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Scale - analysis and uses in Jazz improvisation

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Erik Satie Scale - analysis and uses in Jazz improvisation

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Le Tango prepétual

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Erik Satie - Le Tango prepétual (Scrolling Score)

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"Peripetie"
Five Orchestral Pieces is an atonal Expressionist piece. It was completed in 1909. The first performance took place in London in 1912.
Schoenberg described it as "a vivid, uninterrupted succession of colours and moods". Peripetie is the fourth movement.
Peripetie can be translated as 'a sudden change of fortune'.
The orchestra
Five Orchestral Pieces is written for a very large orchestra using some unusual instruments.
There are three flutes, oboes, clarinets and bassoons (instead of the normal pairs) plus piccolo, cor anglais, clarinet in D, bass clarinet and contrabassoon. There are extra horns, trumpets and trombones plus a tuba. The percussion section includes xylophone, cymbals, tam tam (a large gong) and bass drum.

Instruments often play at the extreme of their registers. There are many performance directions in the score. Schoenberg was looking for very specific tone colours or timbres.

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Perchè 12 toni?

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Transfigured Night for String Sextet, Op. 4

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Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4

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NEC Contemporary Ensemble Concert directed by John Heiss Jordan Hall in Boston, MA Recorded on January 31, 2013 Schoenberg's Transfigured Night for String Sextet, Op. 4 Audrey Wright and Alexi Kenney, violins Wenting Kang and Alice Weber, violas Emileigh Vandiver and Andrew Larson, celli

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Risveglio di una Città, per intonarumori (1913)

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Luigi Russolo: Risveglio di una Città, per intonarumori (1913)

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Luigi Russolo (1885-1947): Risveglio di una Città, per intonarumori (estratto) (1913). Cover image: Gerardo Dottori - Temporale in Città (1919). **** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world.

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In campo musicale, il Futurismo introduce la novità più trasgressiva di tutti i tempi: il RUMORE. Al passo con le innovazioni di inizio secolo, appassionati di motori e di velocità, i Futuristi fanno

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https://padlet.com/plsangiorgi/primo_novecento

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Ogni cultura ha il suo sistema musicale.