# data[].attributes.attachment_link.title
4 Things You Might Not Know About ‘The Scream’ - Google Arts & Culture

# data[].attributes.attachment_link.description
Learn need-to-knows about Edvard Munch’s famous painting from The Munch Museum, Oslo

# data[].attributes.attachment_link.readable_text
Van Gogh produced three almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 1888, and damaged during a flood that occurred while the painter was in hospital in Arles. Almost a year later, Van Gogh made two copies: one, the same size, is now in the Art Institute in Chicago. This version, produced for his family in Holland, is smaller, and hangs in the Musée D'Orsay

# data[].attributes.attachment_link.title
Van Gogh's Bedroom in Arles - Google Arts & Culture

# data[].attributes.attachment_link.description
Zoom into the master's quarters with a tour around Vincent's bedroom

# data[].attributes.attachment_link.readable_text
True to one of Millet's favourite subjects - peasant life - this painting is the culmination of ten years of research on the theme of the gleaners. These women incarnate the rural working-class. They were authorised to go quickly through the fields at sunset to pick up, one by one, the ears of corn missed by the harvesters.

The painter shows three of them in the foreground, bent double, their eyes raking the ground. He thus juxtaposes the three phases of the back-breaking repetitive movement imposed by this thankless task: bending over, picking up the ears of corn and straightening up again.

Their austerity contrasts with the abundant harvest in the distance: haystacks, sheaves of wheat, a cart and a busy crowd of harvesters. The festive, brightly lit bustle is further distanced by the abrupt change of scale. The slanting light of the setting sun accentuates the volumes in the foreground and gives the gleaners a sculptural look. It picks out their hands, necks, shoulders and backs and brightens the colours of their clothing.

Then Millet slowly smudges the distance into a powdery golden haze, accentuating the bucolic impression of the scene in the background. The man on horseback, isolated on the right, is probably a steward. In charge of supervising the work on the estate, he also makes sure that the gleaners respect the rules governing their task. His presence adds social distance by bringing a reminder of the landlords he represents.

Without using picturesque anecdotes, merely through simple, sober pictorial procedures, Millet gives these certainly poor but no less dignified gleaners an emblematic value free of any hint of miserabilism.

# data[].attributes.attachment_link.title
Gleaners - Jean-François Millet - Google Arts & Culture

# data[].attributes.attachment_link.description
True to one of Millet's favourite subjects - peasant life - this painting is the culmination of ten years of research on the theme of the gleaners. These w...

# data[].attributes.attachment_caption
Zoom Into Van Gogh's 'The Starry Night' - Google Arts & Culture

# data[].attributes.attachment_link.title
Zoom Into Van Gogh's 'The Starry Night' - Google Arts & Culture

# data[].attributes.attachment_link.description
Get up close to the iconic nightscape from New York's MoMA

# data[].attributes.headline
방이 진짜같고 실감난다

# data[].attributes.body
방이 진짜같고 실감난다