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In terms of finding guitar pieces in Rondo form, there are not many posted on Youtube which seems strange, however, there is a famous piece by Mozart arranged for classical guitar which perfectly shows the feel I want from the music with some sections being major and others modulating to the relative minor.

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W. A. Mozart - Rondo alla Turca (Turkish March), solo classical guitar

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Purchase sheet music and tabs: https://onlineguitaracademy.net/classical-guitar-sheet-music Arranged and performed by Emre Sabuncuoglu. Copyright © 2012 Los Angeles Guitar Academy Publishing. All rights reserved. On-demand video lesson program*: https://onlineguitaracademy.net/online-classical-guitar-lessons Skype or in-studio (in Los Angeles) guitar lessons: http://laguitar.com/ *LA Guitar Academy's comprehensive online classical guitar program, LAGA Classical, can gradually take you to a level at which you will be able to play this piece and other advanced-level repertoire.

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An example piece in Rondo form is the theme from Raiders of the Lost Ark composed by John Williams. This particular video shows where the A, B, and C sections are all introduced.

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Raiders of the Lost Ark - John Williams (Labeled for Rondo Form)

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Raiders of the Lost Ark Theme by John Williams. From the movie Indiana Jones and the Raiders of the Lost Ark. Each section is labeled in ABACA for the purpose of teaching Rondo form in a general music classroom.

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My composition to a brief will be in rondo form. Rondo form is ABACADA etc and is sometimes used in film and TV music to show themes of different characters eg the good guys and the bad guys (the good guys being A and the bad usually being B).
It can also be used to tell a story or use happy and sad themes with major and minor key changes.
My piece will be for classical guitar and will start sadly and dramatically in A minor and modulate to E major, D major, or C major throughout the piece. I want to make the section before the final A section the most dramatic and intense, and will do this by including fast flourishes of notes and perhaps make it sound more chromatic to help the modulation process with more minor ideas.

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This could be a variation of the main theme or indeed the main theme. Arpeggiated D minor, A Dim 4 and Bb7 chords.

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I realised the intro which was originally posted was in the wrong time sig, 4/4, so I rethought it with a 3/4 time signature and came up with this.

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Just thought I should point out that there will be a happier tone in the middle (B) section and it will be based more on the scale than on chords which would fit with the music... e.g. and F major chord will be played followed by a short sequence of notes from the scale. Maybe something like this Sonata by Martin Dylla in F major?

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Anton Diabelli - Sonata in F Major, Marcin Dylla

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Marcin Dylla performs Sonata in F Major by Anton Diabelli: Allegro Moderato Andante Sostenuto Finale (Adagio; Presto) Recorded at the Academy of Music in Katowice

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In lots of Francisco Tarrega's music, there are quick flourishes played on the higher strings of the guitar, followed by a chordal section. Capricho Arabe is the perfect piece to show this as there are many fast passages with lots of ornamentation followed by some arpeggiated chords.

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F. Tárrega, Capricho Arabe performed by Tatyana Ryzhkova

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CDs and scores with Tatyana's signature are now available on: http://tatyana-shop.com Please support Tatyana Ryzhkova on Patreon for making new videos for you: https://www.patreon.com/tatyana

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I would like my piece to be ornamentally and rhythmically similar to baroque, an example of how the A or C section may sound is this...

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Fandango Santiago de Murcia-Stefano Maiorana Baroque Guitar

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Uploaded by stefanomaiorana on 2017-01-05.

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An idea of how the last section could sound, with arpeggios of a D minor, A minor and Bb major chord.

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An idea of how the piece will finish, with a chord which makes the listener feel suspense.

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A brainstorm of how the piece could begin...

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Try and pull some more inspiration from a wider variety of sources. If you're just looking at Bach (who you may be asked to pastiche in the set composition remember) then you run the risk of running out of ideas. Who else could you take inspiration from? What about Rodrigo Y Gabriella/ Andy McKee etc?

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Also in D minor this has a slow and sad melody.

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Johann Sebastian Bach: Prelude in d-minor BWV 999 on Classical Guitar Klaus Paul / 434 Hz

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The lovely little Prelude by Johann Sebastian Bach. This is played on a guitar by the italian luthier Gioachino Giussani using a slightly deeper tuning (A=434 Hz). please enjoy.

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This is a classical piece in D minor which I will base some of the melody on.

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Chaconne - Partita No.2 in D minor, J.S. Bach - classical guitar

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Antoine Aureche plays the first part of the Chaconne from the 2nd Partita for solo violin on a classical guitar. Antoine Aureche is a French guitarist, electro producer, composer & singer. Discover all his compositions and works on: www.valfeu.com Endorsed by Hohner: www.playhohner.com Thanks: Dad, Gérard Reyne, Cristina Azuma, Etienne Combrisson, Claudie & Titi, Cécile and all the friends who follow and support me for many years.

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Solo Classical Guitar:
- 3/4 Time signature
- Piece will be in Ternary Form
- D minor for the A section and F major for the B section
- Base melodies on D minor; e.g. Start the A section with the chord and branch the melody from one of the chord notes.
- Use similar melodic ideas in both of the A sections and make the tune sound light and happy in the B section.
- Arch shaped melody with some small minor leaps to make the tune sound intense when there is a volume build.
- Use the form A-B-A (ternary)
- Finish with an open D minor chord with an E on the top string for suspense.