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Growth shown in that, the more recent the date a sketch was made near, the more developed the sketch was. Sketches done in charcoal.

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Growth of an Artist (1/2) (Narrative, black & white dry media, gestural mark making, multiple views/time lapse)

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Growth of an Artist (1/2) (Narrative, black & white dry media, gestural mark making, multiple views/time lapse)

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Preparing surface with collage; but there was more to it than that. The collage consisted of dated newspapers, getting newer and newer as they progressed across the page.

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Negative space cleared by light and water; stem of flower now grows from human eye socket. Water brush used to fine-tune borders of elements.

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Water jets from thorns along stem; light source generated and water darkened as appropriate.

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Hana no Mei (1/3) (-, Dry media, using liquid to move the medium, manipulation of variety and texture, emphasis on negative space)

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Hana no Mei (1/3) (-, Dry media, using liquid to move the medium, manipulation of variety and texture, emphasis on negative space)

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Sketch and chalk pastel laid out of flower, composed of an optic nerve-stem and eyeball focal point. Petals are eyelid shavings; was difficult to depict this.

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Botanical (1/1) (Direct Observation, oil, gestural mark making, asymmetrical balance)

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Botanical (1/1) (Direct Observation, oil, gestural mark making, asymmetrical balance)

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Oil pastel skyscape-themed product; was difficult to  generate the right blends of colors to imitate certain elements, especially clouds and the light of the sun.

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Experimented with strong diagonals to fill negative space; difficult to create light source affecting all the junk in the heap below with shadows.

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Lumineshrooms (1/2) (Non-objective abstraction, -, manipulation of variety and texture, strong diagonals)

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Lumineshrooms (1/2) (Non-objective abstraction, -, manipulation of variety and texture, strong diagonals)

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Basic sketch of mushrooms atop a pile of junk, in attempt to have a busy piece, but be able to win the viewer's eye with the focal point (of the mushrooms.)

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Tip of the Hat (1/2) (Figurative, acrylic, application of color theory, asymmetric balance)

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Tip of the Hat (1/2) (Figurative, acrylic, application of color theory, asymmetric balance)

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Simple pencil drawing of middle-aged noble. By this point in the project, I had no abstract or intricate idea.

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In my painting the now-finished figure, I discovered the hard way just how difficult mixing acrylic to generate caucasian skin-tone can be. I filled the negative space with chalk dust of red, gray and black, adding a crazed atmosphere to the man, who has stabbed through someone's hat.