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Many films of this style tend have fairly bright and sunny colour schemes (at least if the weather is fairly decent). When you see the sky in these movies, it tends to be a bright, colourful blue (like the one in the background) rather than a fairly dimmer and more grey sky like those in the UK on a typical day (sunny blue skies are a bit rarer compared to those in the US. Maybe some slight colour editing may have to be done on our video in order to achieve similar bright colour schemes.

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As expected from any cop movie, the film is based around a (series of) crime(s). As we are focusing on the opening to a film, most 70's style cop movies and shows typically start off showing the crime itself happening, and the main character(s) spend the rest of the film trying to solve the case the audience already saw happen. Examples of this include pretty much every episode of Columbo, Dirty Harry and Bullitt. In the case of Columbo, the initial crime committed is focused on with detail, which would likely be difficult to replicate with no dialogue. In the case of Dirty Harry, (aside from the strange opening part which looks at the names of a bunch of San Francisco officers), starts off showing the murder exclusively, with no dialogue or extra detail. After that, the rest of the opening is just showing the titular character investigating the crime scene, still with a small amount of dialogue. This type of style would be easier to 'replicate'.

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Most films like this try to have the main character appear fairly mysterious at first, or they just try to make the character look badass from the get-go. For example, when the audience first see's 'Dirty' Harry Callahan, we are not too sure how this character acts, but simply because of marketing and Clint Eastwood typically being typecast, we may believe (which is later proven) that he's a no nonsense, tough guy. With Mad Max, his character remains partially (his face isn't seen until the end of the beginning chase), but is made to be the best person involved in the huge car chase, making him look tough and cool.

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A majority of these films tend to have a jazz/funk sort of soundtrack to it, or just a tense orchestral soundtrack.

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Though these films/shows tend to usually use still shots or have the camera mounted on a tri-pod, when there tends to be more action or intense scenes occurring (in the majority of these films, they tend to be chase scenes), they go handheld and shaky, which 'adds to the intensity' of the film.

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The type of film I want to do is a 70's style cop film; in the vain of Dirty Harry, Bullitt, The French Connection and (partially) the first Mad Max, and some TV shows like Columbo and Ironside, but I am also taking ideas from other 70's, non-cop/crime films, such as Invasion of the Body Snatchers.