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The Cybermen were originally created by Dr Kit Pedler and Gerry Davis in 1966. Dr Kit Pedler was a medical researcher at London University and became Doctor Who’s unofficial scientific advisor, he helped create the idea of the Cybermen as well as writing the first few stories. The Cybermen originally appeared in the first Doctor’s (William Hartnell) final story. The producers hoped that the Cybermen would match the success of the Daleks and become the Doctors new main enemy.

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The Cybermen were originally created by Dr Kit Pedler and Gerry Davis in 1966. Dr Kit Pedler was a medical researcher at London University and became Doctor Who’s unofficial scientific advisor, he helped create the idea of the Cybermen as well as writing the first few stories. The Cybermen originally appeared in the first Doctor’s (William Hartnell) final story. The producers hoped that the Cybermen would match the success of the Daleks and become the Doctors new main enemy.

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Cybermen Facts and Information

The Cybermen were originally created by Dr Kit Pedler and Gerry Davis in 1966. Dr Kit Pedler was a medical researcher at London University and became Doctor Who's unofficial scientific advisor, he helped create the idea of the Cybermen as well as writing the first few stories. The Cybermen originally appeared in the first Doctor's (William Hartnell) final story. The producers hoped that the Cybermen would match the success of the Daleks and become the Doctors new main enemy.

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The Cybermen were originally created by Dr Kit Pedler and Gerry Davis in 1966. Dr Kit Pedler was a medical researcher at London University and became Doctor Who's unofficial scientific advisor, he helped create the idea of the Cybermen as well as writing the first few stories.

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One of the inspirations for the original Cybermen

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British Science Fiction Comic Strip 1950's

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British Science Fiction Comic Strip 1950's

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Created by Frank Hampson

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Looking at the original designs for the first Cybermen were interesting, as the later designs have indeed changed they are based on the original, which has helped the character remain recognisable while changing with the show.

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Below is the link to an excellent source for the base of my dissertation.

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Below is the link to an excellent source for the base of my dissertation.

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Inside is a well-documented blog on how the Cybermen came to be and why. There are copies of the conversations between the two original creators, covering why, how, and when the Cybermen were created.

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In the mid 1960s Kit Pedler became the main scientific adviser for the television series Doctor Who. He was a medical doctor, a pathologist and a scientist. With Gerry who became script editor in 1966 he set out to create a monster and hoped it would be a success. At the time the famous Daleks had been withdrawn from the television series because Terry Nation who invented them and had the copyright at the time hoped to make a series of films with the Dalek's because of their popularity. They made wonderful toys and everyone wanted to have a Dalek. There was no other monster that ranked with them in the series and so there was nothing the Doctor Who team could do about this other than come up with something new

In September 1965, The NewScientist magazine published an article briefly discussing the work currently being performed by G. Cheboterev of the Institute of Theoretical Astronomy at Leningrad
Gerry Davis the story editor and Kit had come to develop a rapport. Kit wanted to do his own Doctor Who script so they asked him to come up with some ideas and one was an idea rather like The Tenth Planet. Through discussions with story advisers Davis had come up with an idea about an unknown planet that emerges to join the solar system and it comes into orbit along side the Earth and it begins to drain the Earth's energy supply. The astronomers notice that it is the reverse image of the Earth. The question was what happened next?
Another question to be addressed was who the main protagonists coming from this new planet would be. Kit's first ideas was a race of Star Monks, but something similar had been done in the program the previous year with a mischievous time travelling monk who tried to change history. With this new planet draining the energy off another planet, Kit probably wanted to write about vampires but he was told in no uncertain terms not to go down that route.

Gerry said to Kit "'Look, Kit, forget sci-fi, forget everything you've read. What do you feel about medicine?"
Kit's response was that he was afraid that medicine would become a matter of machines, and that you'd hook people up to computers which would be the doctor's and nurses.
Gerry would then respond 'Well, suppose people got totally cybernetic where they lose their souls? What would happen?'
Kits response seemingly merged with what Gerry would also claim he himself said in response to Kit, where ones words begun and the others left off will forever be lot.
Perhaps Gerry asked "'Well, suppose you had a race of beings who had started off with an artificial leg, and then another one, and then an arm, and this sort of thing, and finally there was perhaps a little core there, but the rest of them, the breathing and the brain functions and everything was cybernetic; what would they be like?"
And so perhaps Kit asked"You start with artificial arms and legs - very necessary and beneficial - but what if medical science eventually makes it possible to replace all of a human's organs - heart, lungs, stomach - with metal and plastic replacements! At what stage would the person stop feeling human emotions and become robotic? "
To which Gerry respondedMen with everything replaced by cybernetics, lacking the human feeling of love, pity, mercy, fear, compassion - and invulnerable to cold and heat. What terrible adversaries they would make! Cybernetic men. Cybermen!' '
Kit responded "They would be like computers motivated by pure logic, If it was logical to kill you they would - if you got in their way. "
What could motivate these loveless sexless beings. They decided on power, since history was fully of people who sacrificed love and family for the thrill of power.
Somewhere along the lines Kit also had the thought about a logical machine reasoning to itself and manipulating events outside it, but he couldn't envisage a machine producing a poem by Dylan Thomas.
Kit found himself sitting beside Una his wife in the garden of his home at 1998, Park Hill of Clapham, discussing space part surgery and conceiving the idea of someone with many mechanical replacements that he didn't know whether he was a human or a machine, as he further thought about these Cybermen, and he revealed how the idea of these creatures was the worst horror of what he was like, being , all intellect and no love.
By May 17th, a script was commissioned by the BBC, and Una coined the title of the story "The Tenth Planet"

g)

In the end, what Kit and Gerry came up with would owe to the idea of monks and vampires but in a manner one might think. The idea of the Star Monks on a religious quest could still be found there for those who wanted to look for it. After all, the Cybermen came to Earth to save the human race converting us to their ways. Kit was beginning to see the world of medicine and science as something approaching religion , in that it generated a faith in those who used it, and saw its practitioner as above the rest of us.

started on a robot suit for the movie

Questions might be asked if HR Giger had at some point been inspired by the sight of the images of the Cybermen on television somewhere or in a magazine photo around leading up to the time be Swiss Made 2069 and perhaps also when he came to paint Landscape XVI in 1972, and almost certainly they came to be the inspiration behind the Borg in Star Trek The Next Generation whose physical makeup and ambitions had remarkable similarities. Eventually Giger was asked to be involved in designing the Borg for Star Trek: First Contact but he decided to not be involved. Later noticeable elements of a Doctor Who story "Doctor Who and The Tomb of the Cybermen" would wind their way into the movie Prometheus.

1. With time on the hands, Kit and Gerry started to discuss ideas. One of their starting points was a speculative science fiction theme based on the type of discussion Gerry had when he was sounding out people for the role of story adviser. " An unknown planet emerges to join the solar system and comes into orbit alongside the Earth. It starts to drain Earth's energy supply. Thus astronomers notice that it is the reverse image of the Earth - what happens next? 'I loved working with Kit because we both got excited about with with the images, ' he told Doctor Who Magaziine in 1987.' The image of that time was, of course, space flight, which was still comparatively new, so we suddenly thought it would be fun if we had this capsule going along and then finding its energy being drained by something.'

2. The capsule would be monitored during its orbit around the Earth by an international tracking station set in the South Pole. Gerry Davis remembered how " we thought of a South Pole setting, because of the atmosphere it gave, with the tracking station and something - what?- affecting it. Alas, the South Pole is so inhospitable that nobody would expect anything to come out of those howling blizzards." Another inspiration for the polar setting was Kit's love for the 1951 classic science fiction film The Thing from Another World. Kit once told his daughter Carol that there was a sequence in that film that was one of the most frightening things he had ever seen. A group of scientists and military personnel arrive at a North Pole station to investigate what turns out to be a crashed spaceship, and there was something out there that was threatening them. "The brilliant thing for him was that you hadn't seen what the thing was, you just knew it was out there because the Geiger counters went completely bonkers whenever it came close.' The conflict between the military and the scientists in that film might have informed Kit and Gerry in their thinking too. Wearing his script editor's hat, Gerry found the Tracking Station would serve as one big expensive set, with smaller, less expensive ones surrounding it (cabins, store rooms etc.) This was how a script editor would have to think with so little money available for the design work.

3. The next question to be addressed was who the main protagonists coming from the new planet would be? With the future of the Daleks uncertain the production team wanted a new regular monster that would be as popular. Kit's first thought was a race of Star Monks, but something similar had already been done in the program the previous years with a mischievous time travelling monk who tried to change history. With this new planet draining another's energy, this may have been the story in which Kit wanted to write about vampires, but he was told in no uncertain terms not to go down that route. What Kit and Gerry came up with would owe to monks and vampires, but not in the manner you might expect

4. Gerry Davis. Meanwhile, we needed a new monster. I asked Kit what his greatest phobia was as a doctor. "Dehumanising medicine" he answered" You start with artificial arms and legs - very necessary and beneficial - but what if medical science eventually makes it possible to replace all of a human's organs - heart, lungs, stomach - with metal and plastic replacements! At what stage would the person stop feeling human emotions and become robotic? "(DoctorWho -Cybermen, by David Banks, Forward by Gerry Davis, 1986 p9-10)

5. Kit Pedler supplied the introduction to a Dan Dare reprint volume in 1979 (TheMan From Nowhere) admitting that the Cybermen were 'very like the Treens s'. Likewise,three Dare stories -Red Moon Mystery, Rogue Planet and Wandering World featured planets that wandered into a solar system (two of these attack Earth). Pedler cheerfully admitted to reading the Eagle in the 1960s. (Time Unincorporated 1: The Doctor Who Fanzine Archives (Volume 1: Lance Parkin))

6. Gerry Davis : Kit Pedler wanted to do his own (Doctor Who) script so we asked him to come up with some ideas and one was something rather like The Tenth Planet but the characters he used were sort of star monks... By the time we had a real rapport and we could strike sparks of each other and I said, 'Look, Kit, forget sci-fi, forget everything you've read. What do you feel about medicine?' and I soon found that he was afraid that medicine would become a matter of machines; that you'd hook people up to computers and they would be the Doctors and nurses. We wrote a Doomwatch later about cybernetics called The Iron Doctor about a computer which actually makes a decision to terminate certain people after summing up their cases and deciding there was no sense in wasting the time and money. It was like an electronic Margaret Thatcher! Kit originally came up with that idea for Doctor Who, then I said, 'Well, suppose people got totally cybernetic where they lose their souls? What would happen?' And that's how the Cybermen were born between the two of us.' (Gerry Davis interview Doctor Who Bulletin issue 59, 1988. from http://doomwatchblogger.blogspot.co.uk)

7. Gerry Davis: I asked Kit what frightened him and to my surprise he started talking about advances in medical techniques. He was worried about where the late remedial procedures would take us. (The Essential Doctor Who: The Cybermen, p14)

8. Gerry Davis: Kit wondered how far down the road of replacement surgery a person would have to go before they started to lose their humanity. And what would happen if it became possible to not only repair the human body but to also enhance it. (The Essential Doctor Who: The Cybermen, p14)

9. Revolutionary breakthroughs in biology were being promised before the decade was out. It would be possibly to transplant organs from one body to another, fertilise eggs outside of the mother's womb, but there were those who though we could replace a defective biological organ with something inorganic. This issue would culminated in a fascinating book in 1968 by former BBC Horizon editor Gordon Rattray-Taylor called The Biological Time Bomb which would ask this very questions, where were the biological sciences going to take mankind? (The Quest for Pedler: The Life & Ideas of Dr Kit Pedler)

10. The term Cyborg - or cybernetic organism - was coined in 1960 by Manfred Clynes and Nathan S. Kline, who fantasised about self regulating human machine systems designed to survive the hazards of space travel. Clynes argued in his introduction to the 1965 book Cyborg: Evolution of the Superman that a cyborg would be more flexible that a human being because 'it was not bound to a lifetime of hereditary.' Quite the reverse, it could pick and choose its own augmentations. The Guardian's Anthony Tucker, also writing in 1965 was at pains to explain to his readers that since the science of cybernates was 'comparatively new... it possess a lunatic fringe and a cloud of popular misconceptions. Its purpose is not to create mechanical or electronic devices with imitate human behaviours... its purpose is to develop very precise theories of feed-back control which have practical application and which, by analogy, may lead to an understanding of the extremely complex ways in which human beings work.' Kit was applying cybernetics to his study of the retina. he wanted to build an electronic eye to enable the blind to see, but supposing the organ to be replaced is not defective in the first place. (The Quest for Pedler: The Life & Ideas of Dr Kit Pedler)

11. Dr. Alex Comfort, one of the men Gerry David had seen before he met Kit Pedlar, had been writing about spare part surgery since the early 1960s. He did it again in an August edition of New Scientist, in an article titled Modified Men. (The Quest for Pedler: The Life & Ideas of Dr Kit Pedler)

12. 'Some of it may be used to enhance the performance of the whole rather than supply the deficiencies of the sick,' Comfort mused, before asking a fundamental questions. What it would mean for the person receiving such a replacement? 'Who am I? Am I a true human being?' If you have an artificial organ, you may feel perfectly normal, but how would others regard you? One is regarded as being less human for having a wooden leg or for being blind; such handicaps are "judgements" and so on." A disability can be regarded by 'normal people' as horrific or abnormal, even just a small disfigurement on the face. (The Quest for Pedler: The Life & Ideas of Dr Kit Pedler)

13. Gerry Davis: We did set out to create a monster, and we hoped it would be a success. The Daleks had been withdrawn because Terry Nation at this time had hoped to make a series of films with the Daleks because they were so enormously popular. They made wonderful toys. Everybody wanted to have a Dalek. So it was a real blow to the programme when Nation decided that he'd take the Daleks out, and as he owned the copyright, there was nothing we could do about it. There was no other monster that had come up prior to that, that ranked with the Daleks, so the time had come to create another one, so Kit Pedler and I got together. Kit Pedler was a medical Doctor, a pathologist, a scientist, and he had a feeling about medicine that if you started replacing too much of the human body, where do you stop? When does the result turn into a robot? He felt that you'd lose humanity if you kept replacing arms and legs. So I played on that. I said, 'Well, suppose you had a race of beings who had started off with an artificial leg, and then another one, and then an arm, and this sort of thing, and finally there was perhaps a little core there, but the rest of them, the breathing and the brain functions and everything was cybernetic; what would they be like? So we speculated and we decided they'd be very frightening people to run into on a dark night! ""After about three years, Billy Hartnell wasn't a well man, and he wanted out, and that was a bit of a disaster to a programme that was called (Time SpaceVisualiser #2, September 1987,
"We spent a lot of time trying to devise a body where the limbs didn't come from the place where you'd expect them to come, or some other sort of peculiarity that made them seem other than human. But of course it went to the costume designers, and they did a good job. For that first manifestation the best thing they could think of was to put this rubberised stuff - I think part of it was a wetsuit - and golf balls and bits of tubing on - it was quite a hotchpotch, those first Cybermen. "What Kit Pedler and myself did for the very first appearance of the Cybermen was to take one out into a crowded South London street market. I wanted to see what the reaction was, so we got an actor, a tall fellow, and dressed him up - I nearly volunteered but it was very hot inside. I was briefly an actor for a while, and I played the Frankenstein character. When I was doing this, I sat through a Frankenstein film, and I watched the walk, and the walk of Frankenstein is very menacing, and it worked. So when we came to the Cybermen, I thought, well, we don't want them loping along because there's no menace in that, so I got the actors, and tried to show them how I'd done this thing, and it was very good because the Cybermen always walked in this way. I coached them a bit, and showed them how to do this walk. So this Cyberman walked through this market, and it was very funny - this weird-looking monster was walking among them and they were edging away. I have photographs of it, which are going to appear in a book about the Cybermen by Andrew Skilleter. I discovered them tucked away in a file, taken of this very occurrence.The Tenth Planet was the first one that Kit Pedler and myself wrote, and it starts off with them landing at the South Pole. There was a big snowstorm and out of the snowstorm came these figures and they didn't look as menacing, I think. For me, the Cybermen really took off when they got that molded helmet - before that, you saw it as a man. They arrived out of the snow and they were impervious to cold when everybody else is freezing their guts off these would walk in!Doctor Who. Everyone identified with him as Doctor Who, and it's very hard for people to accept a different Doctor. The answer was to rejuvenate him. Then we looked for an actor and finally we found Patrick Troughton. He looked like a hungry gypsy He was very fey - you couldn't tie him down to anything; he'd never make a statement."http://doctorwho.org.nz/archive/tsv2/gerrydavis.html )

14. Kit took these thoughts to Gerry David, who liked the thinking and imagined how their conversation would have gone in his foreword for Cybermen some twenty two years later:
"You start with artificial arms and legs - very necessary and beneficial - but what if medical science eventually makes it possible to replace all of a human's organs - heart, lungs, stomach - with metal and plastic replacements! At what stage would the person stop feeling human emotions and become robotic? " 'That's it!" I said, "Men with everything replaced by cybernetics, lacking the human feeling of love, pity, mercy, fear, compassion - and invulnerable to cold and heat. What terrible adversaries they would make! Cybernetic men. Cybermen!' They would be like computers motivated by pure logic, ' said Kit, 'If it was logical to kill you they would - if you got in their way." What could motivate those loveless, sexless beings? We decided on power. History, after all was full of human monsters who sacrificed love and family for the thrill of power. ' And survived,' added Kit. 'These men have sacrificed their arms, legs, their entire bodies in order to survive and become immortal. When a part wears out, they replace it. They could survive indefinitely. Perhaps we shall all go that way in the future."

15. (Gerry Davis was an experienced television writer when he came to http://www.randomhouse.co.uk/authors/gerry-davis) Doctor Who as Script Editor in 1966. Wanting to explore stories rooted more closely in real science, Davis contacted Dr Kit Pedler. The resulting collaboration resulted in several notableDoctor Who scripts, and in particular the creation of the Cybermen. Gerry Davis returned to Doctor Who in 1975 and novelised several of his and Pedler's Doctor Who stories for Target books. Gerry Davis died in 1991.

16. Kit Pedler created a little back story for these creatures, thinking back to Dan Dare. "They were an ancient race on a dying planet, who had made themselves immortal by gradually replacing their worn out organs and limbs with cybernetic spare parts. They had become strong in the process and always behaved logically, but had lost their feelings and humanity as they became more and more machine driven - very much like the Treens and Mekons against whom Dan and Co. waged their long battles. "

17. Kit Pedler: We conceived the idea of someone with so many mechanical replacements that he didn't know whether he was a human or a machine. (Doctor Who: A Book of Monsters)

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Conception of the Cybermen from the TV series Doctor Who

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leading from Doctor Who and Doctor Who And The Tenth Planet a) Doctor Who loses the Daleks In the mid 1960s Kit Pedler beca...

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My journey to discover the next generation of Cyberman.

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My journey to discover the next generation of Cyberman.

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I will be a drawing several of the previous Cyberman designs to help me better understand each individual component that make up the costume.

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A book covering the first 50 years of Doctor Who, From costumes, props and set.

This book was very helpful in finding my feet with the dissertation.

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a comparative picture of the 1966 and 2017

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a comparative picture of the 1966 and 2017

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I wrote emails to myself as the director, to create a pathway for my project to exist.

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I wrote emails to myself as the director, to create a pathway for my project to exist.

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A collection of images I found searching online for ‘humanoid robots’ and ‘human friendly robots’.

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I looked at sculptures I follow on Instagram to study their steps and techniques with ‘Monster Clay’.

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Cybermen Design and Hierarchy - The Cybermen - The Doctor Who Site

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As an Amazon Associate we earn from qualifying purchases. The Doctor Who Site also participates in various other affiliate marketing programs, which means we may get paid commission on products purchased through our links.

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The Cybermen have gone through many changes in their long run on the show, and it suits their character to do so. That have been 11 different designs in the last 60 years and I plan to analyse them all.

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The Cybermen have gone through many changes in their long run on the show, and it suits their character to do so. That have been 11 different designs in the last 60 years and I plan to analyse them all.

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Looking at whole chunks of clay are seemingly places at random when they are scraped back and shaped to help fore the smallest details

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An idea stemming from the Cybermen and on a different missions for their worst halves.

A race of Cybermen who wish to help humanity reach the heights of Cyberman technology but prevent them from evolving to need technology in every aspect of their lives, and in that stop them from become Cybermen.

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When moving on to sculpt, I thought back to the original intentions before the making of the Cybermen, Kitt and Davis wanted to play around with the human form, stretching and elongating body parts, so I thought I would have a play around too.

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The Cyberhumain go so far as to fight with the humans agains invading Cybermen with bad intentions.

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My journey to discover the next generation of Cyberman.

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My journey to discover the next generation of Cyberman.

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I will be a drawing several of the previous Cyberman designs to help me better understand each individual component that make up the costume, and apply what I learn to designing me version of the Cybermen.

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Dear Designer,

In accordance with our meetings on the current working script, I would like to clarify the details for the new ‘Cyberman’ design.
Below is a pulled description from the script accompanied by notes in brackets from the writer.
Please go ahead with the design work and get back to us with what you come up with.

Regards,

Director

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BBC Doctor Who, Episode 8 - They Return, Changed (script segment)

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BBC Doctor Who, Episode 8 - They Return, Changed (script segment)

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Act 3, Scene 10
Title - They Meet

‘Scene open from Smokey rubble, panning to the doctor unconscious on their front.’

The Doctor, after awaking from a daze, hears a soft mechanical voice, familiar but not so.

Looking up, foot to head; smooth footed, sleek but sturdy frame. (Less like armour more like a shell) Covering wires and circuitry. Moving up to the shoulders and chest are a simple are rounded shape, resembling the muscular human form (mid bulk and tone) but covered in steal.

The Doctor flipping on his back in anticipation to get to their feet eye the head; held atop a steady neck, a (pointed) oval shamed head, turns to look down meeting The Doctor’s gaze, a shapely face (carved with care) a gentle curve to the brow and rounded cheeks, with reliefs for eyes and inside them; soft blue lights accompanied by a gesture of the mouth (subtle smile) that The Doctor could have sworn was a smile followed be kindness in its eyes.

Doctor: Are you a Cyberman?

Robot: We are Cyberhumain, may I help you to your feet, Doctor?

A metallic hand reaches out, human like, four fingers and a thumb, covered in segments of metal. (overlapping wiring underneath)

Doctor: Yes.

Are they are effortlessly pulled to their feet, the full scope of the tall figure in front of them can be seen.

The Doctor’s eyes had not betrayed them, everything they had thought they saw was standing before them. And atop the head of this Cyber being where the emotional inhibitor would sit was nothing aside from protruding squares either side of the head.

Script segment ends.

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Rounded

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Top layer of metal in place where muscles would me

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Soft blue light

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Ear muff like additions to the head

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Following the untold and potential tale of the Cybermen who were both cursed and blessed to have their emotions while being fully converted.

Throughout the run of the show, several people, after being converted, maintain their grip on their emotions and proceed to fight back against the Cybermen, but we are never shown what happens to them after the battle has concluded.

For example:

Yvonne was the first Human to revolt against the Cybermen; after taking out a handful of them, we don't see her again. At the end of the episode, the Cybermen and the Daleks are pulled into the void.

Another is Danny Pink, a human who died when became a Cyberman. Fortunately, his will was strong enough to hold on to his emotions, but to help the Doctor defeat The Master, he sacrificed his life to do so.

Brigadier Alistair Gordon Lethbridge-Stewart was brought back to life as a Cyberman, just like Danny Pink, except he didn't self-destruct as he did and flew out of sight.

Bill Potts was the latest to maintain her emotions after conversion, but later died in the last battle of the 11th doctor run.

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Dear Designer,

Thank you for the designs you and options you provide through your drawings, after a lengthy discussion with the writer, we have settled on the third design.
Thank you aging for your work.

All the best,

Director

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Dear Designer,

Everyone is great with the design, no problems there but the costume maker is requesting a little more detail, so they can produce a piece as close to the design as possible.

Could you produce a 3D image of your design, in any form you prefer and I know it’s shirt notice but could it be done in a week.

Looking forward to what you present us.

All the best,

Director

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http://www.legionxxiv.org/robocop.htm

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Sandra Reid’s original sketch of the first Cyberman

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Their origins being made up of half converted Cybermen that appeared through time, escaping their fate of a full conversion or death. By the will of an unknown force or perhaps luck they began finding each other, and as they grew in number and force they fought back agains the Cyber Empire and under new banner, along with a new goal.

They became the Cyberhumain, and their new mission is to defend humanity from cyber conversion and humanity itself.
Traversing time and space in there just mission to prevent their own existence but in doing so; completing their mission.

Along the way they upgraded as is in their nature and essentially to them being able to fight and ever evolving enemy.
But they needed to look friendly, approachable, they wanted humans to trust them, so they took a more human shape, softer features and rounded edges, and and face which ones held a stiff stern look; now holds an encroaching smile.