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Characterisation - Nora is very flirty and misleading in this scene. Her lines in these pages help prove my point. “I’m so full of mischief today”, “...See a little higher…”. She is very cheeky with Dr. Rank but she doesn’t know it. Dr. Rank is getting mixed signals and the wrong ideas.

Stagecraft - The lamp that is brought into the scene help bring up the mood in the scene and is a symbol for truth. Also before the lamp was brought in, the room was very dark suggesting a theme of secrecy.

Writer’s Craft - Ibsen makes it seem that the sexual tension rises between Dr. Rank and Nora, this is supported by the flirty conversation they have with each other. However Dr. Rank has been getting the wrong ideas and is mislead by Nora.

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Characterisation:
Nora is portrayed as a relatively more mature character although still naive. This is shown by her flirtatiousness and sexuality which is counterbalanced by her innocent playfulness and eventual rejection of Dr Rank. This creates a developmental cycle for Nora, in which at the beginning of the book she is far more childlike and simplistic whereas at the end she gains enlightenment.

Stagecraft:
Ibsen utilises the lighting to create an atmosphere of secrecy and maturity when compared to the previous familial scenes of innocence. This parallels the development of Nora's character throughout the play. The lamp symbolises truth, and more importantly the status quo, which shows Nora has not yet fully matured into an independent individual.

Writers Craft:

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Characterisation - Nora is very flirty and misleading in this scene. Her lines in these pages help prove my point. “I’m so full of mischief today”, “...See a little higher…”. She is very cheeky with Dr. Rank but she doesn’t know it. Dr. Rank is getting mixed signals and the wrong ideas.

Stagecraft - The lamp that is brought into the scene help bring up the mood in the scene and is a symbol for truth. Also before the lamp was brought in, the room was very dark suggesting a theme of secrecy.

Writer’s Craft - Ibsen makes it seem that the sexual tension rises between Dr. Rank and Nora, this is supported by the flirty conversation they have with each other. However Dr. Rank has been getting the wrong ideas and is mislead by Nora.

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My opinion on Nora is that she is not a good wife because she flirts to much with Dr Rank and that she only really stoped wanting to tell Mr Rank what she did when he told her he loved him, Nora is really playful all the time

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Writer’s craft: Ibsen can show this through intimacy, for example in the stage directions ‘[putting  her hands on his shoulders], this is showing the closeness of Nora and Dr. Rank’s relationship. Ibsen can also show this through speak. This can be seen when Dr. Rank says ‘Who wouldn’t gladly give his life for your sake.’ This is the farthest that the flirting go in the scene, him confessing he likes Nora. This change in the tone and makes it more serious and could be described as the peak of the tension in the scene.

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Characterisation
In this scene, Ibsen presents Nora as being quite flirtatious and mischievous. This may be due to the fact that she feels bored in her relationship with Torvald. This point also links back to the childlike and naive nature of Nora and how she doesn’t care about the repercussions of her actions.

Stagecraft
Ibsen uses light and darkness as a symbol for secrecy. When Nora asks the maid for the lamp to be brought in, it not only represents a shift in mood and atmosphere, but the control and manipulation Nora has over people.

Writer’s craft
Sexual tension between the two characters increases as the scene progresses. This is shown a lot through Nora and how she is very physical towards him. It is also shown through the short pauses between dialogue.

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Characterisation: She is very flirtatious in this scene towards Dr. Rank. This makes their relationship much more scandalize and noninnocent. This can be seen when she says ‘well see a bit higher up’ when talking about her stockings. This suggests that Nora is leading Dr. Rank on showing private things that are inappropriate to show.

Stagecraft: Light in this scene is clean, sensible talk and reveille and dark is scandalize and deceitful. This can be seen in the stage directions ‘[THE MAID comes in with the lamp, puts it on the table, and goes out again.]’ Before the maid came in, Nora and Dr. Rank are flirting and Nora was even going to tell Dr. Rank something she would tell Torvald. This was done in secret without Torvalds's knowledge. However, the lamp shines a light on them right after the reveille showing the secret is out.

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Characterization: I believe that Nora has a sense of maturity in this scene. Although she had purposely acted flirtatiously with dr. rank at the beginning, when she found out dr. rank’s feeling for her rather than continuing to lead him on she tried to stop him. She realised the situation had gone too far and could no longer ask him for the favour. Nora being able to realise things had gotten out of hand shows that not only was she mature enough to resist his temptation but is also loyal enough to stay faithful to Torvald.

Stagecraft: The darkness represents the secrecy between the two whereas the light represents the truth. Ibsen uses a lamp to bring light into the scene. It shatters the moment between Nora and dr. rank as the light is the realisation of Nora, that she can no longer take advantage of him.  Because of this, the tension that was once there was ended.

Writer’s craft: There wasn’t much tension to begin with however as Nora and dr. rank’s conversation goes on they begin to behave flirtatiously in their speech as well as their actions. An example of this is when Nora says “oh well I suppose you can look a little higher if you want to.” And when she playfully flicks him on the ear with a stocking.

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Characterisation:                                     I think very poorly of Nora in this scene due to her scandalous and flirtatious manner.  This just adds on to Nora's childish actions. She plays around with Mr.Ranks emotions and when things started to get real she backed away. This is the sort of thing you would expect to happen with a child and a dog. The child plays with it but as soon as it has too do somthing it backs off.

Stagecraft:                                Ibsen used Dr.Rank who was innocent up too this point and Nora who was the darkest. Ibsen also used a lamp which was a symbol for truth and it was like shining a light on the dark secret that is Dr.Rank and Nora's "realationship"

Writers craft:                           The sentences that they use convays a very dirty message. With stage directions that shows Nora lightly hitting him to her grabbing his arm.  And with quotes "i'd like to see the extent of your friendship" and "you might as well see a bit higher up"
Even Dr.Rank says "will you show me anything else?"

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Stagecraft: Ibsen uses light and dark to represent a mood change. The darkness that's introduced at the start of the scene; this creates a sense of sexual tension and secrecy. Nora then asks for the lamp to be brought in after Dr. Rank confesses the way her feels towards her. This implies that she feels the relationship should not go further and the mood drastically switches to a serious tone - the light almost seems to end the playful/flirtatious act that Nora is portraying.

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Characterisation -
My opinion on Nora is very negative on this scene because it is very scandalous and in a way she is cheating on her husband. I also do not think that Nora is doing the right thing because she is toying with Dr Ranks emotions, but she does not accept the consequences. She thinks that life is just a game that she can get through by flirting and acting childish.

Stagecraft-
Ibsen uses darkness in this scene to show that it is not innocent. He uses the light or lamp as a symbol of truth. The darkness appears when Dr Rank comes in  shows that what happens between them happens in the shadows so Torvald does not know.

Writers craft -
Iben suggest the sexual tension between the characters by using certain dialogue and stage directions. For example:
in the stage directions it says that [Putting her hands on his shoulders] this shows that she shows physical affection to flit with him. The dialogue about the flesh coloured leggings are very flirty. . This is shown in the quotes "Flesh-coloured! Aren't they lovely! Of course, its dark here but now, not tomorrow... No, no, no you can only look at the feet. Oh well, you might as well see a bit higher up, too." this is very flirtatious back in the day showing skin wes very flirty.

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Characterisation
I think that Nora is being very flirtatious and this only happens when Rank visits her. But after Rank admits that he had feelings for her she quickly changes and perceives their relationship as a more serious one rather than a fun and flirty one.

Stagecraft
Ibsen uses dark to describe Noras and Ranks relationship and the secrecy behind it. Light is used to show what there relationship is really like.

Writer's craft
Ibsen shows sexual tension between the two characters when Nora shows Rank her "Flesh-coloured" silk stockings. she puts them on and asks for his opinion.

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Characterisation: In this scene she is being very flirtatious and this portrays the relationship with Dr Rank as not as innocent ass she said it is. I think that she tries to make it innocent but her ideas of the situation don't match up with her actions. she is being secretive with Dr Rank. This is seen when she says, "see how nicely i can dance...pretend I'm doing it just for you - and for Torvald as well," and the flirtation is seen when she shows off her new stockings saying " you might as well see a bit higher up," .
Stagecraft: Ibsen uses lighting to set the atmosphere and mood of the situation, using a sudden change to dark lighting when  Dr Rank enters , foreshadowing that something secretive and something sneaky is going to happen, and also the use of nora choosing to bring in the lamp , bringing a stop to the scene. This happens in the stage directions "during what follows it begins to grow dark" and (Nora) "Helen bring the lamp in, please."
Writer's craft: Ibsen increases sexual tension by using objects to convey a message between the lines, such as using the light to set mood and foreshadow a theme.  Ibsen increases the sexual tension by using flesh coloured stockings, an imagery of something close to Nora's body, Nora uses sexuality and the idea of something being close to her body and a way to increase the tension .

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How does Ibsen use light and dark in this scene?
Ibsen uses light and dark in this scene as a symbol of lies and secriecy and the truth. Light symbolises the truth and darkness symbolises lying and deceit.

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Characterisation: In this scene Nora is being very flirty towards Dr. Rank, because she thought their relationship was innocent, but when Dr. Rank confesses his love she realises that the relationship is wrong, and she doesn't want it to get more serious.

Stagecraft: Ibsen uses the darkness to show the flintiness between the two, and it also shows secrecy. The light also shows the truth, because when Dr. Rank confesses his love, Nora calls the maid to bring in the lamp to change the atmosphere and the mood.

Writers craft: Ibsen suggests sexual tension between Nora and Rank, he shows this by using stage directions which are very touchy, like when she grabs his hand or puts her hands on his shoulders.

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Characterisation: In this scene, Nora is portrayed as flirtatious. This is seen when Nora tells Dr Rank he “might as well see a bit higher up” while showing him her stockings.  The words “higher up” shows that Nora is flirtatiously teasing Dr Rank in a rather sexual way. This moment creates a lot of tension for the readers, making them feel uncomfortable with their relationship.
Stagecraft: Ibsen uses dark to symbolise Nora and Dr Rank’s secrecy and light to represent the truth behind their relationship. This is implied from when Dr Rank enters the room while it’s dark, meeting Nora. When it’s dark, there’s no one to expose Nora and Dr Rank, keeping their relationship private. When there's light, the truth is out and innocence is gone. Darkness makes readers feel growing tension throughout the moment, but the light ends all tension between the two characters.
Writer's craft:Ibsen suggests sexual tension between Nora and Dr Rank, this is seen when Nora puts her hands on his shoulders. Nora is taking initiative flirting Dr Rank and how Dr Rank doesn’t draw back, showing that he enjoys flirting back.  Another example is when Nora hits Dr Rank lightly across the ear with the stockings. This also shows Nora’s flirtatious playful action towards Dr Rank. This makes the readers feel more suspicious of their relationship and believe it’s wrong.

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Characterisation:
I think that Nora was acting quite flirtatious, which is quite opposite to what she normally acts like, which is a child. This is because the stage directions suggest that Nora is trying to seduce Dr, Rank.

Stagecraft:
Ibsen uses the lamp as a symbol to represent the change in the mood and atmosphere, this is because when Nora instructs the maid to bring the lamp, it breaks the pacing of the scene.

Writer's Craft:
The writer suggests that the sexual tension between the two characters is incresed through the dialouge and stage directions. This is shown when Ibsen makes Nora convince Dr. Rank to touch her stockings. (how scandalous)

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Characterisation:
Nora was being flirty at the start of the scene it is because she knows that Dr Rank liked her, so she sort of flirted back. However, she decided that she should stop flirting back to him when she told Helene to bring the light in. It because she didn't want their relationship to get more serious.

Stagecraft:
"During what follows it begins to grow dark"  The scene was dark because it is like something dark is happening.until Nora asked her maid to bring in the light. The light was dim because that symbolises that something dark is happening, which is Dr Rank has a crush on Nora and Nora likes Dr Rank back, too. The lamp symbolises as Nora putting a stop Dr Rank's flirtation because most of the time brightness (lamp) stops darkness (scene getting dark).

Writer's craft
Ibsen shows sexual tension between Dr Rank and Nora by showing Nora touching Dr Rank's arm and by asking him to look at her when she's dancing on the next day. Ibsen also shows by Nora telling him to look at her silk stockings.

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This is suggested when Nora says "Oh well, you might as well see a bit higher up, too." This shows the both of them are attracted to each other and trust one another with the secrets they tell and show each other. In the stage directions this is shown when it said [Catching at his arm] shows Nora is flirting with Dr Rank

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Ibsen uses the darkness to show the flirtiness and the lies they are hiding from Helmer with the secret relationship. The light shows that the truth has come out and there relationship is not as innocent as it was before.

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Ibsen presents Dr Rank as Desperate in this scene. This is because he has implied that he is going to die and wants Nora to know the truth.

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The light in this section acts as a symbol for truth, whilst darkness represents secrets and deceit... For example...

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Ibsen presents Nora as a flirt in this section, a character willing to use her femininity and sexuality to her benefit. This is shown in... This makes readers feel...

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Questions: Answer ONE of the following questions:

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Questions: Answer ONE of the following questions:

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Characterisation: What is your opinion of Nora in this scene? Why?

Stagecraft: How does Ibsen use light and dark in this scene

Writer’s craft: The sexual tension between the two characters increases as the scene progresses. How does Ibsen suggest this through dialogue and stage directions?