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Our second section of filming involved abandoned buildings. We chose this due to the grungy and grimy footage we expected to be able to shoot. We chose to go around midday in order to set equipment up in the light, which allowed us to be ready to film when darkness fell. We brought a smoke machine along, with an extension lead and adaptor for a car plug, allowing us to compliment the moody atmosphere of the building with silky smoke.

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We firstly set out the equipment and props in many different places and configurations, so to decide which were effective and linked in with the footage we already had of a record player. We then set up cameras and filmed everything we could, maximising the amount of filming we could get, which gave us way more choice in the editing stage. We got shots from many angles, for example: we took shots of fire from close up and low down, also getting long shots. Throughout, we had a theme of using slow motion, which we found particularly impressive when filming fire, due to the high frame rate camera showing impressive flow and smooth movement of flame.

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We decided before hand that the main focus was to get clips for the conceptual aspect of the music video. However, we made sure to bring a camera that we dedicated to taking stills of the scene, which we plan to use as the album art work for our vinyl cover. We believed this to be important as taking screenshots of footage doesn't always provide the best quality in terms of resolution and field of view cannot be manipulated to the same degree.

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We brought many props with us, including a gas mask, bow and arrow, and fire making equipment. We filmed this with a DSLR camera and a steady cam. We decided to film freehand or some shots in order to add an extra element so all shots are not uniform. Furthermore, we borrowed a 'slider' which is a piece of equipment, allowing us to capture smooth pan shots from different angles, with absolutely no jolting.