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Bigger choir so we can pull shit like this off lool

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Bigger choir so we can pull shit like this off lool

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https://www.youtube.com/watch?v=MFa3IljTE2U

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https://www.youtube.com/watch?v=7wjxrtOqeEg

h

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With regards to acting, we should also encourage the use of our dancers as background actors to convey a message. The example given below is a scene from Saro, where we can see dancers being used as actors as well.

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With regards to acting, we should also encourage the use of our dancers as background actors to convey a message. The example given below is a scene from Saro, where we can see dancers being used as actors as well.

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Essentially everyone present on stage at any given time should be acting

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I actually believe it will be useful to have volunteers come in before the show, especially volunteers involved with props. This is so they familiarise themselves with what comes on in what scene and also are able to organise themselves prior to the day

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Here I mean all departments should have focus on their areas. For instance if we are having a rehearsal and there is someone there from lighting and they do not feel like the aspect being rehearsed needs any specific lighting arrangments, they should still be doing something lighting related, like reading through the script and deciding on lighting for other scenes etc.

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This is off the boundaries point, while maintaining boundaries we should also try to an extent to be transparent with the cast with regards to certain issues we face. If they are not aware of difficulties it actually makes it more difficult for them to appreciate efforts made by team members and also turns them into brats when things dont go as planned due to factors out of our control.

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All team members were kind of guilty of this one last yeart. While remaining friendly I think we should establish a more professsional boundary between team and cast. (So that they dont come and start demanding nandos again lol)

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This was done a lot during the last show, but individual feedback should also be emphasized here as different people had different things to work on (e.g Moni vs Haven) and were not aware of these things until feedback was given later on in the show

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Higher focus on planning ahead for all members of dream team especially, things like the size of the stage etc should be known by dream team members ages before the show, especially choreographers and band members for spacing requirements

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A clear budget/estimated budget should be given before auditions even in order to understand what production costs can be afforded/not afforded

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For props we must decide whether we are taking a minimalist or maximum approach

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For props we must decide whether we are taking a minimalist or maximum approach

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A Minimalist approach will involve less larger props such as couches etc and more use of backdrops while a Maximun approach will involve use of larger and smaller props to create a whole set.

A minimalist approach will involve less volunteers and a smaller stage crew and also a smaller budget but will lead to limitations in production quality.

A maximum approach will require more volunteers, a larger stage setting, larger stage crew and larger budget but will also create a west-end production effect

Regardless of approach,  heads of each team (sing dance and act) should visit the venue at least four weeks before the show ot understand stage settings, for spacing requirements

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I think in this musical we should explore different Era's and Locations. 

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I think in this musical we should explore different Era's and Locations. 

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For instance setting a musical in modern day London will have a more modern day Afro-beats vibe (think selecta Aff etc) in contrast setting a musical in olden days Nigeria would have a more revolutionary vibe (think Fela Kuti, Lagbaja)

Decisions in Era and Location will also be a determining factor in costumes dance and singing.

Different Eras however can be combined by looking at the generational effects of a fatherless household (if this is the theme we are going for

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With singing I think we should explore other artists outside of the usual afro-beats artists. Various sounds to be explored with the show

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With singing I think we should explore other artists outside of the usual afro-beats artists. Various sounds to be explored with the show

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In addition we should also use the lyrics of the songs being sang to convey messages more often, for instance if a person is kicking their husband out and they sing beyonces irreplacable

We should also make more use of medleys

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https://www.youtube.com/watch?v=RSG1BtBhf8M

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More creativity to be used in hip hop dances, shapes play a key role when it comes to hip hop dances. Here shapes means the formation of the actual dance.

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https://www.youtube.com/watch?v=Uw8a9hEhSoQ

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Higher emphasis on Jazz Ballet and Classical, while merging with hip hop and afro beats. More collaboration between Natasha and Abigail to merge different genres together

More use of medleys

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Afro beats and traditional dance not to be limited to todays era/music but can also be reflected through classic traditional musc and also be merged with jazz, ballet and other genres,.
More collaboartion among choreographers to provide more wholesome dances not limited to one genre

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https://www.youtube.com/watch?v=RG-82t7Kv5s

https://www.youtube.com/watch?v=DCyD-hfdtG4

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Rehearsals to be broken down in different sections :

1) Acting Focus : Acting rehearsals to be broken down into, emotional competence and charachter building
2) Dance Focus : Dance Focus reharsals to be broken down into, routine learning and acting while dancing
3)Sinsing rehearsals : Singing rehearsals to be broken down into vocal coaching on an indicidual and group level.
5) Combination sessions: Sessions created to combine both the
4) Individual and group feedback sessions : To happen every three weeks of rehearsals after the rehearsal of the day

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Non - Colorful