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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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a film gauge used in filmmaking, and the film standard. In motion pictures that record on film

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camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens"

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a camera which records images in a format larger than 4 x 5 inches. The main advantage of large format cameras is their incredible image resolution.

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primary black-and-white process since its development in the late 1880s and consists of three layers—paper, baryta, and gelatin—on which an image is produced. Another distinguishing feature is the smooth, even image surface.

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a keeper or custodian of a museum or other collection.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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presentation of visual elements in an image, especially the placement of the subject in relation to other objects. Framing can make an image more aesthetically pleasing and keep the viewer's focus on the framed object

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a room or building for the display or sale of works of art.

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the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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A line in a photo is a point that moves, leading towards something. Some lines are obvious, and some are implied. The viewer's eyes are naturally drawn along lines.

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shape describes a flat, enclosed area of space. Shapes can be constructed with colors and lines, but all shapes are limited to two dimensions – width and length.

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a component of light which is separated when it is reflected off of an object. Hues have a natural value where they look the purest

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visual quality of the surface of an object, revealed through variances in shape, tone and color depth.

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light or dark a given color or hue can be. Values are best understood when visualized as a scale or gradient, from dark to light.

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when shape takes on three dimensions. Form is created by shadows and highlights on an object in the photograph. You can see in these two photos how shape becomes form when light hits the subject

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the act of adding visual space in front of the direction that an object is moving, looking or pointing to imply motion and direction and to lead the eye of the viewer.

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when an image has subject areas that look balanced throughout the composition. It is achieved by shifting the frame and juxtaposing subjects within it so objects, tones, and colors are of equal visual weight.

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varying elements and objects in your image, to avoid making them boring. Variety can also be varying your angles, exposure, composition, etc., to get a few different looks to the same image

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The repetition of lines, shapes, tones, or colour can create interesting images. There are photographers who use the pattern as the main subject of an image while others use it to enhance the overall composition and look of the photograph

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Proportion in photography is usually comparing size of objects, or the amount of one thing to the whole. ... By comparing the size of one object to another, it can give more or less importance to it

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the way the gear is set and also how it is manipulated. Long exposures convey movement by capturing everything in the sensor, when shutter speeds are less than 1/60 of a second.

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describes the visual relationship between elements in a photograph. It helps create a cohesive image. Using similar colors or tones, concepts or elements cultivates a sense of unity.

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Emphasis​is defined as an area or object within the artwork that draws attention and becomes a ​focal point. Focal point ​refers to an area in the composition that has the most significance - an area that the artist wants to draw attention to as the most important aspect.

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radial Symmetry Radial symmetry or balance is a type of balance in which the parts of an object or picture are regularly arranged and radiate from a central point. It appears both in natural and in human-made objects

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is achieved when both sides of the image hold equal weight. ... Each photograph is equally balanced if split down the middle, yet one is literally symmetrical and the other uses different elements of the composition to appear

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unequal visual weight on either side. But those visual elements balance out each other. This means that an asymmetrical photo still follows the rules of composition

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Unlike contrast of light, juxtaposition is the contrast of physical objects. It's a visual contrast, where you have contrasting or even complementary objects within your image… composing your image with the intent of contrasting or comparing different objects in your composition

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Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.

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Monochrome photography is photography where each position on an image can record and show a different amount of light, but not a different hue. It includes all forms of black-and-white photography, which produce images containing shades of neutral grey ranging from black to white.