religion is one of the styles that he painted in his pictures,also with the populace.

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Carmen Burgos, Iván Muñoz, Álvaro Navarro and Raúl Rodriguez.

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Carmen Burgos, Iván Muñoz, Álvaro Navarro and Raúl Rodriguez.

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This painting belongs to the famous painter José García Ramos, it is a work of oil on canavas. This painting deald with two girls dressed in flamenco, one dancing and other sitting moving hands and a boy playing the guitar, and singingbulerias this is what gives the names to the painting. Behind it there are some barrels lying and stacked on top of each other and a pink poster under a stool of a wood. In this paintingthe painter uses a gray and muted colors in almost the whole picture there are some excesses of color that the painter wanted to highlight as the poster that is pink and the beats of the girls one in white and the other in yellow.

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Estigmatización de San Francisco: *ESPAÑOL*Se representa al santo arrodillado en primer plano, con los brazos abiertos y mirando hacia el ángulo superior derecho del lienzo donde Cristo crucificado se le aparece en forma de serafín, rodeado de un halo dorado que incide especialmente en el rostro del santo.Sobre el terreno rocoso que se extiende frente a él, aproximadamente en el ángulo inferior derecho del cuadro, reposan una cruz, un libro y una calavera.Al fondo, un paisaje iluminado tenuemente donde figura una ermita.*INGLÉS*There is represented the saint knelt down in the first plane, with the opened arms and looking at the top right angle of the linen where one appears crucified Christ in the shape of seraph surrounded with a golden halo who affects specially in the face of the saint.On the rocky area that spreads opposite to him, approximately in the low right angle of the picture, there rest a cross, a book and a skull.To the bottom, an illuminated landscape tenuemente where a hermitage appears.

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Estigmatización de San Francisco: *ESPAÑOL*Se representa al santo arrodillado en primer plano, con los brazos abiertos y mirando hacia el ángulo superior derecho del lienzo donde Cristo crucificado se le aparece en forma de serafín, rodeado de un halo dorado que incide especialmente en el rostro del santo.Sobre el terreno rocoso que se extiende frente a él, aproximadamente en el ángulo inferior derecho del cuadro, reposan una cruz, un libro y una calavera.Al fondo, un paisaje iluminado tenuemente donde figura una ermita.*INGLÉS*There is represented the saint knelt down in the first plane, with the opened arms and looking at the top right angle of the linen where one appears crucified Christ in the shape of seraph surrounded with a golden halo who affects specially in the face of the saint.On the rocky area that spreads opposite to him, approximately in the low right angle of the picture, there rest a cross, a book and a skull.To the bottom, an illuminated landscape tenuemente where a hermitage appears.

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https://youtu.be/GNBYhAB92Tg
Claudia Buzón, Eva Arrebola, Tania Gonzalez y María Ortiz

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PRESENTATION
Views of Seville is an oil painting by Manuel García Rodríguez
Completed in 1891.
It represent the entrance in Seville by the Puerta Del Carmen or Puerta De La Carne.
There are two men riding horses.
The painting presents the entrance of men in Seville.

DESCRIBING THE SCENE
The colours of the picture are warm.
It shows two trees with any flowers and in the central part , we can see a wall arround The Giralda, .
We can see in the left a path where people are walking.
The characters are back and we cannot see the faces.
In the sky, there are any clouds. There is a plain, this obscured in grass. And in the right we can see any houses.

IMPRESSION AND MOOD
Colored on 1891. His work is mainly dedicated to the landscape and the views of Seville and the town of Alcalá de Guadaira. They emphasize by their beauty of the canvases in which they're represented under different points of view of the banks of the river Guadalquivir.

Manuel García Rodríguez received a training framed in  the purest Romanticism, which characterized Seville's painting at that time, and with a detailed and meticulous descriptive realism.
Paula, Sara, Vicky and Andrea

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Work of Juan de Roelas. The monumental figure of Christ dominates the composition that appears bathed by an atmosphere of light-darks realized with the loose brushstroke and the rich palette of Venetian tradition characteristic of the sevillian painter. A. Titian evokes the appeal of achieving with a range of austere color, an effect of great wealth through the contrasts, as with the contrasts between the carnations, the white cloth or the red mantle.
https://twitter.com/circasteam/status/841983463272140800?s=08

Circa's Team (Ainhoa Falcón and Mario Pavón

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To see my christ is an oil painting by García Ramos completed in 1895. It is an example of realism. It represent a men in a old tavern with two others man dinking wine. There are a lot of elements like a chair, a table, a hat etc...It is depicted in the Museum of Fines Arts in Sevilla.

Its shows A santero, with an image of the baby Jesus, is refreshed in the window of a tavern before going on his way. The title refers to the expression used to rush a glass of wine whose background was decorated with an image of Christ.

García Ramos expresses the mensage by the men that drink because he wants to see the christ that have the glass in its background. The perpestive is focused in the central men because is the protagonist and the other mens are on the sides. In this picture there isn`t chiaroscuro, is all clear.
Victoria Quintero, Mónica Asís, Marta Ramos and Ana Rodríguez.

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Álvaro Martín
Samuel López
Dani Gallardo
Carlos Asís

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"The cigar sellers" is a painting painted by Gonzalo Bilbao in 1915. It is an example of costumbrist. Their dimensions are 305 x 402 cm. The technique used by the painter is oil on canvas.

In first plan we can see womens making tabaco. In this we can see claroscuro and then that the artist want to do depth. That painting representate at the worker woman of 20th century.

By Alfonso de Rojas, Carolina Martínez, Macarena Alba and Lucía Bohórquez.

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The adoration of the shepherds, by Humi Huertas, Natalia, Malu y Elena.

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The adoration of the shepherds, by Humi Huertas, Natalia, Malu y Elena.

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The adoration of the shepherds is an oil painting created by bartolome esteban murillo completed in 1668. It's barroque style. You can see it in 'Bellas artes museum' in seville. It measure 282x188 cm.
It represent the scene of a birth shere jesus is surronded by his family and he receive the adoration of some shepherds. There is two angels on the top of the painting.
The light is concentrate in the baby (Jesus), because he's the most important person of the painting. You can see the chiaroscuro in the others persons of it. The persons have naturalism in their faces and their clothes.

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In this painting, oil on canvas of 224x126 cm that belongs to the baroque Spanish style, painted in 1657 by Juan Valdés Leal.
In it Saint Jerome is observed defending from the temptations that it was suffering during his stay in the desert.

There appear beautiful women dressed luxuriously in suits of the epoch, taking instruments and dancing in a lustful way to provoke the saint.
On the contrary, Saint Jerome turns out to be summoned with the hands in high place and turning the face in act of rejection concentrating his attention and searching I shelter in the crucifix that one finds in a rock.

In this painting, Valdés Leal captured the eldest tavern with the skull, the crucifix and the sacred books. Also the light effects of the chiaroscuro are observed by the apparels of the women who stand out on the darkest rocky and desert bottom.

Celia Vázquez Sánchez 4ºB

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The portrait of Gustavo Adolfo Bécquer is an oil painting by Valeriano Bécquer completed in 1862, the date of his trip to the capital city, where his brother lived. It is an example of Romanticism. Its dimensions are 73 x 60 cm.

In this painting, Valeriano captured the image of the poet condensing in his gesture all the common aspects of the Romanticism: impetus, irony, passion and exalted idealization. Bécquer poses with an aristocratic elegance and a look full of emotion that connects directly with the viewer.

The portrait shows Gustavo Adolfo Bécquer in the front. The background is dark and white, wih horizontal lines and a vast plain sky.

Made by Pedro Casillas Dorado, Manuel Ramírez Sánchez, Antonio Malagón Durán and Gonzalo Martínez Fernández

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The vision of Saint Basile is an oil painting by Herrera el Viejo completed in 1639. It is an example of Baroque. It reperesents the vision of Saint Basile. It is depicted in the Fine Arts Museum of Seville.

It shows Saint Basile on your knees in the background of the painting. He is on the right, on the left there are two angels. Saint Basile in opposite of an altar.

In the central part of the painting, the apostles are. Over they, Jesus shows is hand to Saint Basile while in the other hand he bears the Cross. In the top of the canvas there are a lot of angels.

The chiaroscuro in this painting in not very well made.

Alejandro Gordillo y Miguel Ángel D'herbe.